| David Warbeck | ... | Capt. Henry Morris | |
| Tisa Farrow | ... | Jane Foster | |
| Tony King | ... | Sgt. George Washington | |
| Bobby Rhodes | ... | Carlos | |
| Margit Evelyn Newton | ... | Carol (as Margi Eveline Newton) | |
| John Steiner | ... | Maj. Cash | |
| Massimo Vanni | ... | Phillips | |
| Luciano Pigozzi | ... | Bartender (as Alan Collins) | |
| Dino Conti | ... | Pot-smoking soldier | |
| Gianfranco Moroni | |||
| rest of cast listed alphabetically: | |||
| Jim Gaines | ... | U.S. deserter (uncredited) | |
| Miki Kim | ... | Prostitute in bar (uncredited) | |
| Romano Kristoff | ... | Helicopter pilot (uncredited) | |
| Edoardo Margheriti | ... | Stinker Smith (uncredited) | |
| Richard McNamara | ... | General in Flashback (voice: English version) (uncredited) | |
| Gregory Snegoff | ... | Drunken G.I. (uncredited) | |
| Susan Spafford | ... | Carol (voice: English version) (uncredited) | |
| Pat Starke | ... | Jane Foster (voice: English version) (uncredited) | |
| Frank von Kuegelgen | ... | Maj. Cash (voice: English version) (uncredited) | |
| Hal Yamanouchi | ... | Various Vietcong (uncredited) | |
Directed by | |||
| Antonio Margheriti | (as Anthony M. Dawson) | ||
Writing credits(in alphabetical order) | ||
| Gianfranco Couyoumdjian | story | |
| Dardano Sacchetti | screenplay | |
Produced by | |||
| Gianfranco Couyoumdjian | .... | producer | |
Original Music by | |||
| Franco Micalizzi | |||
Cinematography by | |||
| Riccardo Pallottini | |||
Film Editing by | |||
| Alberto Moriani | |||
Production Design by | |||
| Mimmo Scavia | (as Bartolomeo Scavia) | ||
Costume Design by | |||
| Mimmo Scavia | (as Bartolomeo Scavia) | ||
Makeup Department | |||
| Nicola Catalani | .... | assistant makeup artist | |
| Massimo Giustini | .... | makeup artist | |
Production Management | |||
| Mauro Mariani | .... | production supervisor | |
| Pasquale Vannini | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Edoardo Margheriti | .... | second unit director | |
Art Department | |||
| Antonella Margheriti | .... | assistant production designer | |
Sound Department | |||
| Alfonso Montesanti | .... | sound engineer | |
| Bruno Moreal | .... | sound mixer | |
| Guglielmo Smeraldi | .... | boom operator | |
Special Effects by | |||
| Apolonio Abadeza | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Antonio Benetti | .... | still photographer | |
| Luigi Conversi | .... | assistant camera | |
| Fernando Massaccesi | .... | chief electrician | |
| Sergio Profili | .... | key grip | |
| Mario Sbrenna | .... | camera operator | |
Costume and Wardrobe Department | |||
| Franca Celli | .... | seamstress | |
Editorial Department | |||
| Massimo Cataldo | .... | first assistant editor | |
| Mario Recupito | .... | second assistant editor | |
Other crew | |||
| Umberto Bellucci | .... | production secretary | |
| Marisa Calia | .... | script supervisor | |
| Otello Tomassini | .... | administrator | |
|
|
|
|
|
| Lions for Lambs | Batman | Dark Blue World | Rambo: First Blood Part II | The A-Team |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
Whilst on the surface, Antonio Margheriti's, The Last Hunter, might be categorised as a simple exploitation flick, in reality it comprises a great deal more depth and actually serves as a vehement condemnation of the horrors and futility of war.
The very sadly missed David Warbeck here puts in one of his most memorable performances as the war weary Captain Morris, who accepts a seemingly suicidal mission deep behind Vietnamese enemy lines. Also along for the ride are B-movie favourites Tony King, Bobby Rhodes, and in a typically memorable performance, the wonderful John Steiner. Regular fans of Italian B movies will also delight to spot the likes of Massimo Vanni and Luciano Piggozi (sans his beard!)
Whilst it will likely be best remembered to most fans for it's gore drenched and superbly rendered action sequences, the film actually works on multiple levels to entertain, including some highly amusing dialogue and interaction between the protagonists.
Finally, special mention must go to the surprisingly poignant and ambiguous ending in this as a heartfelt anti-war song plays over the end credits.
Superb stuff and undoubtedly one of, if not Margheriti's best work.