Two lovers stationed at a remote base in the asteroid fields of Saturn are intruded upon by a retentive technocrat from Earth and his charge: a malevolent 8-ft robot. Remember, in space no ... See full summary »
A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the ... See full summary »
Vinny is obsessed with famous actress Jana Bates and is determined to have her star in his movie. He travels to the Cannes Film Festival in France to try and convince her. Unfortunately, he goes about things in a rather unprofessional manner and people invloved with Jana Bates begin to disappear. Written by
Josh Pasnak <email@example.com>
A crew person can be glimpsed laying down on the ground throwing fake blood up at Brett while Vinny is slashing him with a chainsaw. See more »
Hi, Vinny. You're home early. What's wrong? Are you sick?
I'm fine. Couldn't be better. I'm home early because I just got my round-trip plane ticket. I'm leaving tomorrow for Europe. I'm going to the south of France for the Cannes Film Festival, Ma!
[as Vinny goes to his room to pack]
Vinny, stop talking about those crazy ideas of yours. I made baked macaroni. You don't eat right. You need more proten so you wouldn't have to think of those crazy ideas.
I don't know why you think my ideas...
[...] See more »
I bought this on DVD from a Poundland for, hey! - a pound. It was re-titled as 'Fanatic'. Actually it was a double bill. Another schlock flick who's title I forget was on the flip side of the disc. So in effect, I got the Spinell picture for 50p. I'd say it was money well spent.
This was shot on the hoof at the 1981 Cannes film festival. Joe is a taxi driver who goes there to seek out his idol/wet dream Caroline Munro. Caroline appears with her then real life spouse Judd Hamilton. Husband and wife are both dubbed, and Caroline looks pretty much as she did when she was a hostess on '3-2-1' with Ted Rogers. The film bears little resemblance to the previous Spinell/Munro vehicle, 'Maniac'. That was grim, gory and reprehensible. This is light, silly and incomprehensible.
'The last horror film' seemed to receive an inordinate amount of coverage in the British film fantasy magazine 'Starburst' at the time. I can now see why: Spinell appears reading a copy of said periodical. Reciprocal publicity. There are also numerous references to other films, especially Scorsese's 'Taxi Driver' (which Joe appeared in). In fact, there is a vaguely interesting blurring of film reality and fantasy and 'real' reality and fantasy throughout. Generally, though, it's a mess. Scenes just seem to rear up out of nowhere. But if you're interested in such things, the footage of Cannes and the general nakedness of the female cast will provide fifty pence's worth of entertainment.
There's a nice story on the Spinell documentary included on the Anchor Bay 'Maniac' disc which pertains to the making of this film. The cast and crew were staying at a rather expensive Cannes hotel, and due to the penurious nature of the budget found themselves unable to foot the extravagant bill. Spinell, Winters, Munro and all concerned therefore decided to do a runner in the middle of the night and catch the nearest plane home. Pity they didn't film that little episode and stick it in here along with everything else.
Watch out for Joe's verbal sparring with his real life mother Filomena (aka Mary). Pretty funny.
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