Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed ... See full summary »
Helena loves Bertram, but he's of noble birth, while she's just a doctor's daughter. But Bertram is at the court of the King of France, who is ill, and Helena has a remedy that might cure ... See full summary »
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange ... See full summary »
King Leontes of Bohemia suspects his wife, Hermione, and his friend, Polixenes, of betraying him. When he forces Polixenes to flee for his life, Leontes sets in motion a chain of events ... See full summary »
Henry Bolingbroke has now been crowned King of England, but faces a rebellion headed by the embittered Earl of Northumberland and his son (nicknamed 'Hotspur'). Henry's son Hal, the Prince ... See full summary »
Aegeon of Syracuse has come to Ephesus to seek his son, who went in search of his missing twin and mother months ago. Too bad that Ephesus has just declared war on Syracuse, and will ... See full summary »
James Cellan Jones
A scholarly king and his three companions swear off the society of women for three years, only to have a diplomatic visit from a French princess and her three ladies-in-waiting thwart their intentions.
The chronology places "King John" between "Midsummer Night's Dream" and "Merchant of Venice," but this play is not on that level. The quality of the writing is remarkably inconsistent compared with more familiar texts. However the BBC production gives the play a fighting chance, and it's worth exploring.
This Shakespeare series often roped in familiar faces from light television for leading roles, to broaden the viewing audience. Sometimes the stars would open the play with recognizable tics to reassure their public, and then abandon them as they gained confidence during the course of the play.
One example is John Cleese in "Taming of the Shrew," and Leonard Rossiter does it here too. After a tentative beginning, Rossiter acquits himself well by his final scene. George Costigan as Philip the Bastard also starts out fairly cluttered, and gains a welcome simplicity by the end. John Thaw is quite good as Hubert de Burgh, and Inspector Morse addicts will have trouble recognizing him.
The women disappear from the plot fairly early, but here they get the acting honors. Mary Morris is magnetic as old Queen Elinor, and Claire Bloom wrestles valiantly with the unactable part of Lady Constance.
The stylized physical production owes more than a little to the Olivier "Henry V," with a medieval manuscript illustration feel to the scenes in France. Altogether a worthy excursion off the beaten path.
10 of 10 people found this review helpful.
Was this review helpful to you?