A friendly street kid in India, during the last years of the 19th century, looks and considers himself Indian but is in fact a Brit. The Brits discover his true origin and train him as a spy.

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Cast

Cast overview, first billed only:
...
...
...
Babu
Ravi Sheth ...
Kim
...
Lee Montague ...
Kozelski
Alfred Burke ...
Mick Ford ...
Cpl. Bruce
Bill Leadbitter ...
Gorin
Sneh Gupta ...
Indra
Roger Booth ...
Peter Childs ...
Company Sergeant Major
Noel Coleman ...
Commander-in-Chief
Nadira ...
Widow of Kulu
Lavlin ...
Shahana
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Storyline

A friendly street kid in India, during the last years of the 19th century, looks and considers himself Indian but is in fact a Brit. The Brits discover his true origin and train him as a spy.

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16 May 1984 (USA)  »

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1.33 : 1
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Quotes

Kim: [Speaking to the unborn child in Indra's belly] Do you not want to be born, little brother? It's really not so bad out here. All you have to do is be quick - and a little bit wicked - and you'll be as happy as Kim.
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Version of Kim (1955) See more »

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User Reviews

 
Beautiful Technicolor -
3 March 2012 | by (Denmark) – See all my reviews

  • and the scenery is stunning, but otherwise, such a film as this makes


me understand why Salinger wanted "Catcher in the Rye" to remain unfilmed. Ravi Sheth is passable as Kim when he can refrain from dismal attempts at being "cute" (I know: the director is probably to blame),and at times, he's downright good. Rhys-Davies and Brown are excellent in a way that honors the novel, but Peter O'Toole is an abomination. Let alone that his bald pate is the worst make-up job I have seen outside a circus, but the Lama is supposed to be wise in a childish way and O'Toole misses the mark by a light year, stumbling away in a drunken stupor and reading his lines like a BBC news reader from the 30s. I trust that by now O'Toole has been reborn as a cobra due to his criminal treatment of Kipling's Old Lama. In this case, I'll not blame the director. With a track record like his own, Peter O'Toole should be able to make something better out of even the poorest direction. To think that HE played Lawrence of Arabia! How are the mighty fallen! However, I did not mind in the least the added love story of the young British trooper and his Indian wife - in fact, it showed that the men behind the film knew their Kipling. I take it the interracial tragedy is collected from stories such as "Lispeth", "Beyond the Pale" and "Without Benefit of Clergy".

But why, oh why didn't David Lean think of filming "Kim" when he actually improved on Forster's chatty "Passage to India", a far lesser literary work?


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