Sydney Schanberg is a New York Times journalist covering the civil war in Cambodia. Together with the local journalist Dith Pran, they cover some of the tragedy and madness of the war. When the American forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won't have any trouble leaving the country, but the situation is different for Pran; he's a local, and the Khmer Rouge are moving in. Written by
Murray Chapman <email@example.com>
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Cambodia. To many westerners it seemed a paradise. Another world, a secret world. But the war in neighboring Vietnam burst its borders, and the fighting soon spread to neutral Cambodia. In 1973 I went to cover this side-show struggle as a foreign correspondent of the New York Times. It was there, in the war-torn country side amidst the fighting between government troops and the Khmer Rouge guerrillas, that I met my guide and interpreter, Dith Pran, a man who was to change my life ...
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The Killing Fields is one of the most influential films of the 20th century. Its provocative and dangerous subject matter stresses the importance of communication and the freedom to communicate. Based on the Khmer Rouge occupation and genocide of Cambodia in the 1970's, the film tells the story of two men, catapulted into chaos and peril.
The movie is first and foremost, a historical account. The events are based off the true story of Dith Pran and Sydney Schanberg. Given that I had not known much about the Cambodian genocide of the 1970's prior to seeing this film, I must herald the piece as a successful feat of cinematography that served as both informational as well as inspirational. The film is believable, realistic, and heart wrenching. I immediately felt for the two main characters as they quickly exchanged trust and fell victim to the powers of political violence. While it is slightly romanticized, The Killing Fields still manages to produce a message with real life implications.
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