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Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Willard Huyck | (screenplay) & | |
| Gloria Katz | (screenplay) | |
| George Lucas | (story) | |
Produced by | |||
| Kathleen Kennedy | .... | associate producer | |
| George Lucas | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Robert Watts | .... | producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
| George Lucas | (uncredited) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Marci Liroff | |||
| Mary Selway | (as Mary Selway Buckley) | ||
Production Design by | |||
| Elliot Scott | |||
Art Direction by | |||
| Roger Cain | |||
| Alan Cassie | (chief art director) | ||
Set Decoration by | |||
| Peter Howitt | |||
Costume Design by | |||
| Anthony Powell | |||
Makeup Department | |||
| Yvonne Curry | .... | makeup artist: California | |
| Linda DeVetta | .... | makeup artist (as Linda De Vetta) | |
| Lynda Gurasich | .... | hairdresser: California | |
| Hilary Haines | .... | hairdresser: London | |
| Colin Jamison | .... | chief hairdresser | |
| Janet Jamison | .... | hairdresser | |
| Richard Mills | .... | makeup artist (as Dickie Mills) | |
| Connie Reeve | .... | chief makeup artist: London | |
| Peter Robb-King | .... | chief makeup artist | |
| Tom Smith | .... | makeup supervisor | |
| John Webber | .... | makeup artist | |
Art Department | |||
| Tommy Bacon | .... | prop storeman | |
| Ken Barley | .... | supervising chargehand plasterer (as Kenneth Barley) | |
| Bill Beecham | .... | master painter | |
| Robert Betts | .... | stand-by painter (as Bob Betts) | |
| Antonio Caccavale | .... | stand-by painter: London (as Tony Caccavale) | |
| Kenneth Clarke | .... | master plasterer | |
| Danny Colangelo | .... | property master: California | |
| Roger Dawson | .... | stand-by carpenter: London | |
| Joe Dipple | .... | chargehand stand-by props | |
| Micky Driscoll | .... | supervising stagehand | |
| George Gibbons | .... | stand-by stagehand | |
| Stephen Hargreaves | .... | stand-by carpenter | |
| Bernie Hearn | .... | chargehand stand-by props | |
| Richard Holland | .... | draughtsman | |
| Derek Howarth | .... | chief modeller | |
| Charles Ixer | .... | chargehand dressing props | |
| Joe Johnston | .... | art director: California | |
| Errol Kelly | .... | art director: Sri Lanka | |
| George King | .... | stand-by stagehand: London | |
| Martin Kingsley | .... | stand-by prop | |
| John Lanzer | .... | production buyer | |
| Bert Long | .... | assistant construction manager | |
| Ted Michell | .... | scenic artist | |
| Dave Middleton | .... | construction storeman | |
| Andrew Probert | .... | production illustrator (as Andrew G. Probert) | |
| Michael Quinn | .... | stand-by plasterer: London | |
| Peter Russell | .... | assistant art director | |
| Stephen Scott | .... | assistant art director | |
| Steve Short | .... | stand-by props: London | |
| Ray Staples | .... | stand-by plasterer | |
| Ed Verreaux | .... | production illustrator (as Edward Verreaux) | |
| Peter Wallis | .... | chargehand dressing props | |
| Bill Welch | .... | construction manager | |
| Barry Wilkinson | .... | property master | |
| Simon Wilkinson | .... | stand-by props: London | |
| Barry Wilson | .... | drapes | |
| Tony Youd | .... | master carpenter (as Anthony Youd) | |
| Tom Brown | .... | set designer (uncredited) | |
| Paul Cheesman | .... | stand-by props (uncredited) | |
| Dean Coldham | .... | plaster crew (uncredited) | |
| Michael Finlay | .... | painter (uncredited) | |
| Loren Hillman-Morgan | .... | set painter: San Francisco (uncredited) | |
Visual Effects by | |||
| Barbara Affonso | .... | model maker: ILM | |
| Karen Ayers | .... | administrative staff: ILM | |
| Charles Bailey | .... | chief model maker: ILM (as Charlie Bailey) | |
| Craig Barron | .... | matte camera supervisor: ILM | |
| Greg Beaumonte | .... | engineering: ILM | |
| David Berry | .... | optical camera operator: ILM | |
| Patricia Blau | .... | location coordinator: ILM (as Patty Blau) | |
| Lance Brackett | .... | stage technician: ILM | |
| Barbara Brennan | .... | effects animator: ILM | |
| Kris Brown | .... | engineering: ILM | |
| Sean M. Casey | .... | stop-motion technician: ILM (as Sean Casey) | |
| Dave Childers | .... | stage technician: ILM | |
| Wade Childress | .... | engineering: ILM | |
| Terry Chostner | .... | still photography: ILM | |
| Donald Clark | .... | optical camera operator: ILM | |
| Mike Cochrane | .... | model maker: ILM | |
| Harold Cole | .... | stage technician: ILM | |
| Richard Davis | .... | model maker: ILM | |
| Geoffrey de Valois | .... | administrative staff: ILM | |
| Jeff Doran | .... | laboratory technician: ILM | |
| Dick Dova | .... | stage technician: ILM | |
| Karen Dube | .... | administrative staff: ILM | |
| Cheryl Durham | .... | administrative staff: ILM | |
| John Ellis | .... | optical camera operator: ILM | |
| Chrissie England | .... | administrative staff: ILM | |
| Christopher Evans | .... | matte artist: ILM | |
| Rick Fichter | .... | additional photography: ILM | |
| David Fincher | .... | matte photography: ILM | |
| Bob Finley III | .... | stage technician: ILM | |
| Robert Finley Jr. | .... | miniature pyrotechnician: ILM (as Bob Finley Jr.) | |
| Pat Fitzsimmons | .... | supervising stage technician: ILM (as Patrick Fitzsimmons) | |
| Stan Fleming | .... | storyboard artist: ILM | |
| Warren Franklin | .... | production supervisor: ILM | |
| Susan Fritz-Monahan | .... | administrative staff: ILM | |
| Joe Fulmer | .... | assistant cameraman: ILM | |
| Michael Fulmer | .... | chief model maker: ILM | |
| Barbara Gallucci | .... | chief model maker: ILM | |
| Tim Geideman | .... | lab technician: ILM | |
| Bill George | .... | model maker: ILM (as William George) | |
| Michael Gleason | .... | visual effects editor: ILM | |
| Ned Gorman | .... | administrative staff: ILM | |
| Caroleen Green | .... | matte artist: ILM | |
| Rebecca Heskes | .... | effects animator: ILM (as Rebecca Petrulli) | |
| Edward Hirsh | .... | stage coordinator: ILM | |
| Peg Hunter | .... | optical line-up: ILM | |
| Paul Huston | .... | chief model maker: ILM | |
| Jerry Jeffress | .... | engineering: ILM | |
| Ed Jones | .... | optical line-up: ILM | |
| Randy Jonsson | .... | assistant cameraman: ILM (as Randy Johnson) | |
| Paula Karsh | .... | administrative staff: ILM | |
| Ira Keeler | .... | model maker: ILM | |
| Ellen E. Lichtwardt | .... | effects animator: ILM (as Ellen Lichtwardt) | |
| Mike MacKenzie | .... | engineering: ILM (as Michael MacKenzie) | |
| Jeff Mann | .... | model maker: ILM | |
| Kim Marks | .... | assistant cameraman: ILM | |
| Scott Marshall | .... | model maker: ILM | |
| Michael J. McAlister | .... | chief visual effects cameraman: ILM (as Mike McAlister) | |
| Roberto McGrath | .... | still photography: ILM | |
| John McLeod | .... | stage technician: ILM | |
| Ted Moehnke | .... | miniature pyrotechnics: ILM | |
| Jack Mongovan | .... | effects animator: ILM | |
| Michael Moore | .... | assistant effects editor: ILM | |
| Deborah Morgan | .... | matte photography: ILM | |
| Charlie Mullen | .... | animation supervisor: ILM (as Charles Mullen) | |
| Dennis Muren | .... | visual effects supervisor | |
| Bruce Nicholson | .... | optical photography supervisor: ILM | |
| Kerry Nordquist | .... | still photography: ILM | |
| Phillip Norwood | .... | storyboard artist: ILM (as Phil Norwood) | |
| Merlin Ohm | .... | stage technician: ILM | |
| Frank Ordaz | .... | matte artist: ILM | |
| Randy Ottenberg | .... | stop-motion technician: ILM | |
| Michael Owens | .... | visual effects cameraman: ILM (as Mike Owens) | |
| Ease Owyeung | .... | chief model maker: ILM | |
| Udo Pampel | .... | machine shop: ILM | |
| Michael Pangrazio | .... | matte painting supervisor: ILM | |
| Lorne Peterson | .... | modelshop supervisor: ILM | |
| Jacques Protay | .... | additional optical line-up: Modern Film Effects | |
| Chris Rand | .... | machine shop: ILM (as Christopher Rand) | |
| Arthur F. Repola | .... | production coordinator: ILM (as Arthur Repola) | |
| Louis Rivera | .... | laboratory technician: ILM | |
| Pete Ronzani | .... | model maker: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Wesley Seeds | .... | model maker: ILM | |
| Kathy Shine | .... | administrative staff: ILM | |
| Thomas G. Smith | .... | general manager: ILM (as Tom Smith) | |
| David Sosalla | .... | stop-motion technician: ILM | |
| Mike Speakman | .... | stage technician: ILM | |
| Tom St. Amand | .... | stop-motion animator: ILM | |
| Howard Stein | .... | supervising visual effects editor: ILM | |
| Suki Stern | .... | effects animator: ILM | |
| Peter Stolz | .... | miniature pyrotechnics: ILM | |
| Pat Sweeney | .... | assistant cameraman: ILM | |
| Larry Tan | .... | model maker: ILM | |
| Marc Thorpe | .... | model maker: ILM | |
| Phil Tippett | .... | effects creative consultant: ILM | |
| Sean Turner | .... | effects animator: ILM | |
| Bruce Walters | .... | head effects animator: ILM | |
| Chuck Wiley | .... | model maker: ILM | |
| Michael Bigelow | .... | motion control programmer: DQI (uncredited) | |
| Layne Bourgoyne | .... | effects animator: VCE (uncredited) | |
| Eric Guaglione | .... | motion control assistant: DQI (uncredited) | |
| Rick Taylor | .... | effects animator/animation camera operator: VCE (uncredited) | |
| Hoyt Yeatman | .... | motion control photographer: DQI (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
| Joanna Johnston | .... | assistant costume designer | |
| Barbara Kassal | .... | wardrobe mistress: California | |
| Janet Tebrooke | .... | wardrobe mistress | |
| Patrick Wheatley | .... | wardrobe master | |
| John Cowell | .... | costume painter (uncredited) | |
| Barbara Matera | .... | costumes executor (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Terry Claborn | .... | color timer | |
| Bruce Green | .... | assistant film editor | |
| Jack Hooper | .... | negative cutter | |
| Tom Hooper | .... | negative cutter | |
| Steven Kemper | .... | assistant film editor (as Steve Kemper) | |
| Jim Schurmann | .... | color timer | |
| Colin Wilson | .... | assistant film editor | |
| Andrew Glen | .... | second assistant editor (uncredited) | |
Music Department | |||
| Bruce Botnick | .... | music recording consultant | |
| Lyle J. Burbridge | .... | music recording mixer (as Lyle Burbridge) | |
| Herbert W. Spencer | .... | orchestrator (as Herb Spencer) | |
| Kenneth Wannberg | .... | supervising music editor | |
| Israel Baker | .... | musician: violin solo (uncredited) | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Alexander Courage | .... | orchestrator (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| David Marder | .... | transportation coordinator: California (as Dave Marder) | |
| Vic Minay | .... | transport manager | |
Other crew | |||
| Kate Barker | .... | assistant: Ms. Kennedy | |
| Jane Bay | .... | assistant: Mr. Lucas | |
| Peter Bennett | .... | location manager: Sri Lanka | |
| Annie Berardini | .... | secretary to producer: California | |
| Arthur Carroll | .... | production controller | |
| Catherine Coombs | .... | administration: Sprocket Systems | |
| Patrick Crane | .... | assistant to producer: California | |
| Michael Culling | .... | animal handler (as Mike Culling) | |
| Susan d'Arcy | .... | unit publicist (as Susan D'Arcy) | |
| Danny Daniels | .... | choreographer | |
| Diane Dankwardt | .... | production accountant: California | |
| Patsy de Lord | .... | secretary: Mr. Spielberg (as Patsy De Lord) | |
| Rita De Silva | .... | production secretary: Sri Lanka | |
| Jack Dearlove | .... | stand-in: Mr. Ford | |
| Ceri Evans | .... | script supervisor: Asian unit | |
| Deborah Fine | .... | researcher | |
| Sidney Ganis | .... | marketing and promotion | |
| Caroline Hamilton | .... | assistant choreographer | |
| Barbara Harley | .... | assistant to production controller | |
| K.C. Hodenfield | .... | administration: Sprocket Systems | |
| Peter Howard | .... | dance sequence playback arranger | |
| James Kessler | .... | administration: Sprocket Systems | |
| Adria Later | .... | studio teacher | |
| Susan A. Leahy | .... | administration: Sprocket Systems (as Susan Leahy) | |
| May Leung | .... | location manager: Macau | |
| Clifford Mann | .... | ski unit coordinator: California | |
| Pamela Mann | .... | script supervisor (as Pamela Mann Francis) | |
| George Marshall | .... | production accountant | |
| Tony Miller | .... | assistant production accountant | |
| Larry Lee Perkins | .... | aerial unit jump master | |
| Stefano Priori | .... | location accountant | |
| Linda Rabin | .... | production secretary | |
| Bonne Radford | .... | production accountant: California | |
| Mary T. Radford | .... | assistant: Mr. Marshall | |
| Cristi Janaki Rathod | .... | advisor: Indian | |
| Ross Reynolds | .... | aerial unit pilot | |
| Lata Ryan | .... | production coordinator: California | |
| Art Scholl | .... | aerial unit pilot | |
| Kathleen Switzer | .... | assistant: Mr. Spielberg | |
| Phyllis Townshend | .... | script supervisor | |
| Susan Trembly | .... | marketing coordinator | |
| Richard Vane | .... | location manager: California | |
| Lennert von Clemm | .... | aerial unit pilot (as Lennard Von Clemm) | |
| Rebecca West | .... | secretary: Mr. Watts | |
| Janet Willis | .... | studio teacher | |
| Aaron Denney | .... | stand-in: Short Round (uncredited) | |
| Adam Samuelson | .... | louma crane technician (uncredited) | |
Thanks | |||
| Reed Smoot | .... | thanks | |
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| Raiders of the Lost Ark | Indiana Jones and the Last Crusade | Star Wars: Episode VI - Return of the Jedi | The Lord of the Rings: The Two Towers | Indiana Jones and the Kingdom of the Crystal Skull |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
It's funny to call "Indiana Jones and the Temple of Doom" a followup to "Raiders of the Lost Ark". This film is a prequel to the 1981 smash hit, a movie where the events that take place actually took place before the events in "Raiders". Notice at the beginning of "Raiders" that the year is 1936. In "Temple of Doom", the year is 1935. See what I mean? "Indiana Jones and the Temple of Doom" is another rollercoaster ride of a movie brought to life by Steven Spielberg and George Lucas. Harrison Ford is back as archaeologist Indiana Jones who this time searches for a sacred stone that was stolen from an Indian village. Along for the ride is American singer/entertainer Willie Scott (Kate Capshaw, aka Mrs. Steven Spielberg) and little Chinese sidekick Short Round (Ke Huy Quan). On their way to finding the stone they stumble across a palace that leads to the gateway of the Temple of Doom run by an evil Thugee cult. The action and special effects are first-rate as you would expect, though the story is a tad weaker than it was in "Raiders". Plus, Capshaw's performance leaves something to be desired. She goes so far over-the-top in some scenes that you'd wish Karen Allen would show up as Marion. Nevertheless, Capshaw isn't all that bad. She does make an impression during the times when she's not screaming. But Ke Huy Quan (now known as Jonathan Ke Quan) comes off better as Indy's young sidekick. The following year he starred in the Spielberg produced Richard Donner directed "The Goonies", but then didn't appear in much after that. "Indiana Jones and the Temple of Doom" is great fun only if you can get by Kate Capshaw's simpering wimpering character or the over-the-top violence. I found it to be exciting from beginning to end.
***1/2 (out of four)
POINT OF INTEREST: this was the film that lead to the creation of the PG-13 rating in 1984 (along with Spielberg's other 1984 movie "Gremlins"). Both "Indiana Jones and the Temple of Doom" and "Gremlins" feature violence that most people felt was too strong for a PG rating, though the MPAA felt that it wasn't strong enough to merit an R rating (other Spielberg movies that got PG ratings that were quite intense were "Jaws", "Poltergeist", and the original "Raiders of the Lost Ark"). So after "Indiana Jones and the Temple of Doom" and "Gremlins" opened in theaters at the beginning of the summer movie season of 1984 and became two of that year's biggest hits, the MPAA realized a new rating had to be created. The PG-13 rating was born. In August 1984, the first movies were released with the new PG-13 rating ("Red Dawn" and "The Woman in Red"). It's not a new rating anymore. The PG-13 rating has held up very well these last 18 years and it'll still go strong in the years to come. But I'll always remember "Indiana Jones and the Temple of Doom" as the leading factor to the creation of the PG-13 rating.