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Set in 1935, a professor, archaeologist, and legendary hero by the name of Indiana Jones is back in action in his newest adventure. But this time he teams up with a night club singer named Wilhelmina "Willie" Scott and a twelve-year-old boy named Short Round. They end up in an Indian small distressed village, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen! They also discovered the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom! Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world! Now, it's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom. Written by
Anthony Pereyra <email@example.com>
The village shaman refers to the Sankara stone as "Shiva linga". In traditional Hinduism, the linga is a tall, cylindrical stone representative of a phallus, often set inside a circle representing the yoni, or female organ. Together, the two symbols stand for the dualistic sexual energy of the god Shiva. See more »
In the Indian village, everyone speaks Sinhala, the Sri Lankan language. See more »
The Paramount mountain dissolves into a mountain on a gong. Kate Capshaw's hands obscure the words 'starring in', after which her entire body obscures the "Indiana Jones and the Temple of Doom" title. See more »
For a long time, this was the only one of the three Indiana Jones films I did not like. Then, when it was part of the DVD package that came out over five years ago, I had to buy it if I wanted the other two, so I gave it a third look. Wow, all of sudden I liked it.
For the first time, the woman (Kate Capshaw) and the young boy (Ke Huy Quan) weren't as annoying as I had remembered them. The stupid kid really had rubbed me the wrong way, but this time only Kate was annoying....and she was fine once she calmed down and got rid of the hysterics.
The action in this film is mostly at the beginning and at the end. It is so Rambo-ish (bad guys never hit the target but good guys always do) it is ludicrous. It also has dumb dialog in a number of spots, paying homage to voodooism, spells and other nonsense.
Yet, despite these criticisms, it's entertaining start-to-finish and has some fantastic visuals. The photography in here is beautiful: the best of the three Jones adventures. I particularly liked the opening dance number which reminded me of a Busby Berkeley extravaganza. This whole film looks spectacular on DVD.
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