After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
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Set in 1935, a professor, archaeologist, and legendary hero by the name of Indiana Jones is back in action in his newest adventure. But this time he teams up with a night club singer named Wilhelmina "Willie" Scott and a twelve-year-old boy named Short Round. They end up in an Indian small distressed village, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen! They also discovered the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom! Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world! Now, it's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom. Written by
Anthony Pereyra <email@example.com>
Mola Ram's chantings of "Maaro maaro sooar ko, chamdi nocho pee lo khoon" literally translated from Hindi is "Kill, Kill the pig, flay his skin, drink his blood". This is similar to the chant from William Golding's "Lord of the Flies". See more »
Mola Ram loses his grip on the bridge and breaks two pieces of wood as he falls off. In the wide shot of him falling, the pieces of wood that he's fallen from are unbroken. See more »
The Paramount mountain dissolves into a mountain on a gong. Kate Capshaw's hands obscure the words 'starring in', after which her entire body obscures the "Indiana Jones and the Temple of Doom" title. See more »
For no apparent reason, this story is set one year before Raiders of the Lost Ark, and we are reintroduced (or introduced, as this is a prequel) to Indiana Jones, in a bar in Shanghai, where he is obviously slipped a drug; a slow-acting poison in his drink. A huge fight ensues as he searches desperately for a vial containing the antidote, in a D.O.A.-inspired opening.
Unfortunately, after finding that vial of antidote in the decent enough intro, the vile film proper begins, as Jones and constantly whining sidekick Willie, and obnoxious little kid Short Round (oh please) endure all sorts of grotesqueries in their search for ... some rocks. Rocks? No fun at all, this film degenerates into nothing more than a seemingly never-ending series of repulsive, horrifying events (heart-ripping, kidnappings and child sacrifice, and enduring rooms full of bugs and tarantulas and creatures which have not yet been named crawling over people) for a couple of rocks? Are you kidding me? In the previous film, they found the Ark of the Covenant. Granted, it ends up being locked away in a huge warehouse, probably to never be seen again, but they found the Ark of the Covenant! There was a sense of wonder and accomplishment there.
Gone is the (slight) realism of Indy's quest for a historical Biblical object- in its place now, is the horrible doom and gloom of one of the lamest MacGuffins imaginable: rocks in an underground temple, being horded by a wholly forgettable villain.
John Rhys-Davies' character (Sallah) is sorely missed, but I doubt even he could have done much to salvage this material.
I'm sorry to keep bringing this up, but rocks? Bloody ROCKS? Why the bloody hell should we care about those couple of rocks?
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