An anthropologist who is part of an arctic exploration team discovers the body of a prehistoric Neanderthal man who is subsequently resuscitated. The researcher must then decide what to do with the prehistoric man and he finds himself defending the man from those that want to dissect him in the name of science. Written by
K. Rose <email@example.com>
HE'S 40,000 YEARS OLD. Deep within an Arctic glacier they found him, preserved by a miracle of nature, brought back to life by a miracle of science. Now medical science wants to exploit him in the name of research. One man wants to stop them...in the name of humanity. But he'll need more than a miracle to survive...he'll need a friend. See more »
Iceman was a project linked to Director Norman Jewison for several years throughout the 1970s. It ultimately emerged under Fred Schepisi, but Jewison was still attached as Producer. See more »
When "Charlie" awakens in the vivarium, he goes about life in general until he "catches" the water filter hose in the stream/pond. But as the scene continues, there is no way that he wouldn't notice the man-made construction of the glass enclosure or the fact that he cannot see the whole sky. Only when he roams hysterically around the vivarium does it become apparent. See more »
I, who was born to die, shall live. That the world of animals, and the world of men, may come together, I shall live. - Inuit Legend
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(opening quote) I, who was born to die Shall live. That the world of animals And the world of men May come together, I shall live. -- Inuit Legend See more »
One of the great "science fiction" movies of the 1980s.
It's sad to read some of the "summaries" and comments here about "Iceman." Some people dismiss 1980s movies outright, and think the usually overblown, CGI dominated "science fiction" movies of the 21st century are better!?! That makes me laugh. "Iceman" is a fine, understated, thought-provoking (ooh, that might injure some viewers) movie of the first order, no matter the genre.
I like the previous comment about John Lone being unjustifiably denied an Oscar nomination for that year (1983) -- he should have not only been nominated as best supporting actor, he should have won. And I thought so at the time. (The winner was Jack Nicholson for his supporting role in "Terms of Endearment," a pleasant if lightweight performance for him.) The original screenplay; the excellent, evocative soundtrack by Bruce Smeaton, and perhaps even director Fred Schepisi should also have been nominated, though I can understand the votes for the winners in those categories.
Those who think this character is a "Neanderthal" have a problem with anthropological/archaeological logic. He is a migrating human ancestor from 40,000 years ago, primitive but quick to learn and ingenious -- yet very different from those who would be his modern descendants (though with traditional links), let alone those of us whose ancestors MUCH later migrated to North America. He led a very hard life before he was frozen and has a much different belief system.
As for the ending: Those who don't get it seem to lack a true sense of wonder and mystery ... or are more than a little dense.
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