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Storyline
An anthropologist who is part of an arctic exploration team discovers the body of a prehistoric man who is still alive. He must then decide what to do with the prehistoric man and he finds himself defending the creature from those that want to dissect it in the name of science. Written by
K. Rose <rcs@texas.net>
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HE'S 40,000 YEARS OLD. Deep within an Arctic glacier they found him, preserved by a miracle of nature, brought back to life by a miracle of science. Now medical science wants to exploit him in the name of research. One man wants to stop them...in the name of humanity. But he'll need more than a miracle to survive...he'll need a friend.
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Trivia
Director
Fred Schepisi was fired by the studio and producer
Daniel Melnick after Schepisi personally agreed to shoot "the original ending" from the original script as intended. However, Schepisi did not do this and was immediately let go.
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Goofs
When Charlie is looking upwards to the helicopter, his open mouth reveals a large number of silver fillings. Such dentistry, obviously, wouldn't have been available during the stone age.
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Quotes
[
first lines]
Title Card:
I, who was born to die, shall live. That the world of animals, and the world of men, may come together, I shall live. - Inuit Legend
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Crazy Credits
(opening quote) I, who was born to die Shall live. That the world of animals And the world of men May come together, I shall live. -- Inuit Legend
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Soundtracks
"Heart of Gold"
(uncredited)
by
Neil Young
Performed by
Timothy Hutton, accompanied by
John Lone See more »
Unusually intelligent sci-fi, about a group of polar researchers who discover a hibernating (and slightly too human-looking) Neanderthal. The scientists (predictably) just want to cut him up, but Tim Hutton plays the lone anthropologist who befriends him and teaches him how to sing along to Neil Young. At times the film (pre-CGI) seems dated in appearance, but its strength is not to underestimate the difference between the Neanderthal's world and our own, nor his capacity to deal with it. Good to see a sci-fi film that for once is more interested in substance than surface.