Two hit men pick up ex-gangster Willie to escort him back to Paris to face his betrayed colleagues. The road trip suffers from complications.

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Nominated for 1 BAFTA Film Award. Another 2 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
Freddie Stuart ...
First Man
...
Second Man
A.J. Clarke ...
Third Man
...
Willie Parker
Lennie Peters ...
Mr. Corrigan
Bernie Searle ...
Hopwood (as Bernie Searl)
Brian Royal ...
Fellows
Albie Woodington ...
Riordan
...
Judge
...
Barrister
Manuel de Benito ...
Juan (as Manuel De Benito)
...
Priest
Enrique San Francisco ...
Kidnapper (as Quique San Francisco)
Will More ...
Kidnapper (as Joaquin Alonso)
José Luis Fernández 'Pirri' ...
Kidnapper (as Jose Luis Fernandez)
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Storyline

Ex-gangster Willie Parker has betrayed his former "colleagues" and now lives in Spain where he thinks he can hide from their vengeance. But one day, ten years later, two hitmen (Braddock and Myron) show up and kidnap Willie. They are ordered to escort him back to Paris where he should stand trial. But it is a long way to Paris... Written by Harald Mayr <marvin@bike.augusta.de>

Plot Summary | Add Synopsis

Taglines:

A Journey to Destiny [Australia Theatrical] See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

8 March 1985 (USA)  »

Also Known As:

Az áruló  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The look of John Hurt's Mr. Braddock character with his slicked-back hair has often been likened to Dustin Hoffman's Ratso Rizzo character from John Schlesinger's Midnight Cowboy (1969). See more »

Goofs

At the beginning of the film, a black Ford Zephyr Mark III pulls up outside Willie Parker's flat. It has a number plate ending in K, denoting that it was first registered in 1971 or 1972. However this model of car was only made between 1962 and 1966. The DVLA rules on personalised number plates forbid a plate that makes a car look "younger" that its actual year of manufacture. See more »

Quotes

Myron: You've got nothing to smile about mate, if you knew.
Willie: If I knew?
[to Braddock]
Willie: He thinks I don't know.
See more »

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User Reviews

 
To close for comfort.
1 February 2007 | by (the Mad Hatter's tea party.) – See all my reviews

Ten years ago Willie Parker testified in court against some of his criminal buddies and ever since then, has been waiting for them to settle the score while hiding out in Spain. Soon enough his tracked down by two hit men, the slick professional Braddock and his raw rookie Myron. Who plan to take him back to Paris to meet up with those he done in, but on their trip there they stop off at a Madrid apartment that includes an unplanned kidnapping of a young Spanish girl, Maggie. Through the trip Parker's pondering manner starts getting on the pairs' nerves and the feisty Maggie makes matters even worse. Nothing is truly going to plan with these constant distractions and the Spanish police are hot on their trail.

I wasn't expecting to like "The Hit" as much as I did. But came away really enjoying and thinking highly of this oddity, after knowing nothing about it to begin with. It was neat blind purchase (well, it only cost $2), which really did pay off. This colourfully kooky British crime feature has a premise that likes play mind games by breezily building upon the animated characters and random situations they find themselves stuck in. It's about them finding their feet and coming to terms that death might be around the corner. Nothing to fear in something you shouldn't be afraid off. Peter Prince's tautly fleshed out script has real sensitivity about it and goes down well with the simple road trip storyline. While rather talkative, the dialogue driven outing has a lyrically deeper underbelly, where personalities clash with amusingly engaging and wittily sly results. Action is little, but it doesn't suffer from it and when it unfold, its intensely drawn up. Director Stephen Frears paints a poetically subdued feel to it with such freshly assured and suave direction. He truly sets up some beautiful visions without losing any of that brutal edge when called for (the surprising climax takes the cake). Mick Molloy's fetchingly sublime photography-work incorporates the alluringly picturesque backdrop of Spain with elegant scope. He even frames diverse scenes with inspired shots that have you in awe. Eric Clapton plugs away for the sweepingly airy opening title and Paco de Lucia stirringly upbeat Spanish flavour to the music score kicks up the energy levels and unpredictable vibe. The technical side of the production is pretty top-draw and sufficiently done. The performances are all marvellous in crafting out their characters and feeding off each other with believable chemistry. An outstandingly novel John Hurt plays the professionally cool, tough as nails hit-man Braddock with such cold venom. Character actor Tim Roth (in his film debut) is brilliant in a total opposite persona as a young clueless, hot-wired rookie Myron getting a little too attached to their captivates. Terence Stamp stands-out in his turn of the lively accepting Willie Parker, who throws up some words of wisdom along the way and strangely becomes fixated with his closing destiny. Laura del Sol dashingly fine as the strong willed Maggie who adds the sparks. Also showing up in short, but potent roles is Aussie actor Bill Hunter and Fernando Rey playing an officer closing on their tails.

"The Hit" is a focused, well thought-out production that I believe to be perfect across the board. Some people might find it to lead nowhere, but seductively enterprising is what comes to my mind.


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Why did he get upset when they didn't go to Paris dammitgirl
This movie was a bore; except for one scene Remote-2
That brief case that gets tossed into the hired abductors car easmax
German DVD Shadow1517
Willies decisions thoughout the film a1_andy_11
Novelization? parze
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