The series (11 episodes) tells the story of the village Schabbach, on the Hunsrueck in Germany through the years 1919-1982. Central person is Maria, who we see growing from a 17 year old ... See full summary »
1885. For the opera festival it has organized, the small town of Imlingen has invited a famous singer, Maddalena Dall'Orto, who will not only sing at the local opera but will also perform ... See full summary »
This film, which is basically the longest narrative film ever made, is a 15-1/2 hour episodic exploration of the character of Franz Biberkopf, "hero" of Alfred Döblin's acclaimed novel, as ... See full summary »
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie ... See full summary »
The current day-to-day life is much different than what it was thirty or forty years ago, but it is the life to which we as people are now accustomed and take for granted. But it also ... See full summary »
This is not only a sequel to the "Second Heimat", but also a chronicle of a very decisive decade for Germany (1989 to 200). The main couple of the mini-series released in 1992, Hermann ... See full summary »
The series (11 episodes) tells the story of the village Schabbach, on the Hunsrueck in Germany through the years 1919-1982. Central person is Maria, who we see growing from a 17 year old girl to an old woman, and her family. The family, like the rest of the German people live through the crises after WW-I, the rise and fall of Nazism and WW-II, and the rebuilding and the following prosperity of the village (as a symbol for the whole country) after WW II. Written by
Roemer Lievaart <email@example.com>
In the narration at the beginning of "Das Fest der Lebenden und der Toten" we are told that Pauline died in 1979. However on the family tree the date is listed as 1975. This is confirmed when Hermann visits the grave and the date on the tombstone is 1975. See more »
What can one say? This is what (television) drama should be. I saw the first Heimat when it was broadcast in the Netherlands in 1985, shortly after it was released in Germany. I was stunned. It seems that every decade one or two television productions excel, and this was without a shred of a doubt the eighties' highlight. When the second Heimat was shown on Dutch television in two marathon sessions (it runs for over 25 hours in all) I sort of locked myself in, and never regretted it.
I cannot begin to describe what Heimat is about. It's an epos. It's European history of the twentieth century on a small scale, literally. It's 'roman fleuve' and yet it's not. It's your family, that sometimes you wished wasn't there (and for good reasons) and then you're glad to meet again. It's all the human frailty and without the excuses. It *is* the human condition. And it only helps that it is beautifully shot, that the actors put on a superb show, that the music at times is haunting.
Now, on the verge of having the third series shown on TV, the first Heimat is finally available on DVD (with the other two series promised for the next few months). And although I saw most of it about twenty years ago, it is like coming home again and meeting your boyhood friends, those favourite aunts, that dear old uncle - what was wrong with him, again?
If you are looking for action, a thrilling plot, romance in a grand manner, wonderful CGI, and be done before dinner, don't look at Heimat. But if your willing to submerge yourself, to be engulfed by a very good story, to get really, I mean really, well acquainted with characters - well, I'm not in for commercial breaks, but go out and get it!
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