Heimat: A Chronicle of Germany
(1984– )
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Heimat: A Chronicle of Germany
(1984– )
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| Series cast summary: | |||
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Marita Breuer | ... |
Maria Simon
(11 episodes, 1984)
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Kurt Wagner | ... |
Glasisch Karl
(11 episodes, 1984)
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Rüdiger Weigang | ... |
Eduard Simon
(11 episodes, 1984)
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Eva Maria Schneider | ... |
Marie-Goot
(11 episodes, 1984)
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Karin Rasenack | ... |
Lucie Hardtke
(10 episodes, 1984)
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Johannes Lobewein | ... |
Alois Wiegand
(10 episodes, 1984)
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Gertrud Bredel | ... |
Katharina
(9 episodes, 1984)
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Eva Maria Bayerwaltes | ... |
Pauline
(9 episodes, 1984)
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Hans-Jürgen Schatz | ... |
Wilfried Wiegand
(9 episodes, 1984)
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Johannes Metzdorf | ... |
Pieritz
(8 episodes, 1984)
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Wolfram Wagner | ... |
Maethes-Pat
(7 episodes, 1984)
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Willi Burger | ... |
Mathias
(6 episodes, 1984)
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Arno Lang | ... |
Robert Kröber
(6 episodes, 1984)
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Sabine Wagner | ... |
Martha Simon
(6 episodes, 1984)
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Helga Bender | ... |
Martina
(6 episodes, 1984)
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Alexander Scholz | ... |
Hänschen
(6 episodes, 1984)
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Jörg Hube | ... |
Otto Wohlleben
(5 episodes, 1984)
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The series (11 episodes) tells the story of the village Schabbach, on the Hunsrueck in Germany through the years 1919-1982. Central person is Maria, who we see growing from a 17 year old girl to an old woman, and her family. The family, like the rest of the German people live through the crises after WW-I, the rise and fall of Nazism and WW-II, and the rebuilding and the following prosperity of the village (as a symbol for the whole country) after WW II. Written by Roemer Lievaart <lievaart@dds.nl>
You can only appreciate this series if you like the German tradition of very slowly moving, but brilliant novels, like 'the magic mountain' (der Zauberberg) by Thomas Mann. Don't expect any form of action: it's real life, looked at through the eyes of real people, and there's no heroism, just life and the things it does to all of us. I had the habit of watching at least one or two episodes each week in winter, and I think this is the way to enjoy the series; watching the whole thing in
- let's say - one week, would ruin it and make it boring. The way music
is integrated in the series, and even becomes a theme in the second series, often triggered something; it's like Marcel Proust's 'a la recherche du temps perdu': the emotions shown, the feeling of time moving on and never coming back and history being written without you being able to change a single thing doesn't make you happy, but gives you a mild feeling of accepting things just the way they are.