| Wayne Rogers | ... | Alex Grier | |
| Karen Valentine | ... | Annabelle Grier | |
| Elizabeth Ashley | ... | Freddie Fox | |
| Novella Nelson | ... | Serena Cole | |
| Fred Koehler | ... | Lexy Grier (as Frederick Koehler) | |
| Martha Byrne | ... | Emily Grier | |
| Mimi Kuzyk | ... | Maureen McCullough | |
| Howard E. Rollins Jr. | ... | Raoul | |
| John Horton | ... | Fenley | |
| Tudi Wiggins | ... | Wheezy Knowlton | |
| Eve Crawford | ... | Inge | |
| Leslie Toth | ... | Tim | |
| George Touliatos | ... | Niko | |
| Marcia Bennett | ... | Rose Randall | |
| Paul Brown | ... | Jonathan Dale | |
| Susanne Absolon | ... | Shotzie | |
| John Bayliss | ... | Freddie's Ad Man | |
| Greg Beresford | ... | Casper | |
| Walker Boone | ... | Moussaka Husband | |
| Ken Camroux | ... | Freddie's Ad Man | |
| Linda V. Carter | ... | Receptionist #2 (as Linda Carter) | |
| Bibi Caspari | ... | Hester | |
| Anna Garduno | ... | Woman on Phone | |
| Len Henry | ... | Ad Man #2 | |
| Michael Hogan | ... | Freddie's Ad Man | |
| Noel James | ... | Player #2 | |
| Gordon Jocelyn | ... | Harry Purdom | |
| Jennifer Kiara | ... | Moussaka Wife | |
| Danielle Kiraly | ... | Receptionist #1 | |
| Patricia Knutson | ... | Laura | |
| Doug Lennox | ... | Himbigger | |
| James Loxley | ... | Woody Mumford | |
| Gene Mack | ... | Player #1 | |
| Peter Manierka | ... | Dr. Mendell | |
| Paul Massie | ... | Ad Man #1 | |
| Judith McGilligan | ... | Hildy | |
| Maxine Miller | ... | Bergdorf's Saleslady | |
| Zebulon Munro | ... | Knowlton | |
| James Rebhorn | ... | Man on Phone | |
| Heather Sinclair | ... | Bloomingdale Saleslady | |
| Patrick Sinclair | ... | Fotball Coach | |
| Stella Sprowell | ... | Pam Bancroft |
Directed by | |||
| Marc Daniels | |||
Writing credits(in alphabetical order) | ||
| Judy Rand | novel | |
| Bob Shanks | ||
Produced by | |||
| Stanley Hough | .... | supervising producer | |
| George Manasse | .... | associate producer | |
| Ann Zane Shanks | .... | producer | |
| Bob Shanks | .... | co-producer | |
Original Music by | |||
| Lee Holdridge | |||
Cinematography by | |||
| Richard Leiterman | |||
Film Editing by | |||
| Sidney Katz | |||
Casting by | |||
| Karen Hazzard | |||
Art Direction by | |||
| Reuben Freed | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Mary E. McLeod | |||
Makeup Department | |||
| David R. Beecroft | .... | hair stylist | |
| Irene Kent | .... | makeup artist | |
| Katherine Southern | .... | makeup artist (as Kathy Southern) | |
Production Management | |||
| Cosmas P. Bolger | .... | post-production manager (as Cosmas Bolger) | |
| David Coatsworth | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Otta Hanus | .... | first assistant director | |
| George Manasse | .... | first assistant director | |
| Robert Wertheimer | .... | second assistant director | |
Sound Department | |||
| Bruce Carwardine | .... | sound mixer | |
| Sam Horta | .... | sound editor | |
Camera and Electrical Department | |||
| Dave Barry | .... | key grip | |
| Ray Boyle | .... | gaffer | |
Music Department | |||
| Robert Drasnin | .... | music supervisor | |
Other crew | |||
| Jesse Cohoon | .... | location manager | |
| Debbie Cooke | .... | production coordinator | |
| Susanna David | .... | script supervisor (as Suzanna David) | |
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| The Devil Wears Prada | Mr. Blandings Builds His Dream House | Thank You for Smoking | Mr. Mom | The Egg and I |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb USA section |
I hope this film comes out on DVD or at least VHS! It was completely enjoyable and entertaining. Karen Valentine's performance was brilliant and driven ... truly top-notch. It was the first film I saw with Elizabeth Ashley, and I was fascinated by her performance as well. Excellent casting, a wonderful script and great direction.
This is feature-film quality. I didn't realize it was made-for-TV. I thought the story was quite fresh and original for the time it was produced. All the performances were spirited and riveting. It's been 20 years, and there are still scenes and pieces of dialogue vividly emblazoned in my memory! It is a remarkable film, and I'd give anything to see it again!