| Photos (see all 25 | slideshow) |
| Ralph Richardson | ... | The Sixth Earl of Greystoke | |
| Ian Holm | ... | Capitaine Phillippe D'Arnot | |
| James Fox | ... | Lord Charles Esker | |
| Christopher Lambert | ... | John Clayton / Tarzan, Lord of the Apes | |
| Andie MacDowell | ... | Miss Jane Porter | |
| Cheryl Campbell | ... | Lady Alice Clayton | |
| Ian Charleson | ... | Jeffson Brown | |
| Nigel Davenport | ... | Major Jack Downing | |
| Nicholas Farrell | ... | Sir Hugh Belcher | |
| Paul Geoffrey | ... | Lord John 'Jack' Clayton | |
| Richard Griffiths | ... | Captain Billings | |
| Hilton McRae | ... | Willy | |
| David Suchet | ... | Buller | |
| John Wells | ... | Sir Evelyn Blount | |
| Ravinder | ... | Dean | |
| Eric Langlois | ... | Tarzan aged 12 | |
| Danny Potts | ... | Tarzan aged 5 (as Daniel Potts) | |
| Peter Kyriakou | ... | Tarzan aged one | |
| Tali McGregor | ... | Infant Tarzan | |
| Paul Brooke | ... | The Rev. Stimson | |
| Tristram Jellinek | ... | Chalky White | |
| Roddy Maude-Roxby | ... | Olivestone | |
| Elliot W. Cane | ... | Silverbeard, Primate Father | |
| Ailsa Berk | ... | Kala, Primate Mother | |
| John Alexander | ... | White Eyes, Primate Leader | |
| Christopher Beck | ... | Droopy Ears, Tarzan's Childhood Friend | |
| Mak Wilson | ... | Figs, Tarzan's Follower | |
| Rona Brown | ... | Primate Sequences | |
| Georgia Clarke | ... | Primate Sequences | |
| Tessa Crockett | ... | Primate Sequences | |
| Frances D'Arcy | ... | Primate Sequences | |
| David Forman | ... | Primate Sequences | |
| Toh Koksum | ... | Primate Sequences | |
| Eugene Little | ... | Primate Sequences | |
| Tina Maskell | ... | Primate Sequences | |
| Douglas Mann | ... | Primate Sequences (as Dougie Mann) | |
| Rory Mitchell | ... | Primate Sequences | |
| Martin Pallot | ... | Primate Sequences | |
| Deep Roy | ... | Primate Sequences | |
| Kiran Shah | ... | Primate Sequences | |
| Martin Scully | ... | Primate Sequences | |
| Philip Tan | ... | Primate Sequences | |
| George Yiasoumi | ... | Primate Sequences | |
| rest of cast listed alphabetically: | |||
| Emile Abossolo M'bo | ... | (uncredited) | |
| Bridget Biagi | ... | (uncredited) | |
| Colin Charles | ... | Olly (uncredited) | |
| Glenn Close | ... | Miss Jane Porter (voice) (uncredited) | |
| Elaine Collins | ... | Ruby (uncredited) | |
| David Endene | ... | Boat Captain (uncredited) | |
| Sheila Latimer | ... | Duchess (uncredited) | |
| Derek Lyons | ... | Footman (uncredited) | |
| Alison Macrae | ... | (uncredited) | |
| Andrea Miller | ... | Governess (uncredited) | |
| Philemon Blake Ondoua | ... | Aloo (uncredited) | |
| Harriet Thorpe | ... | Iris (uncredited) | |
| Jacobin Yarro | ... | Riverbank Chief (uncredited) | |
Directed by | |||
| Hugh Hudson | |||
Writing credits | ||
| Edgar Rice Burroughs | (novel "Tarzan of the Apes") | |
| Robert Towne | (writer) (as P.H. Vazak) and | |
| Michael Austin | (writer) | |
Produced by | |||
| Stanley S. Canter | .... | producer | |
| Hugh Hudson | .... | producer | |
| Garth Thomas | .... | associate producer | |
Original Music by | |||
| John Scott | |||
Cinematography by | |||
| John Alcott | |||
Film Editing by | |||
| Anne V. Coates | |||
Casting by | |||
| Patsy Pollock | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Norman Dorme | |||
| Simon Holland | (supervising art director) | ||
Set Decoration by | |||
| Ann Mollo | |||
Costume Design by | |||
| John Mollo | |||
Makeup Department | |||
| Rick Baker | .... | special makeup effects | |
| Paul Engelen | .... | key makeup artist | |
| Peter Frampton | .... | makeup artist | |
| Tom Hester | .... | special makeup effects crew | |
| Steve Johnson | .... | special makeup effects crew | |
| Shawn McEnroe | .... | special makeup effects crew | |
| Joan Mills | .... | hair stylist | |
| Barry Richardson | .... | key hair stylist | |
| Joseph Ross | .... | special makeup effects crew | |
Production Management | |||
| Simon Bosanquet | .... | production manager | |
| Frank Ernst | .... | unit production manager: Cameroon | |
| Paul Hitchcock | .... | executive in charge of production | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
| Martin Asbury | .... | storyboard artist | |
| Gordon Billings | .... | stand-by props | |
| Jack Carter | .... | construction manager: Cameroon | |
| Ian Giladjian | .... | production buyer | |
| Martin Hitchcock | .... | art department associate | |
| Arthur Max | .... | art department associate | |
| Mickey Pugh | .... | stand-by props (as Michael Pugh) | |
| Cliff Robinson | .... | assistant art director (as Clifford Robinson) | |
| Keith Short | .... | sculptor | |
| Steve Short | .... | stand-by props (as Steven Short) | |
| Charles Torbett | .... | property master | |
| Andy Aitken | .... | scenic plasterer/mould maker (uncredited) | |
Sound Department | |||
| Robert Auger | .... | mobile recording engineer (as Bob Auger) | |
| Roy Baker | .... | dubbing editor | |
| Don Banks | .... | boom operator | |
| Terry Busby | .... | sound effects editor | |
| Graham V. Hartstone | .... | dubbing mixer | |
| Jack T. Knight | .... | sound effects editor (as Jack Knight) | |
| Nicolas Le Messurier | .... | dubbing mixer | |
| Archie Ludski | .... | dialogue editor | |
| Gordon K. McCallum | .... | chief dubbing mixer | |
| Ivan Sharrock | .... | production sound mixer | |
| Lionel Strutt | .... | adr mixer | |
| Ken Weston | .... | boom operator | |
| Les Wiggins | .... | dubbing editor | |
| Jonathan Andrews | .... | sound (uncredited) | |
Special Effects by | |||
| Valerie Charlton | .... | modeller | |
| John Coppinger | .... | sculptor | |
| Peter Hutchinson | .... | special effects supervisor | |
Visual Effects by | |||
| Albert Whitlock | .... | special visual effects (as Albert J. Whitlock) | |
Stunts | |||
| Terry Forestal | .... | riding stunts (as Terry Forrestal) | |
| Roy Scammell | .... | stunt arranger | |
Camera and Electrical Department | |||
| Ronald Anscombe | .... | focus puller | |
| Lou Bogue | .... | chief electrician | |
| Don Brown | .... | video operator | |
| Murray Close | .... | still photographer | |
| John Flemming | .... | camera grip: second unit | |
| Maurice Gillett | .... | gaffer | |
| Norman Godden | .... | camera maintenance | |
| Ray Hall | .... | camera grip | |
| Jeremy Jones | .... | clapper loader | |
| Paul Kenward | .... | clapper loader | |
| Michael O'Connor | .... | focus puller | |
| Douglas F. O'Neons | .... | camera operator | |
| Kenneth J. Withers | .... | camera operator: second unit (as Ken Withers) | |
| Egil S. Woxholt | .... | camera operator: second unit | |
| Garrett Brown | .... | Steadicam operator (uncredited) | |
| Carlos Melville | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Rick Baker | .... | primate costume designer and creator | |
| Ken Crouch | .... | wardrobe supervisor | |
| Kenny Crough | .... | wardrobe assistant | |
| Nic Ede | .... | wardrobe supervisor (as Nicolas Ede) | |
| David Garrett | .... | costume maker | |
| Catherine Halloran | .... | wardrobe assistant | |
| Nazhat Hester | .... | specialty costumes | |
| Michael Jeffrey | .... | wardrobe assistant | |
| Diana Moseley | .... | primate wardrobe supervisor | |
| Shirley Russell | .... | costumes: Ms. MacDowell and Ms. Campbell | |
Editorial Department | |||
| Tim Arrowsmith | .... | assistant editor | |
| Alan Corder | .... | assistant editor | |
| Pat Gilbert | .... | assistant editor | |
| Robert Hambling | .... | assistant editor | |
| James D.R. Hickox | .... | apprentice editor | |
| Patrick Moore | .... | assistant editor | |
| William Parnell | .... | assistant editor (as Bill Parnell) | |
| Jean Sheffield | .... | assistant editor | |
Music Department | |||
| Robin Clarke | .... | music editor | |
| Brian Culverhouse | .... | music recording producer | |
| John Scott | .... | conductor | |
| John Warrack | .... | musical director | |
Other crew | |||
| Marie-Thérèse Boiché | .... | production coordinator: Cameroon | |
| John Brookes | .... | unit nurse | |
| Jimmy Chipperfield | .... | animal consultant | |
| Hazel Crombie | .... | production accountant | |
| Richard Daniel | .... | second unit assistant | |
| Susan d'Arcy | .... | unit publicist | |
| Peter Elliott | .... | primate choreographer | |
| Roger Fouts | .... | primate consultant | |
| John Gorham | .... | title designer | |
| Laura Grumitt | .... | production assistant | |
| Brian Harris | .... | production accountant | |
| Christopher Knowles | .... | assistant location manager | |
| Steve Long | .... | production accountant | |
| George Mossman | .... | horses and carriages | |
| Stefano Priori | .... | location accountant | |
| Andreas Reyneke | .... | body development | |
| Mary Richards | .... | production secretary | |
| Joseph Ross | .... | location crew | |
| Lawrence Schick | .... | video game designer | |
| Rodger Shaw | .... | chief primate effects technician | |
| Ron Swinburne | .... | chief production accountant | |
| Maggie Unsworth | .... | continuity | |
| Joan Washington | .... | voice coach | |
Thanks | |||
| Ralph Richardson | .... | dedicatee | |
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| Maurice | The Heart of Me | Gone with the Wind | Anthony Adverse | Angels and Insects |
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This begins a series (which I'll hopefully keep up every week-end) of films that came out during my childhood in this case, it's one I've only managed to catch now. It was clearly intended as the last word on the subject, which basically had been debased to the level of hokum over the years; however, in its uncompromising striving for a serious-minded approach (a sure measure of which is that the protagonist is never once referred to by the name he's been known all this time the world over!), the film-makers rather lost track of the fact that the thing was intended primarily as entertainment! Consequently, we get a decidedly staid representation of events with more care given to meticulous period reconstruction than in providing a functional thematic environment for its mythic jungle hero! Even so, Christopher Lambert rose to stardom as did another debutante, Andie McDowell, playing his love interest (named Jane, of course) with the title role, which he handles creditably enough under the circumstances. However, Ralph Richardson (to whom the film is dedicated, this being his swan-song) steals every scene he's in as Tarzan's natural grandfather who, in spite of showing obvious affection for his long-lost kin, can't bring himself to forget tradition in an effort to understand his predicament; the hero, in fact, is much more comfortable interacting with primates (even contriving, after having gone back home, to save his adoptive 'dad' from captivity). The film is otherwise very good to look at (with cinematography by Stanley Kubrick regular John Alcott, no less), features an appropriately grandiose score as well as remarkable make-up effects (by Rick Baker) and, while essentially disappointing as a Tarzan outing, retains considerable value nonetheless as a prestige picture of its day.