A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes...
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A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captaine Phillippe D'Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization. Written by
Murray Chapman <email@example.com>
The original director of photography was David Watkin. Because Watkin suffered from arachnophobia, he refused to travel to African locations since there are large amount of spiders to contend with. However, as John Alcott had prior engagements, production in Elstree went ahead, with Watkin shooting all studio scenes. He was uncredited in the film. See more »
When Tarzan feeds the wounded D'Arnot with maggots, the close-up is of a mouth which is clearly not Ian Holm's. See more »
Capitaine Phillippe D'Arnot:
I sensed we had a long and difficult journey ahead of us. Perhaps weeks of waiting for a ship that will give us passage to England. I will try to teach John some rudimentary manners and a greater understanding of the language. Like a father, I am resolved to empower to him all that I can. But never, not even for a moment, do I doubt that to take him back, is a perilous undertaking.
Capitaine Phillippe D'Arnot:
For John but also for his family.
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GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (1984) ***1/2 Christopher Lambert, Ian Holm, Ralph Richardson, James Fox, Andie McDowall. Incredibly realized adaptation of Edgar Rice Burroughs' classic tale of an orphaned infant raised by apes in the deepest darkest jungles of Northern Africa that eschews the old Johnny Weissmuller route ("Me Tarzan, You Jane") and instead captures the essence of the story of the man who would be the next Earl of Greystoke Estate of Scotland who cannot escape the upbringing by primates no matter how hard established (and snobbish) society dictates what is proper. Exquisitely breathtaking cinematography by John Alcott and make up artist/genius Rick Baker's ape creations are indeed a wonder to behold (the apes are the most empathetic I believe since his "King Kong" sympathetic figure). Richardson (in his last screen role) received a Best Supporting Actor nomination as the grandfather of John Clayton (Tarzan), gives a memorable performance. McDowall in her screen debut has her voice dubbed by Glenn Close thanks to director Hugh Hudson's supposed distaste for her unmistakably anachoristic Southern accent (as well as his rewrite of screenwriter Robert Towne's script that promptly led to Towne removing his moniker for the pseudonym of P.H. Vazak, which incidently is the name of his pet sheepdog(!) )
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