A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes... See full summary »
The Tarzan story from Jane's point of view. Jane Parker visits her father in Africa where she joins him on an expedition. A couple of brief encounters with Tarzan establish a (sexual) bond ... See full summary »
Tarzan goes to New York to rescue the chimp Cheetah, who has been captured by an evil animal experimenter. There, he teams up with Jane, a cab driver and daughter of an ex-cop private eye, ... See full summary »
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
Kuki, a divorced Italian socialite, changes her life after a serious car crash. She accepts a marriage proposal from Paolo Gallmann, a man she doesn't know well, and she moves to Kenya with... See full summary »
New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
A chess grandmaster is in a big tournament, and when his lover is found painted up and the blood drained out of her body he becomes a chief suspect. After he gets a call from the killer ... See full summary »
A troubled youth from a split Los Angeles family is sent to a private psychiatric hospital after a violent scrape with the police. In the hospital, he makes a connection with one of the doctors who has his own problems.
Animated version of Edgar Rice Burroughs' classic story about a spirited young man raised by the animals in the jungle who makes his first contact with other humans when a young woman named Jane arrives in the jungle years later.
The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is ... See full summary »
A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captaine Phillippe D'Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization. Written by
Murray Chapman <email@example.com>
If gone unstimulated, the cognitive and speech centers of the brain will deaden. After a certain age, Tarzan wouldn't have been able to say more than a few words, let alone learn two entire languages. See more »
Capitaine Phillippe D'Arnot:
I sensed we had a long and difficult journey ahead of us. Perhaps weeks of waiting for a ship that will give us passage to England. I will try to teach John some rudimentary manners and a greater understanding of the language. Like a father, I am resolved to empower to him all that I can. But never, not even for a moment, do I doubt that to take him back, is a perilous undertaking.
Capitaine Phillippe D'Arnot:
For John but also for his family.
See more »
If you are looking for a modern film version of Buster Crabbe or Johnny Weismuller's overcoming the machinations of unscrupulous, white safari guides or cunning, black tribesmen, while saving the animal kingdom, this is NOT the movie for you. This is a recounting of the Tarzan "legend" from its beginning in intelligent, adult terms. It is beautifully filmed and faithful to the Edgar Rice Burroughs stories.
Tarzan is no action hero, but a man torn between two worlds - the natural and the civilized. In a stunning performance, Christopher Lambert portrays this angst with absolute realism. If he slips up just once the cat will be out of the bag: the audience (especially the adult audience targeted by the film) will laugh, and the film will completely lose its grip. It will plummet into the cheesy depths. But Lambert never lets that happen. (Forget what you may think of him in other movies; when I saw this film at the theater on its original release, I thought he deserved an academy award.)
The supporting cast is uniformly excellent, as other commentators have noted. I disagree with most of them in that I didn't find anything wrong with Andie McDowell's performance. I wouldn't have nominated her for an academy award - the role is undemanding - but she is completely up to it, such as it is. I don't know why her voice was overdubbed, either.
The cinematography of the African segment of the tale is absolutely beautiful. It captures both the beauty of the African wilderness and the exotic expectation it holds in the collective imagination of those who have never been there. The scenery is lush and exotic, and the colors are vivid.
But this is also a "period" film, and the cinematography also magnificently depicts Victorian England - the countryside, the city and the interiors. The costumes are outstanding. The soundtrack is beautiful without being overwhelming or obtrusive.
There are some disturbing scenes - especially for animal lovers - but no more disturbing than a few scenes in Dances with Wolves. This is an excellent film about the conflict between civilization and nature, personified in the young Lord Greystoke, convincingly portrayed by Christopher Lambert.
22 of 23 people found this review helpful.
Was this review helpful to you?