| Photos (see all 9 | slideshow) |
| Ken Tanaka | ... | Goro Maki | |
| Yasuko Sawaguchi | ... | Naoko Okumura | |
| Yosuke Natsuki | ... | Dr. Hayashida | |
| Keiju Kobayashi | ... | Prime Minister Mitamura | |
| Shin Takuma | ... | Hiroshi Okumura | |
| Eitarô Ozawa | ... | Finance Minister Kanzaki | |
| Taketoshi Naitô | ... | Takegami, Chief Cabinet Secretary | |
| Mizuho Suzuki | ... | Foreign Minister Emori | |
| Junkichi Orimoto | ... | Director-General of the Defense Agency | |
| Hiroshi Koizumi | ... | Geologist Minami | |
| Kei Satô | ... | Chief Editor Gondo | |
| Takenori Emoto | ... | Desk Editor Kitagawa | |
| Sho Hashimoto | ... | Captain of Super X | |
| Nobuo Kaneko | ... | Home Affairs Minister Isomura | |
| Kunio Murai | ... | Secretary Henmi | |
| Yoshifumi Tajima | ... | Environemental Director General Hidaka | |
| Shigeo Katô | ... | Ship Captain | |
| Kôji Ishizaka | ... | Power Plant Guard | |
| Tetsuya Takeda | ... | Bum | |
| Kenpachiro Satsuma | ... | Gojira (as Kengo Nakayama) | |
| Raymond Burr | ... | Steve Martin | |
| Warren J. Kemmerling | ... | General Goodhoe (US version) | |
| James Hess | ... | Colonel Raschen (US version) | |
| Travis Swords | ... | Major McDonough (US version) | |
| Crawford Binion | ... | Lieutenant (US version) | |
| Justin Gocke | ... | Kyle (US version) | |
| Patrick Feren | ... | Extra (US version) | |
| Mark Simon | ... | Extra (US version) | |
| Shepard Stern | ... | Extra (US version) | |
| Alan D. Waserman | ... | Extra (US version) | |
| rest of cast listed alphabetically: | |||
| Takashi Ebata | ... | Ship Captain (uncredited) | |
| Kenji Fukuda | ... | Super X Lieutenant (uncredited) | |
| Shinpei Hayashiya | ... | Cameraman Kamiya (uncredited) | |
| Isao Hirano | ... | Airforce Chief of Staff (uncredited) | |
| Luke Johnson | ... | Soviet Colonel Kashirin (uncredited) | |
| Eiji Kana | ... | Army Chief of Staff (uncredited) | |
| Takeshi Katô | ... | Trade Minister (uncredited) | |
| Shin Kazanaka | ... | Uno (uncredited) | |
| Yasuhiko Kono | ... | Naval Chief of Staff (uncredited) | |
| Shinsuke Mikimoto | ... | Chief of Staff (uncredited) | |
| Kanta Mori | ... | (uncredited) | |
| Takeo Morimoto | ... | Newscaster (uncredited) | |
| Gregory Snegoff | ... | Newscaster / Pilot / Government Official (voice: English version) (uncredited) | |
| Kenichi Urata | ... | Secretary Ishimaru (uncredited) | |
| Kiyoshi Yamamoto | ... | Science Agency Director (uncredited) | |
Directed by | |||
| Koji Hashimoto | |||
| R.J. Kizer | (US footage) | ||
Writing credits(in alphabetical order) | ||
| Shuichi Nagahara | writer (as Hidekazu Nagahara) | |
| Tony Randel | uncredited | |
| Tomoyuki Tanaka | story "The Resurrection of Godzilla" | |
| Lisa Tomei | US version only | |
Produced by | |||
| Norio Hayashi | .... | producer | |
| Kiyomi Kanazawa | .... | producer | |
| Tony Randel | .... | producer (US version) | |
| Fumio Tanaka | .... | associate producer | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Reijiro Koroku | |||
Cinematography by | |||
| Kazutami Hara | |||
Film Editing by | |||
| Yoshitami Kuroiwa | |||
Casting by | |||
| Tadao Tanaka | |||
Production Design by | |||
| Akira Sakuragi | |||
Art Direction by | |||
| Akira Sakuragi | |||
Set Decoration by | |||
| Akio Tashiro | |||
Costume Design by | |||
| Kenji Kawasaki | |||
Makeup Department | |||
| Fumiko Umezawa | .... | makeup artist | |
Production Management | |||
| Takahide Morichi | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Lee Berger | .... | first assistant director: US | |
| Takao Okawara | .... | chief assistant director | |
Art Department | |||
| Yoshiki Kasahara | .... | construction coordinator | |
Sound Department | |||
| Noboru Ikeda | .... | assistant sound technician | |
| Mikio Mori | .... | stereo sound consultant: Dolby | |
| Noboyuki Tanaka | .... | sound re-recording mixer | |
Special Effects by | |||
| Eiichi Asada | .... | assistant camera | |
| Yasuyuki Inoue | .... | special effects art director | |
| Mamoru Kume | .... | pyrotechnician | |
| Koji Matsumoto | .... | wire works | |
| Mitsuo Miyagawa | .... | pyrotechnician | |
| Mitsuo Miyagawa | .... | wire works | |
| Takeshi Miyanishi | .... | pyrotechnician | |
| Teruyoshi Nakano | .... | director of special effects | |
| Tadaaki Watanabe | .... | pyrotechnician | |
| Nobuyuki Yasumaru | .... | prosthetics creator | |
| Shinji Higuchi | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Yoshio Ishii | .... | matte photography | |
| Yoshikazu Manoda | .... | optical photography | |
| Kohei Mikami | .... | special effects lighting | |
| Bret Mixon | .... | animation camera: US version only | |
| Takeshi Miyanishi | .... | optical photography | |
| Toshimitsu Oneda | .... | special effects cameraman | |
| Yutaka Tsuchiya | .... | computer graphics | |
| Takeaki Tsukuda | .... | matte photography | |
| Takeshi Yamamoto | .... | special effects cameraman | |
Camera and Electrical Department | |||
| Steve Dubin | .... | cinematographer: USA | |
| Hideo Inagaki | .... | electrician | |
| Yoshinori Ishizuki | .... | still photographer | |
| Shinji Kojima | .... | lighting technician | |
| Akira Oba | .... | lighting assistant | |
| Shunji Yokota | .... | lighting grip | |
Editorial Department | |||
| Michael Spence | .... | editor: US version | |
| Fusako Takahashi | .... | negative cutter | |
Music Department | |||
| Takasha Miki | .... | composer: songs | |
| Katsuaki Nakaya | .... | conductor | |
| Jeff Vaughn | .... | score mixer | |
| Christopher Young | .... | composer: stock music (US version) | |
Other crew | |||
| Hideo Aoki | .... | special advisor | |
| Ernest D. Farino | .... | title designer (US version only) | |
| Hiroko Kajiyama | .... | continuity | |
| Yorihiko Osaki | .... | special advisor | |
| Toshifumi Sakata | .... | visual consultant | |
| Kazuo Suzuki | .... | maintenance | |
| Takehisa Takarada | .... | assistant to director | |
| Hitoshi Takeuchi | .... | special advisor | |
| Toyo Tanaka | .... | special engineer | |
| Takashi Wakiya | .... | assistant to director | |
| Straw Weisman | .... | creative consultant | |
| Nobuyuki Yasumaru | .... | gojira suit designer and constructor | |
| Fumio Tanaka | .... | consultant (uncredited) | |
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| Godzilla, King of the Monsters! | Gojira | Godzilla | You Only Live Twice | Cloverfield |
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I may be one of few, if only, people to say I actually liked "Godzilla 1985," the first in the second generation of kaiju-eiga films that began after a 10-year hiatus, since the last Toho-backed "Godzilla" effort "Terror of Mechagodzilla" (1975), which concluded the first generation of movies.
Godzilla is the most popular movie monster from the East and I've been watching these films since I was five. Of course, in "Godzilla 1985" (which is 1984 in Japan time), Godzilla returns to his old stomping grounds of Tokyo. He first attacks a fishing boat and kills everyone on-board except one, then a Soviet submarine, a nuclear reactor (which is where we see the glorious Big Guy for the first time), and finally has his eyes set on Tokyo. What hinders this film big time, especially in the American version, are the ugly Cold War-era politics that played into many of the film's changes in order to accommodate polarized audiences in the United States. Russians are portrayed as being inherently evil and the Japanese are shown as being weak and totally dependent on America. But by making America the hero in this picture, Americans are shown as being quite pigheaded and arrogant, with the exception of Raymond Burr, who also appeared in the American version of the original "Godzilla" (1954). (So it looks like the American producers really screwed themselves big time with this transition.) This seriously makes the movie dated and draws attention from away from the stronger, more relevant issues the original Japanese screenwriters had envisioned. On the plus side, Toho created a rather terrifying and truly menacing Godzilla, whose presence is made all the more frightening by those blood-red eyes and thunderous roar of his. This Godzilla is the embodiment of true screen menace, in a return-to-form from the previous incarnation in the '70s. Even though he is the villain in this picture, one could shed a tear at the film's ending (which you wouldn't need to do if you care to watch the superior 1989 sequel "Godzilla vs. Biollante"). The special effects are magnificent, though dated; one of my particular favorite sequences is Godzilla's showdown with the Super X attack fighter and his attack on the nuclear reactor.
I'd recommend this entry only if you're a die-hard kaiju-eiga fan; if not, you should probably skip this one and go straight to "Godzilla vs. Biollante," which is my personal favorite "Godzilla" film from the second generation. But it's a shame that "Godzilla 1985" was ruined by American intrusion in its transfer from Japan to the U.S.
5/10