| Cast overview, first billed only: | |||
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Ken Tanaka | ... |
Goro Maki
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Yasuko Sawaguchi | ... |
Naoko Okumura
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Yôsuke Natsuki | ... |
Dr. Hayashida
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Keiju Kobayashi | ... | |
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Shin Takuma | ... |
Hiroshi Okumura
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Eitarô Ozawa | ... |
Finance Minister Kanzaki
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Taketoshi Naitô | ... |
Takegami, Chief Cabinet Secretary
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Mizuho Suzuki | ... |
Foreign Minister Emori
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Junkichi Orimoto | ... |
Director-General of the Defense Agency
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Hiroshi Koizumi | ... |
Geologist Minami
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Kei Satô | ... |
Chief Editor Gondo
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Takenori Emoto | ... |
Desk Editor Kitagawa
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Sho Hashimoto | ... |
Captain of Super X
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Nobuo Kaneko | ... |
Home Affairs Minister Isomura
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Kunio Murai | ... |
Secretary Henmi
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A reporter investigates the disappearance of a ship. He finds the ship and discovers that all the hands have been killed by a giant sea louse except for one. The lone survivor then tells the reporter that the ship was attacked by Godzilla (Gojira). Fearing a panic, the Japanese government then takes the survivor into custody to keep him from revealing that Godzilla has returned. However, a Soviet nuclear submarine is destroyed and the situation puts them and the United States on the brink of nuclear war, until the Japanese decide to come clean and admit that it was Godzilla. Soon the Japan and the rest of the world are on red alert as they wait for Godzilla to begin his rampage anew. Written by Brian Washington <Sargebri@att.net>
Godzilla returns in a (somewhat) serious vehicle with a (somewhat) big budget. Americans yawned or laughed this off the screen, for the most part, but if you dig Godzilla you should dig this, his most respectable film since the 1954 original.
Yes, it's not that fast paced. No, Godzilla doesn't fight with other creatures. So what? After about twenty lurid, cheap movies that involved Godzilla in mortal combat with rubberized foes, it was nice to see him get back to menacing basics here.
While the special effects are not quite up to the Hollywood standard, they're still entertaining and reasonably convincing. American critics who slammed the film's look were being just a tad intolerant - all foreign films tend to be cheaper than ours, so inferior effects are a given. My bottom line for judging SFX is not, "are they realistic?" but "are they fun?", and the shots of Godzilla laying waste to Tokyo are indeed fun.
Godzilla fans often complain about the film's overtly political concerns and somber mood, but I have to disagree with them; I like a bit of realism, a bit of credibility. I do think that there are several better, faster-paced Godzilla films (Godzilla vs. King Ghidorah, GMK), but this is still a standout entry in the series.
Who knows when we'll get another solo vehicle for the big G? The upcoming Godzilla: Final Wars will apparently feature a total of ten monsters. At least in this movie, Godzilla had the spotlight all to himself.