A reporter investigates the disappearance of a ship. He finds the ship and discovers that all the hands have been killed by a giant sea louse except for one. The lone survivor then tells the reporter that the ship was attacked by Godzilla (Gojira). Fearing a panic, the Japanese government then takes the survivor into custody to keep him from revealing that Godzilla has returned. However, a Soviet nuclear submarine is destroyed and the situation puts them and the United States on the brink of nuclear war, until the Japanese decide to come clean and admit that it was Godzilla. Soon the Japan and the rest of the world are on red alert as they wait for Godzilla to begin his rampage anew. Written by
Brian Washington <Sargebri@att.net>
The American scenes were shot over the course of two days on a sound stage at Raleigh Studios in Hollywood, California. Another half day's worth was shot at a ranch house in Malibu, California. See more »
As Dr. Hayashida's sonic oscillator starts luring Godzilla out of Tokyo to the volcano, there's a POV shot from Goro and Naoko's perspective that clearly shows the wire controlling Godzilla's tail. This almost appears to be an unintentional homage to the scene in the original Godzilla, where Godzilla's tail appears outside the window of a partially demolished building (the one in which Raymond Burr's character was reporting from in the American version), and the wire is similarly visible. See more »
Nature has a way sometimes of reminding Man of just how small he is. She occasionally throws up terrible offspring's of our pride and carelessness to remind us of how puny we really are in the face of a tornado, an earthquake, or a Godzilla. The reckless ambitions of Man are often dwarfed by their dangerous consequences. For now, Godzilla - that strangely innocent and tragic monster - has gone to earth. Whether he returns or not, or is never again seen by human eyes, the things he ...
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Critics were like Godzilla destroying Tokyo, they panned the America release of Godzilla 1985 so much, and the film has an IMDb rating of under 5.0, but still, nevertheless, the is one of my favorite Godzilla films.
I don't know exactly what it is. This movie just has a beautifully dark setting that is captivating. It also contains an absolutely beautiful score by Reijiro Koroku, such pretty, beautiful music. Full of hope, full of sadness. Full of love and beauty.
Yes, Godzilla is the only monster here, he doesn't fight any other monsters, and perhaps there are a few points in the film that are boring, and too much attention is given to the human characters instead of Big Daddy G.
Yet still, this film contained an odd, captivating power I find rare in most films. As absurd as Godzilla is, you feel for the Big Guy in this one. You really do. And Godzilla was more powerful and more menacing than I ever remember seeing him in any other film in this one. This was what Godzilla should look like.
I think this is one of those films, that over time may dwell a sort of cult following. Because there is just a special something about it many other reviewers offering comments here have touched on.
So, Godzilla fans check it out. Oh, and try not to cry at end. :>)
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