A reporter investigates the disappearance of a ship. He finds the ship and discovers that all the hands have been killed by a giant sea louse except for one. The lone survivor then tells the reporter that the ship was attacked by Godzilla (Gojira). Fearing a panic, the Japanese government then takes the survivor into custody to keep him from revealing that Godzilla has returned. However, a Soviet nuclear submarine is destroyed and the situation puts them and the United States on the brink of nuclear war, until the Japanese decide to come clean and admit that it was Godzilla. Soon the Japan and the rest of the world are on red alert as they wait for Godzilla to begin his rampage anew. Written by
Brian Washington <Sargebri@att.net>
This film was based partly on a 1980 story treatment by Tomoyuki Tanaka and Akira Murao called "The Resurrection of Godzilla" ("Gojira no Fukkatsu"). Conceived as a direct sequel to Godzilla (1954), a new Godzilla, identical to the one from 1954, was reawakened by illegal nuclear waste dumping by a freighter in the Pacific Ocean. The protagonists include Shinpei Muraki (the young director of the Information Science Center), Professor Inamura, his daughter Akikuko Inamura (Muraki's love interest), and American scientist Dr. Radner. The story was also the introduction of what is considered Toho's greatest "lost" monster, Bagan, which Godzilla fought in the story. Bagan, a guardian spirit, has four forms in this film: the Dragon Spirit Beast (Doragon Reijû), the Ape Spirit Beast (Enjin Reijû), the Water Spirit Beast (Sui Reijû), and ultimately, a totem-like amalgam of the three forms. Godzilla savagely fights and kills the monster after the middle of the film. Another adversary for the radioactive terror is a JSDF armored super-vehicle, the Super-Beetle (which was ultimately reworked into the Super-X). The film's climax has the protagonists attempting to destroy Godzilla on Beonase Atoll, with a trap containing Dr. Inamura's nuclear invention, Reiconium. When the device malfunctions, Dr. Radner makes a Serizawa-like sacrifice and reactivates the weapon, engulfing Godzilla in lethal radioactive blue flames, apparently killing the monster, and taking Radner's life in the process. The story ends with Godzilla's lifeless body washing ashore a beach on the West Coast of the United States, with a nuclear power plant nearby; a narration stated, "As long as nuclear energy exists, Godzilla will live," as Godzilla's eyes open and the monster stirs to life with a mighty roar. Although the script was never produced, many of its elements nonetheless remained in the film, including the Shokkiras (the radioactive sea louse), and Godzilla attacking a nuclear power plant (and absorbing energy from the core reactor). See more »
When Godzilla enters the Japanese harbor he uses his atomic breath to blow up all of the resistance along the shore. When he starts using it he turns to the left, facing the camera, but the breath still goes to the right on the shore. See more »
[English export version]
Okumura, you saw a monster?
That's right. Professor, I've told my story, so many times. I told, the police, Maritime Security, but none of them seem to believe a word!
That's natural. Not everyday, monsters appear.
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If lucky, get the Japanese version on DVD by buying on Amazon or such.
I have seen this film many times when I was young, but only the Raymond Burr version named "Godzilla 1985" which I later realized that the Raymond Burr scenes are entirely pointless and some of his lines are off and don't make sense, including ridiculous scenes in the American base where there's a Pepsi machine and a character drinks Pepsi when a serious moment happens just for advertisement, bad dubbing, bad dialogue, and the people working on the film removed the scenes with horrors of nuclear devastation, but I'm not giving an eight to the American version, I'm giving it to the Japanese version, which I have seen recently on DVD and I got to say this version is more superior. First of all, you can take the film more serious, and the film doesn't add crappy humor, and no Raymond Burr scenes. I also like the haunting score by Reijiro Koroku, and the fact that they makers of film brought Godzilla back to his roots, and the film also has a bigger budget so, the special effects, Godzilla suit, and miniatures are more better made (not perfect though). This is in my opinion, this is second greatest Godzilla movie next to original un-cut Gojira.
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