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Ghostbusters (1984)

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Three former parapsychology professors set up shop as a unique ghost removal service.

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Nominated for 2 Oscars. Another 6 wins & 6 nominations. See more awards »

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Cast

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Storyline

Three odd-ball scientists get kicked out of their cushy positions at a university in New York City where they studied the occult. They decide to set up shop in an old firehouse and become Ghostbusters, trapping pesky ghosts, spirits, haunts, and poltergeists for money. They wise-crack their way through the city, and stumble upon a gateway to another dimension, one which will release untold evil upon the city. The Ghostbusters are called on to save the Big Apple. Written by Greg Bole <bole@life.bio.sunysb.edu>

Plot Summary | Plot Synopsis

Taglines:

Let's Get Slimed One More Time. [re-release] See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

8 June 1984 (USA)  »

Also Known As:

Ghostbusters  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$13,612,564 (USA) (8 June 1984)

Gross:

$229,242,989 (USA) (12 September 2014)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

On the set, Dan Aykroyd referred to the "Slimer" ghost as the ghost of John Belushi. See more »

Goofs

In the Ecto 1 where Ray and Winston are quoting Revelation 7:12 from the bible, they're actually quoting Revelation 6:12 and 6:13. See more »

Quotes

[first lines]
Dr. Peter Venkman: All right, I'm gonna turn over the next card. Concentrate... I want you to tell me what you think it is.
See more »

Crazy Credits

During the end credits, as the Ghostbusters are leaving in Ecto-1, three priests can be seen giving the last rites to a chunk of the Stay-Puft Marshmallow Man See more »

Connections

Referenced in Mafia II (2010) See more »

Soundtracks

DISCO INFERNO
Written by Leroy Green and Ron Kersey
Produced by Ron Kersey
Performed by The Trammps
Courtesy of Atlantic Recording Corp. by arrangement with Warner Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A severely underrated film
16 September 2002 | by (london) – See all my reviews

What's that you say? Ghostbusters, one of the most financially successful and over-hyped comedies of the eighties, underrated? Yes. Precicely because it was so over-hyped and made so much money, there has been a stigma attached to this film identifying it as a childish FX piece, when it is nothing of the sort. Most of the lines people remember("He slimed me," "OK. So? She's a dog," "When someone asks you if you're a god, you say YES!") are not its funniest or wittiest lines, which often are missed on first or even second viewing. I laugh every time I observe a gag or a quip that I somehow missed the other 20 times I viewed a scene; "Egon, this reminds me of the time you tried to drill a hole through your head, remember that?" "That would have worked if you hadn't stopped me", or, to the driver of a van from a loony bin, "Dropping off or picking up?" Brilliant.

Not only is Ghostbusters funny, it manages to include some truly scary scenes. And not just lose-your-popcorn moments like the fridge from Hell, but also scenes of quiet, thoughtful chill, like Egon's retelling of how the possessed apartment building came into being, or Winston recalling the Book of Revelation. Which other film has managed to combine the Marx Brothers with HP Lovecraft?

The special effects hold up well, besides some obvious studio sets and models, but what really creates this film's world is the stunning cinematography. Manhattan, perhaps the pinnacle of Gothic architectural evolution, is brilliantly utilised here to create a sense of menacing grandeur. After watching "Ghostbusters" I couldn't imagine the realm of the Old Gods opening into our world from anywhere else. The soundtrack is great, not the overrated theme (Which was in fact lifted from Huey Lewis' "I Need a New Drug"), but the wonderfully blusey "Cleaning Up the Town," the creepy proto-techno chiller "Magic" and also the wonderful score by the late and much lamented Elmer Bernstein.


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