| Lineke Rijxman | ... | Diane | |
| Henriëtte Tol | ... | Dora | |
| Edda Barends | ... | Bea | |
| Coby Stunnenberg | ... | Ellen | |
| Carla Hardy | ... | Irma | |
| Marijke Veugelers | ... | Francine | |
| Arline Renfurm | ... | Tessa | |
| Anke Van't Hof | ... | Linda | |
| Hedda Oledzky | ... | Jackie (as Hedda Tabet) | |
| Elja Pelgrom | |||
| Johan Leysen | ... | The Boss | |
| Rolf Leenders | |||
| Eddie Brugman | ... | Jean / Pierre | |
| Beppie Melissen | |||
| Wim Wama | |||
| Truus Dekker | |||
| Elsje de Wijn | |||
| Matthias Maat | |||
| Mara Peelen | |||
| Jaap Hoogstra | |||
| Onno Molenkamp | |||
| Pim Vosmaer | |||
| Robert de Jonker | |||
| Elias van Sanden | |||
| Wim Van Der Grijn | |||
| Gijs Scholten van Aschat | |||
| Jan Pieter Koch | |||
| Victor van Swaay | |||
| Deborah Korper | |||
| Serge-Henri Valcke | |||
| Michel van Rooy | |||
| Peter Broekaert | |||
| George van der Hoeven |
Directed by | |||
| Marleen Gorris | |||
Writing credits(in alphabetical order) | ||
| Marleen Gorris | ||
Produced by | |||
| Matthijs van Heijningen | .... | producer | |
Original Music by | |||
| Lodewijk de Boer | |||
Cinematography by | |||
| Frans Bromet | |||
Film Editing by | |||
| Hans van Dongen | |||
Casting by | |||
| Frank Krom | |||
Art Direction by | |||
| Harry Ammerlaan | |||
Makeup Department | |||
| Ellis Faas | .... | makeup artist | |
| Winnie Gallis | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Hessel Haak | .... | first assistant director | |
Sound Department | |||
| Georges Bossaers | .... | sound mixer | |
| Ad Roest | .... | adr mixer | |
| Ad Roest | .... | foley mixer | |
| Ad Roest | .... | sound re-recording mixer | |
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| Keetje Tippel | Antonia's Line | Salaam Bombay! | Blonde Dolly | Seven Beauties |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Netherlands section |
So frightening. As a prior reviewer noted, it has a documentary feel about it. It seems so real. I saw this film at the Chicago film festival in 1984 and have never seen it played anywhere again. I would like to see it again to see if it would have the same profound effect on me as it did that first time. If you see it playing, go to see it, if you are strong of heart. Will grab you.