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Directed by | |||
| Herbert Ross | |||
Writing credits(in alphabetical order) | ||
| Dean Pitchford | written by | |
Produced by | |||
| Daniel Melnick | .... | executive producer | |
| Lewis J. Rachmil | .... | producer | |
| Craig Zadan | .... | producer | |
Cinematography by | |||
| Ric Waite | (director of photography) | ||
Film Editing by | |||
| Paul Hirsch | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Marci Liroff | |||
Production Design by | |||
| Ron Hobbs | |||
Set Decoration by | |||
| Mary Swanson | (as Mary Olivia Swanson) | ||
Costume Design by | |||
| Gloria Gresham | |||
Makeup Department | |||
| Barbara Lampson | .... | hair stylist | |
| Daniel C. Striepeke | .... | makeup artist | |
Production Management | |||
| Murray Schwartz | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert Engelman | .... | second assistant director | |
| Donald Hauer | .... | additional second assistant director (as Donald Paul Hauer) | |
| L. Andrew Stone | .... | first assistant director | |
Art Department | |||
| C.J. Maguire | .... | property master | |
Sound Department | |||
| Robert Bradshaw | .... | sound effects editor | |
| David E. Campbell | .... | sound re-recording mixer | |
| Gordon Ecker | .... | supervising sound editor (as Gordon Ecker Jr.) | |
| Stan Gilbert | .... | supervising adr editor | |
| David W. Gray | .... | sound stereo consultant: Dolby | |
| Randy Kelley | .... | sound effects editor (as Randall F. Kelley) | |
| Bob Newlan | .... | sound effects editor | |
| Al Overton Jr. | .... | sound mixer | |
| John T. Reitz | .... | sound re-recording mixer | |
| Gregg Rudloff | .... | sound re-recording mixer (as Gregg C. Rudloff) | |
| Wylie Stateman | .... | sound effects editor | |
| Anthony Milch | .... | sound editor (uncredited) | |
| Greg Orloff | .... | foley mixer (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Wayne Beauchamp | .... | special effects (as James W. Beauchamp) | |
Stunts | |||
| Robert Allen | .... | stunts | |
| Wayne Brown | .... | stunts | |
| J. Suzanne Fish | .... | stunts | |
| Donna Garrett | .... | stunts | |
| Paul Goodwin | .... | stunts | |
| Norman Howell | .... | stunts | |
| Max Kleven | .... | stunt coordinator | |
| Clair E. Leucart | .... | stunts | |
| Daniel K. Moore | .... | stunts | |
| Lane Parrish | .... | stunts (as Lane M. Parrish) | |
| Carol Rees | .... | stunts (as Carol L. Rees) | |
| John-Clay Scott | .... | stunts | |
| Peter Tramm | .... | stunt dancer | |
Camera and Electrical Department | |||
| Eric D. Andersen | .... | camera operator | |
| Carl Boles | .... | gaffer | |
| Harold Rabuse | .... | key grip (as Harold H. Rabuse) | |
| Richard R. Robinson | .... | still photographer | |
| Baird Steptoe | .... | first assistant camera | |
| Donald E. Thorin Jr. | .... | first assistant camera | |
| Richard Walden | .... | camera operator | |
| Dale Alexander | .... | key grip (uncredited) | |
| Mako Koiwai | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Cate Praggastis | .... | location casting | |
| Margery Simkin | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Kendall Errair | .... | costumer: women | |
| Barton Kent James | .... | costumer: men (as Barton K. James) | |
Editorial Department | |||
| David Handman | .... | assistant editor | |
| Peck Prior | .... | assistant editor | |
| Gregory Scherick | .... | apprentice editor | |
Music Department | |||
| Nancy Fogarty | .... | music editor | |
| Miles Goodman | .... | music adaptor: score | |
| Jim Henrikson | .... | music editor | |
| Becky Mancuso-Winding | .... | music supervisor (as Becky Shargo) | |
| Lee De Carlo | .... | song producer (uncredited) | |
| Brian L. McCarty | .... | music playback operator (uncredited) | |
Transportation Department | |||
| Sam Edelman | .... | transportation coordinator | |
Other crew | |||
| Frawley Becker | .... | location manager | |
| Wayne Fitzgerald | .... | title designer | |
| Chuck Gaylord | .... | consultant: gymnastics | |
| Spencer Henderson | .... | associate choreographer | |
| Ronnie Kramer | .... | secretary: Mr. Schwartz | |
| Michael Maslansky | .... | publicist | |
| Christopher Meledandri | .... | associate: Mr. Rachmil and Mr. Zadan | |
| David Oliver | .... | title designer | |
| Lynne Taylor-Corbett | .... | choreographer | |
| Esther Vivante | .... | script supervisor | |
| Ronald Walkshorse | .... | set security (uncredited) | |
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| Footloose | Carrie | American Beauty | I Love You Phillip Morris | My Own Private Idaho |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Prior to seeing this movie, all I had heard suggested that I was better off not watching it unless it was to ridicule. I looked at my uncle dancing round his living room to some of its music and asked myself if anybody expected me to take that seriously. It's got a place in movie history even for the title song alone, though, so I decided I couldn't live with myself unless I gave it a chance. It was definitely worth it.
The style is reminiscent of a whole host of other '80's teen flicks, but only a handful are better. Most of the cast do great things with their roles. Kevin Bacon actually manages to make the clichéd concept seem kinda cool, here showcasing an easy charm that was to become the hallmark of much of his later work. Crucially, the music is actually pretty good too! (Even if I am torn between wanting to cringe and dance when I hear the theme!)
On reflection it's no cheesier than something like "All the Right Moves" (which has a great cast doing their best but suffers from a plodding story) In fact, it's miles better! At least the music in "Footloose" gave the makers a viable way to pep things up whenever the story begins to flag. This film is much, MUCH better than I had been led to believe, so give it a chance if you ain't seen it yet but thought you knew the score. Chances are, you don't...