Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to ... See full summary »
Classic tale of teenage rebellion and repression features a delightful combination of dance choreography and realistic and touching performances. When teenager Ren McCormack and his family move from big-city Chicago to a small Midwestern town, he's in for a real case of culture shock. Though he tries hard to fit in, the streetwise Ren can't quite believe he's living in a place where rock music and dancing are illegal. However, there is one small pleasure: Ariel Moore, a troubled but lovely blonde with a jealous boyfriend. And a Bible-thumping minister, who is responsible for keeping the town dance-free. Ren and his classmates want to do away with this ordinance, especially since the senior prom is around the corner, but only Ren has the courage to initiate a battle to abolish the outmoded ban and revitalize the spirit of the repressed townspeople. Fast-paced drama is filled with such now-famous hit songs as the title track and "Let's Hear It for the Boy". Written by
In a 2013 interview with Howard Stern, Kevin Bacon admitted that he has actually tipped DJs at weddings NOT to play Footloose. He stated that people expect him to dance the song as he did in the movie. In truth, while he did do some of the dancing there was also a dancing double for him as well. See more »
When Ariel is going from the car to truck, the stereo in the back window of the truck disappears and reappears between shots. See more »
I'll tell you, there was this place called the Blue Heaven. It was great. Had to steal IDs to get in, but it was incredible. It was like a huge underground circus, you know. Hot pink neon climbin' up the walls. And astro music. And millions of girls, like from the university mostly. If we could get one to dance, just one, then that was it. We'd get out on the floor and we'd really start to smoke. We'd start cuttin' in, and these girls would stop. - And they'd look.
They'd look how?
You know, ...
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"Footloose" is a fun and very lighthearted motion picture that promises a good time and delivers.
The film has a simple, if unlikely, plotline. Streetsmart but gentle teenager Ren MacCormack(Kevin Bacon) arrives from the big city with his mother in the backwater town of Bomont. Enrolling at the local high school, he is appalled to discover the town's adults have imposed a law on "public dancing" and rock music, as enforced and practiced by the local preacher(John Lithgow). Ren quickly sets about changing things, falling in love with the preacher's daughter Ariel (Lori Singer) in the process.
The story is a little unlikely yet it is perfectly suitable for the teenaged audience at which it is pitched. The script takes some time to explore its simple theme - dancing and rock music, and what they symbolise for young people. Three scenes help to lay this out. The first sees Ren dancing by himself in a barn; the town meeting where Ren presents his case to the townspeople and explains to them the meaning of the dance; and the final prom sequence in which the teens of Bomont revel in their newfound liberation.
As the leading man, Kevin Bacon carries off his role very well. Ren isn't really a macho hero revelling in coolness, he's a down-to-earth young man trying to the right thing by his peers. His romance with Lori Singer's character Ariel is formulaic but perfectly inoffensive.
The film could have perhaps done with a little more nastiness to fully contrast against Ren's earnest intentions. Even Ariel's brutish boyfriend(Jim Young) fails to inject much tension in this respect and the final fistfight between him and Ren comes across as being a bit lame.
John Lithgow's characterisation is very good but it is a little too subtle. As the town Reverend and preacher of all things pure and holy, his extreme views come across not so much as puritanical, just merely uptight. The change that eventually occurs in his attitudes is hinted at very early on. The result is that he is nowhere near is frightening or intimidating a character as he could have been. At the same time his troubled relationships with his rebellious daughter and quiet wife(Dianne Wiest) are very well written and acted. In these scenes he excels and his character's development seems very natural.
On the technical side, the film is well-shot and the gloriously Eighties soundtrack complements the proceedings very well, bringing the necessary exhuberance and bounce to the whole movie.
Whilst "Footloose" is certainly no masterpiece, it succeeds in being a lighthearted knockabout caper, and as such is a very enjoyable movie.
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