Classic tale of teenage rebellion and repression features a delightful combination of dance choreography and realistic and touching performances. When teenager Ren McCormack and his family move from big-city Chicago to a small Midwestern town, he's in for a real case of culture shock. Though he tries hard to fit in, the streetwise Ren can't quite believe he's living in a place where rock music and dancing are illegal. However, there is one small pleasure: Ariel Moore, a troubled but lovely blonde with a jealous boyfriend. And a Bible-thumping minister, who is responsible for keeping the town dance-free. Ren and his classmates want to do away with this ordinance, especially since the senior prom is around the corner, but only Ren has the courage to initiate a battle to abolish the outmoded ban and revitalize the spirit of the repressed townspeople. Fast-paced drama is filled with such now-famous hit songs as the title track and "Let's Hear It for the Boy". Written by
Per Kevin Bacon, Peter Tramm, his credited main dance double in the famous warehouse scene, was married at the time to Marine Jahan, the famously uncredited dance double for Jennifer Beals in Flashdance. See more »
When the brick is thrown into Ren's home, it is tossed through the front ground-floor window. In the next scene, the brick is found by the family in the girls bedroom, which appears to be on the second floor. Directly following this, Ren is seen sitting in the living room by the front door. This should be the room that the brick ended up in, considering its position - but it isn't. See more »
I'll tell you, there was this place called the Blue Heaven. It was great. Had to steal IDs to get in, but it was incredible. It was like a huge underground circus, you know. Hot pink neon climbin' up the walls. And astro music. And millions of girls, like from the university mostly. If we could get one to dance, just one, then that was it. We'd get out on the floor and we'd really start to smoke. We'd start cuttin' in, and these girls would stop. - And they'd look.
They'd look how?
You know, ...
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