Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to ... See full summary »
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
Classic tale of teenage rebellion and repression features a delightful combination of dance choreography and realistic and touching performances. When teenager Ren McCormack and his family move from big-city Chicago to a small Midwestern town, he's in for a real case of culture shock. Though he tries hard to fit in, the streetwise Ren can't quite believe he's living in a place where rock music and dancing are illegal. However, there is one small pleasure: Ariel Moore, a troubled but lovely blonde with a jealous boyfriend. And a Bible-thumping minister, who is responsible for keeping the town dance-free. Ren and his classmates want to do away with this ordinance, especially since the senior prom is around the corner, but only Ren has the courage to initiate a battle to abolish the outmoded ban and revitalize the spirit of the repressed townspeople. Fast-paced drama is filled with such now-famous hit songs as the title track and "Let's Hear It for the Boy". Written by
Tom Cruise and Rob Lowe were both slated to play the lead. The casting directors were impressed with Cruise because of the famous underwear dance sequence in Risky Business (1983), but he was unavailable for the part because he was filming All the Right Moves (1983). Lowe auditioned three times and had dancing ability and the "neutral teen" look that the director wanted, but he pulled his knee, and the injury prevented him from taking the part. After watching Diner (1982), the director had to convince the producers to go with Kevin Bacon. See more »
When Ariel and friends leave for the drive-in, it is mid/late afternoon. Next there is a scene of Ren and family eating dinner by daylight. By the time Ariel and the others reach the drive-in, it is dark. See more »
Reverend Shaw Moore:
Even if this was not a law, which it is, I'm afraid I would have a lot of difficulty endorsing an enterprise which is as fraught with genuine peril as I believe this one to be. Besides the liquor and the drugs which always seem to accompany such an event the thing that distresses me even more, Ren, is the spiritual corruption that can be involved. These dances and this kind of music can be destructive, and, uh, Ren, I'm afraid you're going to find most of the people in our community are gonna ...
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Prior to seeing this movie, all I had heard suggested that I was better off not watching it unless it was to ridicule. I looked at my uncle dancing round his living room to some of its music and asked myself if anybody expected me to take that seriously. It's got a place in movie history even for the title song alone, though, so I decided I couldn't live with myself unless I gave it a chance. It was definitely worth it.
The style is reminiscent of a whole host of other '80's teen flicks, but only a handful are better. Most of the cast do great things with their roles. Kevin Bacon actually manages to make the clichéd concept seem kinda cool, here showcasing an easy charm that was to become the hallmark of much of his later work. Crucially, the music is actually pretty good too! (Even if I am torn between wanting to cringe and dance when I hear the theme!)
On reflection it's no cheesier than something like "All the Right Moves" (which has a great cast doing their best but suffers from a plodding story) In fact, it's miles better! At least the music in "Footloose" gave the makers a viable way to pep things up whenever the story begins to flag. This film is much, MUCH better than I had been led to believe, so give it a chance if you ain't seen it yet but thought you knew the score. Chances are, you don't...
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