Classic tale of teenage rebellion and repression features a delightful combination of dance choreography and realistic and touching performances. When teenager Ren McCormack and his family move from big-city Chicago to a small Midwestern town, he's in for a real case of culture shock. Though he tries hard to fit in, the streetwise Ren can't quite believe he's living in a place where rock music and dancing are illegal. However, there is one small pleasure: Ariel Moore, a troubled but lovely blonde with a jealous boyfriend. And a Bible-thumping minister, who is responsible for keeping the town dance-free. Ren and his classmates want to do away with this ordinance, especially since the senior prom is around the corner, but only Ren has the courage to initiate a battle to abolish the outmoded ban and revitalize the spirit of the repressed townspeople. Fast-paced drama is filled with such now-famous hit songs as the title track and "Let's Hear It for the Boy". Written by
Chris Penn could not dance, so they had to teach him in terms of what he already knew: wrestling. See more »
When Ariel is making the switch from the car to Chuck's pickup and the tractor-trailer is headed for them, they are about to converge at a railroad crossing, but when they do meet, there is no railroad crossing to be seen. See more »
What is wrong about getting a little psyched over Ren? He's *cute*! He's from out of town, and *don't* tell me that doesn't curl your toes, Ariel, I know you too well. You want out of here so bad you probably memorize bus schedules.
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