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Flashpoint (1984)

R  |   |  Action, Crime, Drama  |  19 April 1985 (Sweden)
6.5
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Ratings: 6.5/10 from 1,261 users  
Reviews: 16 user | 7 critic

Two Texas border guards find a jeep buried for 20 years in the desert, with a skeleton, a scoped rifle, and a box with $800,000 in cash. They decide to keep the money, but quietly check up ... See full summary »

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Cast

Cast overview, first billed only:
...
Bobby Logan
...
Ernie Wyatt
...
Sheriff Wells
...
Brook
...
Carson
...
Roget (as Miguell Ferrer)
...
Doris
...
Lambasino
...
Hawthorne
...
Amarillo
...
Ellen
...
Peterson
...
Roget's Date (as Ana Marie Auther)
Barry Davis ...
Max
Sam Edelman ...
Van Driver
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Storyline

Two Texas border guards find a jeep buried for 20 years in the desert, with a skeleton, a scoped rifle, and a box with $800,000 in cash. They decide to keep the money, but quietly check up on the info they find. Soon the Feds are running all over the place, and it looks like jeep maybe linked to the JFK assassination. But the Feds are trying to cover it up, and eliminate anyone involved with the jeep. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Add Synopsis

Plot Keywords:

jeep | money | skeleton | rifle | desert | See All (75) »

Taglines:

A wrecked jeep.... A skeleton.... A rifle... $800,000 dollars in cash


Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

19 April 1985 (Sweden)  »

Also Known As:

Die Grenzwölfe  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

When the director William Tannen hired Tangerine Dream to score _Flashpoint_ he told them not to do the end title song because he had one he was using - "Sympathy For The Devil" by The Rolling Stones. Tangerine Dream said it was the perfect song to end the film with. They scored the entire film but this piece. The studio felt the song was too expensive and instead gave the assignment to an assistant who worked for one of the vice presidents. It was voted "worst" end title song for 1984 by the film critic Leonard Maltin. See more »

Goofs

While supposedly in San Antonio-- mountains are clearly reflected in the windows of a store. See more »

Quotes

Bobby: You're the only man I know who can screw up his own wet dream.
See more »

Connections

Referenced in The Big Box: Don't Open the Door (2010) See more »

Soundtracks

Flashpoint
Written by Scott Richardson
Performed by Scott Richardson and The Gems
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
come for the plot-decoding challenge; stay for the characterizations.
12 September 2006 | by (Canada) – See all my reviews

Eight hundred thousand dollars buried in desert sand in a wrecked Jeep just might be a ticket out of a Border Patrol job turning more bureaucratic and stifling by the moment. Agents Kris Kristofferson and Treat Williams try to find where the dollars, and the Jeep, and its dead driver,have come from. They'd like to split with the money and escape the irritating changes about to drive them off the Texas desert they know so well, but honesty and curiosity compel them to make sure the money's not tainted. Federal agent Kurtwood Smith, in from Washington knowing all the answers full well, has other plans for them.

I saw this film in its first release in 1984, and admired the way in which the script explored nuances of the conspiracy-fuelled '60s in American society and politics. I also liked the skill with which the script dropped hints and clues that, by film's end, were perfectly clear and coherent - a pleasing adjunct to the major puzzle of the decade. But in the years of watching it since, I've come to like best the acting skills which the cast, ably directed, demonstrate with texture and charm. Kristofferson and Williams are among the most appealing buddies you'll find in any thriller - in fact I can't think of a better pair; they complement each other as well as Al Pacino and John Goodman do in Sea of Love, and that's the highest praise I can offer. I can't think why Kristofferson and Williams (or Pacino and Goodman, for that matter) haven't been paired again by an enterprising producer. Jean Smart and Tess Harper are equally charming and nuanced in smaller roles made large by Smart's fiery energy and Harper's thoughtful attractiveness. Miguel Ferrer and Guy Boyd are perfect as a pair of amiably corrupt colleagues. On the dark side, Smith and Patrol boss Kevin Conway, as well as "Department of Public Safety" (ie. Texas Ranger) marshal Rip Torn, show how true villains are simply focused career men who believe implacably in the warped values they've espoused. Torn, at least, has the grace to change. At the end, he makes a statement to Kristofferson which might be our beacon too, our rationale for keeping up the search for truth in this lie-filled first decade of the new century: Looking back at his own choices, and forward to Kristofferson's tense future, Torn barks "Do it! Be the one who got away! Whatever happens, should've happened years ago." A very fine action film, remarkably well-performed.


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