3 items from 2013
Like most Americans living today, I was born after November 22, 1963, so I don't remember John F. Kennedy and can't tell you where I was when news broke of his assassination. So here's what I know about the man, his presidency, and his death, thanks to the history professors of Hollywood.
Let me see if I have this right: JFK was a handsome man with the charisma of a movie star. (Indeed, he had connections to Hollywood through his father, a onetime movie producer; through his brother-in-law Peter Lawford and fellow Rat Packer Frank Sinatra; and through his torrid affair with Marilyn Monroe.) Through his youth, good looks, charisma, and forward-looking rhetoric, he inspired a nation to stop wearing hats, build rockets to the moon, and join the Peace Corps. His even more attractive, youthful, stylish, and patrician wife Jackie swept out the dowdy cobwebs of the Eisenhower years and turned »
- Gary Susman
In a scene in 2000's "High Fidelity," Jack Black and Todd Louiso's record store clerk characters are coming up with a list of the top five songs about death. Black mentions "You Can't Always Get What You Want," but Louiso reminds him that the song was used in "The Big Chill." "Oh, God, you're right," says Black, and the song is disqualified.
That's how toxic "The Big Chill" was to popular culture -- so much so that even unassailable items that preceded it, like the Rolling Stones classic, were tainted by association.
It's true, of course, that "The Big Chill," released 30 years ago this month (on September 28, 1983), touched a huge raw nerve in the culture and became an enormous mainstream hit as a result. It's also true that it's a very enjoyable movie, full of witty and truthful moments in well-wrought performances by a stellar ensemble of then-rising stars. »
- Gary Susman
Park City, Utah – Perhaps it’s due to the success of the Sundance hit “Beasts of the Southern Wild” and its story of a girl who was forced to grow up too soon or just the fact that it’s a common theme of independent cinema but coming-of-age stories dominated this year’s Sundance Film Festival. My final diary piece (although I’ll be back with a few wrap-up features) includes the one coming-of-age flick that will be the biggest crowdpleaser and box office hit from the fest, Nat Faxon & Jim Rash’s “The Way, Way Back”. This very funny, sweet, ’80s-esque comedy was already picked up by Fox Searchlight for at least $10 million and the studio has another “Little Miss Sunshine” or “Juno” on their hands.
- firstname.lastname@example.org (Adam Fendelman)
3 items from 2013
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