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Title: Firestarter (1984)
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Andrew and Vicky McGee met while earning money as guinea pigs for an experiment at college. The experiment was shrouded in suspicion and mystery, and seemed to be related to psychic abilities. The two were married and had a daughter Charile, who has the ability to start fires by merely thinking about it. Naturally, the government takes a great interest in Charlie, and operatives from the secret department known as "The Shop" want to quarrantine and study her. Written by Murray Chapman <muzzle@cs.uq.oz.au>
Despite the fact that the films usually revolve around good and interesting stories, film adaptations of Stephen King's works are often not the best horror movies. Firestarter isn't the best known of his books, and that's slightly odd as this film adaptation is one of the best based on his stories. The film takes obvious influence from Brian De Palma's 'The Fury', as aside from the fact that this one is about a young girl that can start fires, and De Palma's film features a boy with psychic abilities; the way that both plots play out is very similar indeed. The plot has a number of problems, and the characters don't always act logically; but this is offset by the likable nature of the film, and characters that are easy to get along with due to their relatively simplistic nature. The film follows the aftermath of an experiment in which people were given an experimental drug. The ultimate result of this experiment was a child born of Andy and Vicky McGee; a child with a unique ability known as 'pyrokinesis' - the ability to start fires at will.
The film benefits from a range of cult stars. A young Drew Barrymore takes the title role, and although her acting skills hadn't been honed by the time this film was released, and she is more than a little bit wooden; she provides an interesting lead. David Keith and Martin Sheen back her up well in supporting roles, but the main acting plaudits go to the great George C. Scott who is good in what is probably the meatiest role of the piece. The running time is a little long for a film like this, but it's well used and the fact that the story doesn't get caught up with needless elements such as the girl's mother and father falling in love is definitely a good thing. The plot is very relaxed for most of the way through, and director Mark L. Lester seems content to just let things play out. That is until the last fifteen minutes; when the plot reaches its full potential and explodes with a fun and exciting finale. The film does feel more than a little bit like a TV movie at times; and the dumbed down techno soundtrack doesn't help this. Overall, the film definitely isn't perfect; but it's an enjoyable watch and King films have definitely been a lot worse!