| Photos (See all 12 | slideshow) |
| Tom Berenger | ... | Matt Rossi | |
| Billy Dee Williams | ... | Al Wheeler | |
| Jack Scalia | ... | Nicky Parzeno | |
| Melanie Griffith | ... | Loretta | |
| Rossano Brazzi | ... | Carmine | |
| Rae Dawn Chong | ... | Leila | |
| Joe Santos | ... | Frank | |
| Michael V. Gazzo | ... | Mike | |
| Jan Murray | ... | Goldstein | |
| Janet Julian | ... | Ruby | |
| Daniel Faraldo | ... | Sanchez | |
| Maria Conchita Alonso | ... | Silver (as Maria Conchita) | |
| Ola Ray | ... | Honey | |
| John Foster | ... | Pazzo | |
| Emilia Crow | ... | Bibi (as Emilia Lesniak) | |
| Nina Jones | ... | Dixie | |
| Frank Ronzio | ... | Harry | |
| Juan Fernández | ... | Jorge | |
| Jim Boeke | ... | Architect | |
| Vinny Argiro | ... | Bruno | |
| Carl Strano | ... | Priest | |
| Ben Kronen | ... | Club Announcer | |
| Madison Mason | ... | Leila's Doctor | |
| Bill Henderson | ... | Nicky's Doctor | |
| Victor Rivers | ... | Jimmy | |
| Joe Palese | ... | Tony | |
| Joe Shea | ... | Salvi | |
| Bob Yothers | ... | Sergeant | |
| John Roselius | ... | Rossi's Manager | |
| Tracy Griffith | ... | Sandra Cook | |
| Lori Eastside | ... | Goldy's Girl | |
| Sharon Anton | ... | Frank's Girlfriend | |
| Barbara Andrews | ... | Waitress | |
| Jim Brewer | ... | Jack Donnely (as James Brewer) | |
| Álvaro López | ... | Rio's Manager | |
| Eddie Ruffalo | ... | Cornerman | |
| Joy Michael | ... | Metropole Dancer #1 | |
| Linda Lee | ... | Metropole Dancer #2 | |
| Peter Mele | ... | Hitman #1 | |
| Robert Miano | ... | Hitman #2 | |
| Raphael Berko | ... | Hitman #3 | |
| Antony Ponzini | ... | Mobster #1 | |
| Frank Sivero | ... | Mobster #2 | |
| Brent Jennings | ... | Hawker #1 | |
| William Kennedy | ... | Hawker #2 | |
| Robert Giarratano | ... | Customer #1 | |
| Peter Gumeny | ... | Customer #2 | |
| Justin De Rosa | ... | Policeman #1 | |
| Adrian McKnight | ... | Policeman #2 | |
| John Barons | ... | Policeman #3 | |
| Kendall Carly Browne | ... | Nurse #1 | |
| Nancy Mott | ... | Nurse #2 | |
| Christine Greenberg | ... | Medical Technician | |
| rest of cast listed alphabetically: | |||
| Tricia Brown | ... | Dancer (uncredited) | |
| John Del Rico | ... | Bar Patron (uncredited) | |
| Helen Kelly | ... | Girl at the Club (uncredited) | |
| Annabelle Larsen | ... | Dancer (uncredited) | |
Directed by | |||
| Abel Ferrara | |||
Writing credits(in alphabetical order) | ||
| Nicholas St. John | written by | |
Produced by | |||
| Bruce Cohn Curtis | .... | producer | |
| Tom Curtis | .... | executive producer | |
| Jerry Tokofsky | .... | co-producer | |
| Stanley R. Zupnik | .... | executive producer | |
Original Music by | |||
| Dick Halligan | |||
Cinematography by | |||
| James Lemmo | |||
Film Editing by | |||
| Jack W. Holmes | |||
| Anthony Redman | |||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Vincent M. Cresciman | |||
Set Decoration by | |||
| Cricket Rowland | |||
Costume Design by | |||
| Linda M. Bass | |||
Makeup Department | |||
| Richard Arrington | .... | assistant makeup artist | |
| Bruce Johnson | .... | hair stylist: Mr Williams | |
| Francesca Maxwell | .... | makeup artist | |
| Julie Purcell | .... | assistant makeup artist | |
| Michael R. Thomas | .... | special makeup effects: New York | |
Production Management | |||
| Michael Fottrell | .... | production manager | |
| Mary Kane | .... | unit manager: New York | |
| Charles Newirth | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Peter Manoogian | .... | first assistant director | |
| Rip Murray | .... | trainee assistant director | |
| Debbie Pinthus | .... | second assistant director | |
Art Department | |||
| Michael 'Mickey' Beltran | .... | property master | |
| David L. Glazer | .... | property master | |
| Janet Kusnick | .... | illustrator | |
| Robin L. Miller | .... | set dresser | |
| Scott Moore | .... | assistant props: New York | |
| Arthur Riddle | .... | assistant art director | |
| Robert Wesson | .... | art department assistant: New York | |
Sound Department | |||
| Terry Lynn Allen | .... | sound editor | |
| George H. Anderson | .... | sound editor | |
| Ken Beauchene | .... | boom operator | |
| John Duffy | .... | sound editor | |
| Scott Hecker | .... | sound editor | |
| Don MacDougall | .... | sound re-recording mixer | |
| John L. Mack | .... | sound re-recording mixer | |
| Anthony Milch | .... | supervising sound editor | |
| Donald Ortiz | .... | assistant sound editor | |
| Art Ottinger | .... | adr editor | |
| John Roesch | .... | foley artist | |
| Joan Rowe | .... | foley artist | |
| Edward M. Steidele | .... | foley editor | |
| Mark P. Stoeckinger | .... | sound editor | |
| James M. Tanenbaum | .... | sound mixer | |
| Richard Tyler | .... | sound re-recording mixer | |
| John Osiecki | .... | sound mixer (uncredited) | |
Visual Effects by | |||
| Benedict Coulter | .... | visual consultant | |
Stunts | |||
| Pat Banta | .... | stunts | |
| Justin De Rosa | .... | stunt coordinator | |
| Arnaldo L. Díaz | .... | stunts | |
| Sidney Filson | .... | stunts | |
| Daryle Ann Lindley | .... | stunts | |
Camera and Electrical Department | |||
| Holly Bower | .... | still photographer | |
| John F. Cassidy | .... | grip: New York | |
| Skip Cook | .... | key grip | |
| M.J. Elliott | .... | still photographer | |
| Bill Johnson | .... | camera operator: second New York | |
| James Kincaid Johnson | .... | best boy electric | |
| Jeff Levy | .... | electrician: New York | |
| Don Muchow | .... | best boy electric: New York | |
| Rick Owen | .... | electrician: New York | |
| Joe Ritter | .... | additional second assistant camera | |
| Jeff Smith | .... | best boy grip (as Jeffrey Smith) | |
| Scott Spencer | .... | gaffer | |
| Thomas Vanghele | .... | second assistant camera (as Thomas P. Vanghele) | |
| John Verardi | .... | first assistant camera | |
| Michael Wilson | .... | additional first assistant camera | |
| Kory Mills | .... | grip (uncredited) | |
| Randy Nolen | .... | Steadicam operator (uncredited) | |
| Adam Smith | .... | grip (uncredited) | |
Casting Department | |||
| Nancy Mott | .... | extras casting | |
| Joy Todd | .... | extras casting: New York | |
Costume and Wardrobe Department | |||
| Susie DeSanto | .... | wardrobe supervisor | |
| Ellen Lutter | .... | wardrobe assistant: New York | |
Editorial Department | |||
| Sandra Davis | .... | associate editor | |
| Jack Hooper | .... | negative cutter | |
| Barbara Slifka | .... | post-production coordinator | |
Music Department | |||
| John Osiecki | .... | score mixer | |
| Terry Plumeri | .... | orchestrator | |
Transportation Department | |||
| Joel Marrow | .... | transportation coordinator | |
| Joseph Sullivan | .... | driver | |
Other crew | |||
| Al Cerullo | .... | helicopter pilot: New York | |
| Vincent M. Cresciman | .... | creative consultant | |
| Marty Cusack | .... | production assistant | |
| Kathryn Doby | .... | choreographer | |
| Rebecca Greeley | .... | production coordinator | |
| Coni Lancaster | .... | production secretary | |
| Álvaro López | .... | boxing coordinator | |
| David Mirsky | .... | production coordinator | |
| Harlan Cary Poe | .... | martial arts choreographer | |
| Amy Rabins | .... | production executive | |
| John Roselius | .... | boxing coordinator | |
| Daniel Schott | .... | assistant to producer | |
| Dwayne Alexander Smith | .... | production assistant (as Dwayne A. Smith) | |
| Dale Tate | .... | title designer | |
| Kathryn Zatarga | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Ex-boxer Tom Berenger, now an agent of strippers, tries to track down the maniacal killer that slashes "his" girls with a razor-blade. Problem is, we know who the killer is right from the start, so there's no mystery and no progression of the plot - it's just a series of consecutive murders. The good cast compensates somewhat, and the film holds your interest, but it all seems to be merely an excuse for the final showdown between Berenger and the killer, and even that isn't as good as it could've been. (**)