The story begins at a medieval dressing party. A man, dressed as the King Enrico IV, falls from his horse and hits his head. This causes him serious lesions and gets insane, believing he is... See full summary »
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Henry Bolingbroke has now been crowned King of England, but faces a rebellion headed by the embittered Earl of Northumberland and his son (nicknamed 'Hotspur'). Henry's son Hal, the Prince ... See full summary »
The story begins at a medieval dressing party. A man, dressed as the King Enrico IV, falls from his horse and hits his head. This causes him serious lesions and gets insane, believing he is really the King Written by
Michel Rudoy <firstname.lastname@example.org>
A solid adaptation, a superb Mastroianni performance
Marcello Mastroianni is masterful in the solid film adaptation of Pirandello's tricky play about the nature of sanity, madness and fantasy. Subtle yet grand, tragic and very funny, Mastroianni gives tremendous life to the sometimes slightly dry and otherwise intellectual ideas underneath the story.
A mad Italian aristocrat who has spent 20 years believing he's King Henry IV, and has been surrounded by sycophants willing to play along. Now a doctor and his ex-lover try to 'cure' him, leading to some interesting and unexpected results.
It takes a while to get going, but the last third is wonderful, and the whole thing is pretty fascinating.
I will say, the score drove me a bit crazy. It often felt intrusive alternately too heavy handed and on the nose, or having little relationship to what was going on on screen. But that's hardly enough to ruin a great performance in a film that raises more than it's share of interesting questions.
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