6.5/10
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72 user 31 critic

Electric Dreams (1984)

PG | | Comedy, Drama, Music | 20 July 1984 (USA)
An artificially intelligent PC and his human owner find themselves in a romantic rivalry over a woman.

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Nominated for 1 BAFTA Film Award. Another 2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Edgar (voice)
Don Fellows ...
Alan Polonsky ...
Wendy Miller ...
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Holly De Jong ...
Stella Maris ...
Mary Doran ...
Diana Choy ...
Jim Steck ...
Gary Pettinger ...
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Storyline

Miles buys himself a state-of-the-art computer that starts expressing thoughts and emotions after a having champagne spilled down on him. Things start getting out of hand when both Miles and Edgar, how the computer calls himself, fall in love with Madeline, an attractive neighbour. Written by Robert Zeithammel <zeit@cip.physik.uni-muenchen.de>

Plot Summary | Plot Synopsis

Taglines:

Meet Edgar. He'll make you sing, make you dance, make you laugh, make you cry, make you jealous, make you nuts. See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

20 July 1984 (USA)  »

Also Known As:

Amor é Música  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Moles, investigating the source of a musical piece, intones: "di-di-di-daah" into a microphone attached to a computer. This intonation is of Beethoven's Symphony No. 5. (Opus 67) - namely, the distinctive opening four-note motif of short-short-short-long notes. See more »

Goofs

Miles books a ticket on TWA flight 129 from Los Angeles to San Francisco just as a final boarding call announcement for that flight begins. The departures board behind him shows that the flight leaves from gate 27, but seconds later, the announcement concludes with "Will passengers please proceed to gate 15?". See more »

Quotes

[Miles, late for work, goes to leave, but the computer-controlled electronic lock is still engaged on the apartment door]
Miles Harding: Damn.
[Miles goes to the computer to unlock the door]
Computer's Monitor: hello moles // ever used a computer / before?
Miles Harding: God damn it!
Computer's Monitor: then we'll work
[camera pans away as Miles tries door again]
Computer's Monitor: [on green background, centered] HOME SECURITY // PROGRAM RESTRICTED // SCIENCE OFFICER / EYES ONLY.
Miles Harding: [flipping through manual] "Science officer eyes only"? I'll kill 'em. I'll kill 'em!
[...]
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Crazy Credits

After the closing credits have run, a multicolored question mark appears in the lower right corner of the screen with a computer-like sound. After this, the line "ELECTRIC DREAMS FINISHED" appears in green at the upper left corner. The question mark is replaced by the line "no more?" Then the green text is replaced by "TIME TO DISCONNECT". Both then disappear, and multicolored letters appear near the center of the screen reading "THE NED". The "N" is quickly deleted, the "E" moved over, and the "N" is reinserted to properly spell "THE END". As this disappears, Edgar's voice is heard laughing, and he says "H-hello? Hello? Good-goodbye." See more »

Connections

References Fellini - Satyricon (1969) See more »

Soundtracks

Now You're Mine
Performed by Helen Terry
Music by Giorgio Moroder
Lyrics by Helen St. John and Rusty Lemorande
Produced by Giorgio Moroder
(c)1984 GMPC
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User Reviews

Being John Malkovich for the Eighties
20 February 2001 | by (Liverpool, England) – See all my reviews

When I first saw 'Being John Malkovich', I didn't really know much about - it was a while since I'd been to the cinema because of work and I went to see it on the strength of John Cusack. As I sat in that cinema full of bored teenagers, watching the story unfold, I was amazed at how similar an experience it actually was to the first film I really fell in love with, 'Electric Dreams'.

I've never been completely sure what I especially liked about the film. Virginia Madsen certainly has a big sister / first crush quality, with her woolly jumpers and body wrapped around a cello. Lenny Van Dollen is certainly as good an actor as anyone whose worked in this kind of film and offers work of quite subtle range. And the computer is heartbreaking. And the music is lovely. This is perhaps a film which is uncriticisable because it captures a time in life so beautifully.

Made in 1984, 'Dreams' has a plot similar in scope to 'Malkovich'. Miles subordinating of the newly sentient computer parallel's Craig Schwartz control of the film actor. As the computer operator uses Edger to woo the love of both their lives, so the puppeteer controls Malkovich to get into the panties of his 'business partner'.

There is no doubt the film has dated, although in its own way it uses visual techniques which at the time must have seemed as extreme as the flourishes of the latter film. Its use of pop video, in the sequences of high emotion, especially in the scene of where Miles is chased around the house, are at least echoed in the chase sequence at the heart of 'Malkovich'.

With all this in mind, its perhaps a time to re-assess this film as more than the fluff its previously been thought of as being.


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