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Electric Dreams (1984)

PG  |   |  Comedy, Drama, Music  |  20 July 1984 (USA)
6.4
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Ratings: 6.4/10 from 4,982 users  
Reviews: 69 user | 27 critic

An artificially intelligent PC and his human owner find themselves in a romantic rivalry over a woman.

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Title: Electric Dreams (1984)

Electric Dreams (1984) on IMDb 6.4/10

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Nominated for 1 BAFTA Film Award. Another 2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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...
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Edgar (voice)
Don Fellows ...
...
Wendy Miller ...
Harry Rabinowitz ...
...
Holly De Jong ...
Stella Maris ...
Mary Doran ...
Diana Choy ...
Jim Steck ...
Gary Pettinger ...
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Storyline

Miles buys himself a state-of-the-art computer that starts expressing thoughts and emotions after a having champagne spilled down on him. Things start getting out of hand when both Miles and Edgar, how the computer calls himself, fall in love with Madeline, an attractive neighbour. Written by Robert Zeithammel <zeit@cip.physik.uni-muenchen.de>

Plot Summary | Plot Synopsis

Taglines:

The most unusual triangle in the history of love: a boy, a girl, and a computer. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

20 July 1984 (USA)  »

Also Known As:

Amor é Música  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Many of the features on Miles computer did not exist at the time, however most modern computers have the ability to do these tasks. See more »

Goofs

At the Los Angeles International Airport, the departures board behind miles lists a flight to "Michigan", which is extremely unlikely, given that flight information displays usually list flights per city (not state). In fact, all the other domestic flights on the board are listed per city (New York, Dallas, San Francisco, Miami, Washington and Reno). See more »

Quotes

Miles Harding: Sweet dreams.
Edgar: What's a dream?
Miles Harding: A dream is a wish your heart makes when you're fast asleep.
Edgar: [skeptical] Who says?
Miles Harding: Walt Disney. Sleeping Beauty, nineteen... fifty.
Edgar: No, it was Cinderella, 1949.
Miles Harding: [exasperated] Good *night*!
Edgar: [cheekily] 'Night.
See more »

Crazy Credits

Dedicated to the memory of the UNIVAC I See more »

Connections

References Love Connection (1983) See more »

Soundtracks

Together In Electric Dreams
performed by Giorgio Moroder with Phil Oakey
Music by Giorgio Moroder
Lyrics by Phil Oakey
Produced by Giorgio Moroder
(c)1984 GMPC/Virgin Music (Publishers) Limited
See more »

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User Reviews

Being John Malkovich for the Eighties
20 February 2001 | by (Liverpool, England) – See all my reviews

When I first saw 'Being John Malkovich', I didn't really know much about - it was a while since I'd been to the cinema because of work and I went to see it on the strength of John Cusack. As I sat in that cinema full of bored teenagers, watching the story unfold, I was amazed at how similar an experience it actually was to the first film I really fell in love with, 'Electric Dreams'.

I've never been completely sure what I especially liked about the film. Virginia Madsen certainly has a big sister / first crush quality, with her woolly jumpers and body wrapped around a cello. Lenny Van Dollen is certainly as good an actor as anyone whose worked in this kind of film and offers work of quite subtle range. And the computer is heartbreaking. And the music is lovely. This is perhaps a film which is uncriticisable because it captures a time in life so beautifully.

Made in 1984, 'Dreams' has a plot similar in scope to 'Malkovich'. Miles subordinating of the newly sentient computer parallel's Craig Schwartz control of the film actor. As the computer operator uses Edger to woo the love of both their lives, so the puppeteer controls Malkovich to get into the panties of his 'business partner'.

There is no doubt the film has dated, although in its own way it uses visual techniques which at the time must have seemed as extreme as the flourishes of the latter film. Its use of pop video, in the sequences of high emotion, especially in the scene of where Miles is chased around the house, are at least echoed in the chase sequence at the heart of 'Malkovich'.

With all this in mind, its perhaps a time to re-assess this film as more than the fluff its previously been thought of as being.


11 of 15 people found this review helpful.  Was this review helpful to you?

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