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The Ship Sails On (1983)
"E la nave va" (original title)

7.7
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Ratings: 7.7/10 from 3,563 users  
Reviews: 25 user | 18 critic

In July 1914 a luxury cruise ship leaves Italy with the ashes of the famous opera singer Tetua. The boat is filled with her friends, opera singers, actors and all kinds of exotic people. ... See full summary »

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Title: The Ship Sails On (1983)

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Cast

Cast overview, first billed only:
...
Orlando
...
Ildebranda Cuffari
Victor Poletti ...
Aureliano Fuciletto
Peter Cellier ...
Sir Reginald J. Dongby
Elisa Mainardi ...
Teresa Valegnani
Norma West ...
Lady Violet Dongby Albertini
Paolo Paoloni ...
Il Maestro Albertini
Sarah-Jane Varley ...
Dorotea
Fiorenzo Serra ...
Il Granduca
Pina Bausch ...
La Principessa Lherimia
Pasquale Zito ...
Il Conte di Bassano
Linda Polan ...
Ines Ruffo Saltini
Philip Locke ...
Il Primo Ministro
Jonathan Cecil ...
Ricotin
Maurice Barrier ...
Ziloev
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Storyline

In July 1914 a luxury cruise ship leaves Italy with the ashes of the famous opera singer Tetua. The boat is filled with her friends, opera singers, actors and all kinds of exotic people. Life is sweet the first days, but on the third day the captain has to save a a large number of Serbian refugees from the sea, refugees who has escaped the first tremors of WWI. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Plot Keywords:

singer | opera | refugee | sea | ship | See All (17) »

Genres:

Drama | History | Music

Certificate:

PG | See all certifications »
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Details

Country:

|

Language:

| | |

Release Date:

7 October 1983 (Italy)  »

Also Known As:

And the Ship Sails On  »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to an excerpt from the book "I, Fellini", the renowned director was uncertain about casting Freddie Jones in the role of Orlando, mainly for the fact that he would be a British type within a Mediterranean setting. When he saw an ice-cream advertisement, carrying the brand name Orlando on the sign of a bus, Fellini took it as a favorable omen and Jones got the part. See more »

Connections

Edited into Spisok korabley (2008) See more »

Soundtracks

Moments Musicaux No. 3 in F Minor, D 780 (Op. 94, No. 3)
Written by Franz Peter Schubert
Played on wine glasses in the kitchen scene.
See more »

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User Reviews

Fellini's Touch in Every Frame

There is no mistaking a Fellini film, even when you only catch the last 30 minutes, as I did when channel surfing. I made an effort to catch the full film next time it was shown, and was rewarded with a stunning feast. Not one of Fellini's best (or worst excesses) depending on your opinion of Fellini, but images that will stay with me for many years. Like Ken Russell, Fellini can always be depended on to go way over the top and never do anything by halves.

The story of a group of rich aristocrats, opera singers, hangers on and just plain rich accompanying the body of a great opera singer to her cremation on the island of her birth in 1914, is shown in Fellini's stylised fashion as an allegory on the decline of Europe in WWI. The opulent excess of the doomed rich lifestyle, which no matter how hard they tried, was never regained, contrasts with the workers slaving in order to enable the rich to enjoy that elegant privileged lifestyle. The scene where the passengers tour the boiler rooms, standing on a cat walk to look down on the stokers shovelling coal into the boilers and trilling arias while the stokers took off their caps to show respect, made me hope the catwalk would collapse and plunge the passengers into the furnace.

The stylistic storytelling reminded me of "Oh what a lovely War" Joan Littlewood's depiction of WWI as a series of songs and dances by a seaside concert party. If you want reality, you can look out of the window every day and see reality. Sometimes a surrealist view puts a different window on things. The stupendous finale of the movie is enough to make the film worthwhile if nothing else.


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