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Directed by | |||
| David Lynch | |||
Writing credits | ||
| Frank Herbert | (novel) | |
| David Lynch | (screenplay) | |
Produced by | |||
| Dino De Laurentiis | .... | executive producer | |
| Raffaella De Laurentiis | .... | producer | |
| José López Rodero | .... | associate producer (as José Lopez Rodero) | |
Original Music by | |||
| Toto | |||
Cinematography by | |||
| Freddie Francis | (photographed by) | ||
Film Editing by | |||
| Antony Gibbs | |||
Casting by | |||
| Jane Jenkins | |||
Production Design by | |||
| Anthony Masters | |||
Art Direction by | |||
| Pier Luigi Basile | (supervising art director) (as Pierluigi Basile) | ||
| Benjamín Fernández | (as Benjamin Fernandez) | ||
Set Decoration by | |||
| Giorgio Desideri | |||
Costume Design by | |||
| Bob Ringwood | |||
Makeup Department | |||
| Giannetto De Rossi | .... | creative makeup | |
| Mirella De Rossi | .... | chief hairdresser | |
| Etsuko Egawa | .... | special makeup effects artist | |
| Luigi Rocchetti | .... | makeup artist | |
| Mara Rossi | .... | wig maker | |
| Mario Scutti | .... | makeup artist | |
| Mauro Tamagnini | .... | hairdresser | |
| Jean Ann Black | .... | makeup artist (uncredited) | |
| Christopher Tucker | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Anuar Badin | .... | production supervisor | |
| Vicente Escrivá hijo | .... | production supervisor (as Vicente Escriva) | |
| Anselmo Parrinello | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| José López Rodero | .... | first assistant director (as José Lopez Rodero) | |
| Ian Woolf | .... | dga trainee | |
| Víctor Albarrán | .... | first assistant director: second unit (uncredited) | |
| James Devis | .... | assistant director (uncredited) | |
| Ignazio Dolce | .... | second unit director (uncredited) | |
| Miguel Lima | .... | second assistant director (uncredited) | |
Art Department | |||
| Rafael Ablanque | .... | chief sculptor | |
| José María Alarcón | .... | assistant art director (as José Maria Alarcon) | |
| Ángel Arriola | .... | chief carpenter (as Angel Arriola) | |
| Sante Barelli | .... | chief painter | |
| Malcolm Bensted | .... | assistant props | |
| Jose Bolano | .... | chief plasterer (as José Bolaño) | |
| Alessandro Catarinelli | .... | chief painter | |
| Miguel Chang | .... | draughtsman | |
| Peter Childs | .... | assistant art director | |
| Vito Consoli | .... | chief painter | |
| Steve Cooper | .... | draughtsman | |
| Ezio D'Achille | .... | chief painter | |
| Antonio De Toro | .... | chief painter | |
| Antonio del Amo | .... | chief plasterer | |
| Ron Downing | .... | floor props | |
| Ramón Díaz | .... | chief carpenter (as Ramon Diaz) | |
| Raul Paton Garcia | .... | assistant art director | |
| Ferdinando Giovannoni | .... | draughtsman | |
| Mentor Huebner | .... | illustrator | |
| George Jenson | .... | illustrator (as George Jensen) | |
| Giuseppe La Rocca | .... | chief plasterer | |
| Maurice Larson | .... | chief painter | |
| Angelo Marta | .... | chief plasterer | |
| Giles Masters | .... | draughtsman | |
| Hank Mayo | .... | concept designer | |
| Ron Miller | .... | illustrator | |
| Kevin Phipps | .... | assistant art director | |
| Aldo Puccini | .... | construction manager | |
| Luciano Romero | .... | assistant props | |
| Graham Sumner | .... | property master | |
| Giulio Tamassy | .... | chief sculptor | |
| Jose Velazquez | .... | chief carpenter (as José Velazquez) | |
| Gilberto de Anda | .... | assistant art director (uncredited) | |
| Jan Ferris | .... | designer: jewelry and some props (uncredited) | |
| Martin A. Kline | .... | production illustrator (uncredited) | |
| Moises Pineda | .... | production buyer assistant (uncredited) | |
| Mark Siegel | .... | sculptor (uncredited) | |
Sound Department | |||
| Derek Brechin | .... | assistant sound editor | |
| Teresa Eckton | .... | sound editor | |
| Donald Flick | .... | foley editor | |
| John Haptas | .... | boom operator | |
| Lee Haxall | .... | assistant sound editor | |
| Ann Kroeber | .... | assistant sound editor | |
| Patricia Lee | .... | assistant sound editor | |
| Edward Malone | .... | assistant sound editor | |
| Steve Maslow | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Jerry Ross | .... | foley editor | |
| Leslie Shatz | .... | sound editor | |
| Alan Splet | .... | sound designer | |
| Nelson Stoll | .... | sound mixer | |
| Bill Varney | .... | sound re-recording mixer | |
| Les Wiggins | .... | sound editor | |
| Martin Maryska | .... | assistant sound editor (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| John Baker | .... | special effects floor chief | |
| Antonio Balandín | .... | special effects assistant | |
| William Bryan | .... | master foamsmith: stillsuit (as William C. Bryan) | |
| Theresa Burkett | .... | suit construction: stillsuit (as Teresa Burkett) | |
| Jeff Clifford | .... | special effects floor chief | |
| Terence J. Cox | .... | special effects assistant (as Terry Cox) | |
| Yves De Bono | .... | special effects engineer | |
| Lyle Eckmeier | .... | special effects assistant | |
| Charles L. Finance | .... | special effects coordinator | |
| Linda Frobos | .... | suit construction: stillsuit | |
| Rodney Fuller | .... | special effects floor chief | |
| Dino Galiano | .... | special effects floor chief | |
| Dirck Halstead | .... | special photography | |
| John Hatt | .... | special effects electronic unit chief | |
| Steve Humphrey | .... | special effects assistant (as Stephen Humphrey) | |
| Andrew Kelly | .... | special effects assistant | |
| Terry Knowles | .... | special effects assistant | |
| Jim Leonard | .... | chief sculptor: stillsuit | |
| Barry Nolan | .... | special photographic effects | |
| Antonio Parra | .... | special effects floor chief | |
| Don Post | .... | suit development: stillsuit | |
| Carlo Rambaldi | .... | creature creator | |
| Mark Siegel | .... | head of construction: stillsuit | |
| Ronnie Skinner | .... | special effects rigger (as Ron Skinner) | |
| John K. Stirber | .... | special effects flying unit chief (as John Stirber) | |
| Phil Stokes | .... | special effects assistant (as Philip Stokes) | |
| Bruno Van Zeebroeck | .... | special effects assistant | |
| Kit West | .... | mechanical special effects | |
| Trevor Wood | .... | special effects assistant | |
| Gary Zink | .... | special effects assistant | |
| Judith Miller | .... | model maker (uncredited) | |
Visual Effects by | |||
| Tom Anderson | .... | blue screen mattes | |
| Peter Bohanna | .... | model shop supervisor | |
| Jeffrey A. Burks | .... | graphics technician | |
| Mike Cobos | .... | creature moldmaker | |
| Ralph Cobos | .... | creature moldmaker | |
| Tom Connors | .... | creature sculptor | |
| Bryan Cooke | .... | optical lineup | |
| Syd Dutton | .... | matte painter | |
| Mark Freund | .... | optical printer operator | |
| Jeremy Gibbs | .... | optical effects editor | |
| Devorah Hardberger | .... | optical coordinator | |
| Patricia Harrison | .... | optical coordinator (as Patt Harrison) | |
| Kevin Koneval | .... | blue screen mattes | |
| John Kuhlman | .... | optical lineup | |
| Liz Lord | .... | graphics technician | |
| Richard Malzahn | .... | visual effects graphics | |
| Lauren Marems | .... | creature sculptor (as Laurie Marems) | |
| Ray Monahan | .... | optical printer operator | |
| January Nordman | .... | graphics technician | |
| Deborah O'Brien | .... | optical printer operator (as Deborah J. O'Brien) | |
| Bill O'Sullivan | .... | optical lineup | |
| Christine Overs | .... | model maker | |
| Dick Ramirez | .... | optical printer operator | |
| Gus Ramsden | .... | model maker | |
| Katie Ruah | .... | graphics technician | |
| Emilio Ruiz del Río | .... | foreground miniatures (as Emilio Ruiz Del Rio) | |
| Stanley W. Sayer | .... | matte photography consultant (as Stanley Sayer) | |
| Frank Schepler | .... | creature operator (as Frank W. Shepler) | |
| Paolo Scipione | .... | creature operator | |
| Brian Smithies | .... | model unit supervisor | |
| Jacinto Soria | .... | model maker | |
| Charles Staffell | .... | front projection consultant | |
| Eric Swenson | .... | motion control | |
| Steve Townsend | .... | creature operator (as Steven Townsend) | |
| Danielle Versè | .... | model maker | |
| Albert Whitlock | .... | additional special visual effects (as Albert J. Whitlock) | |
| William Whitten | .... | creature sculptor | |
| David S. Williams Jr. | .... | optical lineup | |
| Megan Williams | .... | graphics technician | |
| Steven Willis | .... | creature operator (as Steve Willis) | |
| Charles L. Finance | .... | visual effects coordinator (uncredited) | |
| Jammie Friday | .... | rotoscope: Van der Veer Photo Effects (uncredited) | |
| Michael Douglas Middleton | .... | visual effects still photographer (uncredited) | |
| Judith Miller | .... | conceptual model builder (uncredited) | |
| Christopher S. Ross | .... | model maker (uncredited) | |
Stunts | |||
| Dickey Beer | .... | stuntman (as Dickie Beer) | |
| Tony Brubaker | .... | stuntman | |
| Will Harper | .... | stuntman | |
| Richard Humphreys | .... | stunt coordinator | |
| Henry Kingi | .... | stuntman (as Henri Kingi) | |
| Wayne Michaels | .... | stuntman | |
| Kiyoshi Yamasaki | .... | fight coordinator (as Kiyoshi Yamazaki) | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Richard Humphreys | .... | stunts (uncredited) | |
| Wendy Leech | .... | stunts (uncredited) | |
| Scott Wilder | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan Annand | .... | focus puller | |
| Chic Anstiss | .... | camera operator (as Chick Anstiss) | |
| James Devis | .... | cinematographer: additional unit | |
| Frederick Elmes | .... | cinematographer: additional unit | |
| Ed George | .... | clapper loader | |
| Gordon Hayman | .... | camera operator | |
| Gerhard Hentschel | .... | camera maintenance | |
| Roy Larner | .... | supervising gaffer | |
| Ignazio Maccarone | .... | practical electrician | |
| John Matthews | .... | best boy | |
| Shane O'Neill | .... | clapper loader | |
| Tim Ross | .... | focus puller | |
| Maria Schiavone | .... | gaffer | |
| George Whitear | .... | still photographer | |
| Ken Worringham | .... | camera operator | |
| Douglas Evan Hersh | .... | best boy electric (uncredited) | |
| René Marquéz | .... | electrician (uncredited) | |
Casting Department | |||
| Maggie Cartier | .... | casting: UK | |
Costume and Wardrobe Department | |||
| Thomas Casterline | .... | wardrobe supervisor | |
| Barbara Higgins | .... | wardrobe cutter | |
| Ana María Infante | .... | wardrobe mistress | |
| Michael Jones | .... | milliner | |
| Mary Etta Lang | .... | wardrobe dyer | |
| Edward Percival | .... | wardrobe cutter | |
| Cyril Streeter | .... | wardrobe cutter | |
| Nadia Vitali | .... | wardrobe supervisor | |
| Mary E. Vogt | .... | wardrobe buyer (as Mary Vogt) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Aubrey Head | .... | negative timer | |
| Adam Masters | .... | apprentice film editor | |
| Kate Orr | .... | assistant cutter | |
| Deborah Phipps | .... | assistant cutter (as Debbie Harkness) | |
| Penelope Shaw | .... | assistant film editor | |
| Rosemarie Urioste | .... | apprentice film editor | |
| Roz Ward | .... | assistant cutter | |
| Patricia Lee | .... | assistant editor (uncredited) | |
| Carlos Puente | .... | assistant editor (uncredited) | |
Music Department | |||
| George Brand | .... | music editor | |
| Brian Eno | .... | composer: prophecy theme | |
| Roger Eno | .... | composer: prophecy theme | |
| Allyn Ferguson | .... | additional orchestrator | |
| Tom Knox | .... | score engineer | |
| Tom Knox | .... | score mixer | |
| Daniel Lanois | .... | composer: prophecy theme | |
| Shep Lonsdale | .... | score engineer | |
| Shep Lonsdale | .... | score mixer | |
| Steve Lukather | .... | musician: Toto | |
| Gilbert Marouani | .... | music consultant | |
| David Paich | .... | musician: Toto | |
| Marty Paich | .... | composer: additional music | |
| Marty Paich | .... | conductor: Vienna Symphony Orchestra and Concert Society Vienna Volksoperchior | |
| Marty Paich | .... | music adaptor | |
| Jeff Porcaro | .... | musician: Toto | |
| Mike Porcaro | .... | musician: Toto | |
| Steve Porcaro | .... | musician: Toto | |
| Al Schmitt | .... | music coordinator | |
| Wiener Symphoniker | .... | music performed by (as Vienna Symphony Orchestra) | |
| Toto | .... | music performer | |
| Allyn Ferguson | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Alfonso Paredes | .... | driver (uncredited) | |
| Carlos Ponce de León | .... | transportation captain (uncredited) | |
Other crew | |||
| Margaret Anderson | .... | dialect coach | |
| Ginette Angosse | .... | production assistant | |
| Yvonne Axeworthy | .... | script supervisor (as Yvonne Axworthy) | |
| Len Barnard | .... | production accountant | |
| Mary Breen-Farrelly | .... | accountant | |
| Ann Busby | .... | legal consultant | |
| Craig Campobasso | .... | production office assistant | |
| Emmett Chapman | .... | creator: Gurney's Baliset, based on 'The Stick' | |
| Jerry Cormier | .... | administrative staff | |
| Eduardo De La Grana | .... | assistant accountant | |
| James Devis | .... | supervisor: additional unit | |
| Frederick Elmes | .... | supervisor: additional unit | |
| Damian Evans | .... | administrative staff | |
| Kevin Freemantle | .... | assistant accountant | |
| Gerald Green | .... | technical advisor | |
| Hester Hargett | .... | production assistant | |
| Edward A. Kantor | .... | medical consultant (as Dr. Edward A. Kantor) | |
| Kuki López Rodero | .... | assistant: Mr. Lynch (as Kuki Lopez Rodero) | |
| Michael Menzies | .... | post-production accountant | |
| Sherrye Mossuto | .... | production assistant | |
| Golda Offenheim | .... | production coordinator | |
| Juan Clemente Prosper | .... | location manager (as Juan Clemente) | |
| Robert Schaefer | .... | title lettering designer | |
| Margy Stein | .... | administrative staff | |
| Anne Strick | .... | project coordinator | |
| Anne Strick | .... | unit publicist | |
| Val Van der Veer | .... | administrative staff | |
| Debbie Van Hoek | .... | accountant | |
| Debbie Van Hoek | .... | office coordinator | |
| Leslie Werner | .... | production assistant | |
| Harry Kopoian | .... | airport liaison: Mexico (uncredited) | |
| John Naulin | .... | still suits fabrication supervisor (uncredited) | |
| Mark Siegel | .... | creature maker (uncredited) | |
| Mark Siegel | .... | puppeteer (uncredited) | |
Thanks | |||
| Federico De Laurentiis | .... | dedicatee | |
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Every time I see this film I like it more, yet can see why people would dislike this movie, and I can sum up it's shortcoming this way:
Not close enough to the book to humour the people who have read the book, to confusing for people who have not. Thus Lynch managed to get a lot of bad press about this near masterpiece.
It is very difficult to fit the plot of Herbert's masterpiece into 130 minutes, but I think Lynch did a good job, sadly he added som stuff that was not in the book. Where Lynch does excel is in setting the mood. To help him he had probably the best possible cast for such a movie and the best musical score ever. The acting overall is excellent (except possibly Maclachlan and Jones) and for me who read the book before seeing the film, it is hard not to see Stewart as Halleck. The timing of the acting and events is almost perfect. If Lynch had had help by a better scriptwriter to curb some of his wilder additions and flesh out the plot a bit and this could have been one of the best sci-fi movies ever. As is, it is very good, but somewhat flawed.