After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
In the far future, a duke and his family are sent by the Emperor to a sand world from which comes a spice that is essential for interstellar travel. The move is designed to destroy the duke and his family, but his son escapes and seeks revenge as he uses the world's ecology as one of his weapons. Written by
John Vogel <email@example.com>
Its surface is barren. Its true strength hidden. Its foreboding desert conceals the power to fold space, to slow time, to send the mind where the body cannot go. It is the source of the ultimate power. It is the deadly battleground where a young leader will emerge to command an army of six million warriors against the tyrannical force that threatens to enslave the universe. It is the clash for the greatest prize of all... The planet called Dune. See more »
David Lynch (13 January 2006) : "Dune I didn't have final cut on. It's the only film I've made where I didn't have, I didn't technically have final cut on The Elephant Man (1980) but Mel Brooks gave it to me, and on Dune (1984) the film, I started selling out even in the script phase knowing I didn't have final cut, and I sold out, so it was a slow dying- the-death and a terrible terrible experience. I don't know how it happened, I trusted that it would work out but it was very naive and, the wrong move. In those days the maximum length they figured I could have is two hours and seventeen minutes, and that's what the film is, so they wouldn't lose a screening a day, so once again it's money talking and not for the film at all and so it was like compacted and it hurt it, it hurt it. There is no other version. There's more stuff, but even that is putrefied." See more »
During the first attack, a Sardaukar soldier reacts to a weapon hit a split second before it actually happens. See more »
A beginning is a very delicate time. Know then, that it is the year 10191. The known universe is ruled by the Padisha Emperor Shaddam IV, my father. In this time, the most precious substance in the Universe is the spice melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The Spacing Guild and its navigators, who the spice has mutated over four-thousand years, use the orange spice gas, which gives them the ability to fold space. That...
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This Film Is Dedicated To Federico de Laurentiis See more »
Dated fx, but still a great story and nicely executed movie
Dune. At first, I only knew it from the games. Then I found out there were books, and after that, there was a movie. I'm talking 2000 here, and I've only just recently seen it. More than 20 years after the movie was made, and seeing it in this era of very cunning special fx and 3D does make it look dated a bit. Is that necessarily a bad thing? No. The movie is pretty good actually. But the problem with it is, that you can't tell the whole Dune-story in just one movie: it should have been a two or even three-piece like LOTR. People completely unfamiliar with the Dune-story and world will ask themselves after viewing it: 'what the hell was that all about?' while I myself say: 'that was quite nice actually'. The budget was no less than 40 million dollars, huge huge for 1984. And it shows: the costumes, ships, decors and worm-fx are great. If it would be made in this year, it would probably be brilliant. In 1984 it was a bit limited because of technological limits, not creative ones.
Yes, I liked it, and once more added a new dimension of understanding for me to the story of Dune. The spice, the houses, the Fremen, the worms, everything is a bit clearer now. 7 out of 10, just good.
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