1,000 years ago Earth was visited by an alien race from another dimension, the Grays, who used their technology to mix human and alien DNA to create a superior race, the Hybrids. The Grays,... See full summary »
A soldier from Earth crash-lands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together ... See full summary »
Louis Gossett Jr.,
A thrill-seeking Man signs up with Dreamscape Inc, provider of electronic dreams and vivid fantasies. Transformed into an unstoppable Courier, he enters a world of corporate espionage. ... See full summary »
Daniel J. Fox
Yuugo, who grew up in the city, finds himself in an unfamiliar environment at Ooejo Agricultural High School, surrounded by nature and animals. Yuugo is also the only one who doesn't know ... See full summary »
A government funded project looks into using psychics to enter people's dreams, with some mechanical help. When a subject dies in his sleep from a heart attack Alex Gardner becomes suspicious that another of the psychics is killing people in the dreams somehow and that is causing them to die in real life. He must find a way to stop the abuse of the power to enter dreams. Written by
Was the second film to be Rated PG-13 under then new MPAA ratings guidelines following Red Dawn (1984), which had come out weeks prior to this film's release. See more »
When Ms. Matusik has a heart attack, the paddles used to try and revive her are placed in the wrong spots on her chest. One paddle is supposed to be placed on the upper right of the patient and the other on the lower left at the base of the ribs. This allows for proper current travel through the heart. But both paddles are placed on her upper chest at her shoulders. This would do nothing for the patient. Also, you can see the actor jump before she is "shocked." See more »
Years after studying Alex Gardner (Dennis Quaid) for his psychic abilities, Dr. Paul Novotny (Max von Sydow) tracks him down to talk him into experimenting with psychic dream research. However, higher ups in the dream research program may have ulterior, nefarious motives.
Dreamscape may be a good candidate for "most misleading poster art". The theatrical poster, which is also the DVD cover, suggests a kid-oriented, slightly hokey adventure film--perhaps a combination of Indiana Jones and the Temple of Doom (1984), The Neverending Story (1984) and "The Hardy Boys Mysteries" (1977). Not that the combination sounds like a bad idea to me, but this film is much more adult, much more sci-fi, and more of a thriller. It's not really an adventure, although some of the dream material could be seen that way. The tone, if not content, is closer to something like Coma (1978), and later films like Flatliners (1990) and The Cell (2000), the latter being obviously influenced by Dreamscape. It also has a bit of the bizarre surrealist tone of late-1970s fare such as Phantasm (1979) (and this aspect also influenced films like The Cell).
Part of the reason the films works as well as it does is the cast. Dennis Quaid carries the film, frequently injecting enjoyable comic relief. Max von Sydow is always excellent. Kate Capshaw, as Jane DeVries, is also good as the research assistant and Alex' love interest. Although they're underused, Christopher Plummer, Eddie Albert, George Wendt and David Patrick Kelly all turn in superb performances as well.
Director Joseph Ruben frequently treats us to great dream sequences, with often-subtle touches. Note, for example, the different colors upon entering different persons' dreams. For the relatively benign construction worker, the entry is blue. For the child troubled with nightmares, there is a complex of colors. For Jane, who is giving Alex the cold shoulder, the color is an icy silver-white. Although the film was relatively low budget, and effects relatively primitive at the time, I thought all of the effects worked well. I even loved the part stop-motion, part guy-in-a-costume snake-man. At times the stop motion work briefly resembled Harryhausen. I especially loved the more surreal and more horrific aspects of the dreamworlds, such as we see from Eddie Albert's character, the expressionistic sets for the child's dream, the zombies, and so on.
Surprisingly, perhaps, Dreamscape is also much more effective on the suspense/thriller end than I expected it to be. There are a few great chase scenes, and one brutal (though not graphic) murder on-screen, one off-screen. It was also steamier than I expected in one section.
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