| Photos (see all 2 | slideshow) |
| Mike Bacarella | ... | Truck Driver | |
| Etel Billig | ... | Mrs. Bomarita | |
| Phyllis Boyens | ... | Mrs. Hull | |
| Nikki Creswell | ... | Cassie | |
| David Dawson | ... | Amos | |
| Diane Dorsey | ... | Irish Neighbor | |
| Christine Ebersole | ... | Miss Vashinski | |
| Jane Fonda | ... | Gertie Nevels | |
| Derek Googe | |||
| Cheryl Hamada | ... | Mrs. Saito | |
| James N. Harrell | ... | Old John Miller | |
| Ann Hearn | ... | Max | |
| Dan Hedaya | ... | Skyros | |
| Levon Helm | ... | Clovis | |
| Susan Kingsley | ... | Sophronie | |
| Bruce McKinnon | ... | Soldier | |
| Geraldine Page | ... | Mrs. Kendrick | |
| Elizabeth Perez | ... | School Girl | |
| Amanda Plummer | ... | Mamie | |
| Robert Swan | ... | Victor (as Bob Swan) | |
| Studs Terkel | |||
| Mike Timoney | ... | Army Major | |
| Starla Whaley | ... | Clytie | |
| Jamie Wild | ... | Gilbert | |
| Jason Wild | ... | Jean-Claude | |
| David Brady Wilson | ... | Enoch | |
| Sheb Wooley | |||
| Jason Yearwood | ... | Reuben | |
| Dennis Kelly | ... | Mr. Daly (uncredited) |
Directed by | |||
| Daniel Petrie | |||
Writing credits(in alphabetical order) | ||
| Harriet Arnow | novel | |
| Susan Cooper | writer | |
| Hume Cronyn | writer | |
Produced by | |||
| Gary Daigler | .... | associate producer | |
| Bill Finnegan | .... | producer | |
| Bruce Gilbert | .... | executive producer | |
Original Music by | |||
| John Rubinstein | |||
Cinematography by | |||
| Paul Lohmann | |||
Film Editing by | |||
| Rita Roland | |||
Production Design by | |||
| George Jenkins | |||
Costume Design by | |||
| Julie Weiss | |||
Production Management | |||
| John G. Wilson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Gary Daigler | .... | first assistant director | |
| Katterli Frauenfelder | .... | second assistant director | |
Art Department | |||
| Ralph Hall | .... | set designer | |
Sound Department | |||
| Vanessa Theme Ament | .... | foley artist | |
| Chris Carpenter | .... | sound re-recording mixer | |
| Gordon L. Day | .... | sound re-recording mixer | |
| Scott D. Smith | .... | sound mixer | |
| Stan Wetzel | .... | sound re-recording mixer | |
Stunts | |||
| James Fierro | .... | stunts | |
| Rick Le Fevour | .... | stunts | |
| Daniel Maldonado | .... | stunts (uncredited) | |
Transportation Department | |||
| David Smalley | .... | onsceen vehicles | |
Other crew | |||
| Ron Bledsoe | .... | head animal trainer | |
| Debi Karolewski | .... | assistant: Jane Fonda | |
| Ross L. Kulma | .... | set medic | |
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| Gone with the Wind | Roma, città aperta | Hotaru no haka | The Good Earth | Ordinary People |
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| News articles | IMDb Drama section | IMDb USA section |
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The summary may seem like a dichotomy but this movie is so achingly beautiful it is the only way I can describe it so few words. I have only seen this movie once about 20 years ago in its entirety and it's still imprinted on my memory. Each character in this movie is lovingly depicted and so 3-dimensional, even the children (they are such exquisite performances by the children too). You would hardly recognize Jane Fonda not necessarily because of her looks but because her demeanor and accent is so spot on. She really shows just how great of an actress she can be in this role because she couldn't get any further from her privileged background, Hanoi-Jane, wife of Ted Turner real life than this role and yet there isn't even one second of her portrayal that I doubted. She completely inhabited Gertie down to the fabric of her soul. I would highly recommend this movie to anyone who gets the chance to see it. It's hard to believe this was a made-for-TV movie because it so easily could've been made for the big screen. There are very few movies that I've seen that have left the last impression that this one did. To this day, I recall a vast majority of the movie vividly and it's not just the plot points that have stuck with me, it's also the way it made me feel when I saw it. You feel every poignant moment with these characters and you won't soon forget it. As an aside, this movie was my first real exposure to Appalachian music and I've had a fondness for it since. It's a wonderful soundtrack and I've often wished it was available for sale because it is truly beautiful.