| Index | 6 reviews in total |
9 out of 12 people found the following review useful:
The Cold War in a chess game, 19 September 1999
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Author:
paulo BH from Belo Horizonte, Brazil
Disputing the world title of chess, sit down in chairs opposite two soviets. However, none of the two is Russian: one of them, the champion, is Jewish. The other, the challenger, is a Lithuanian, political exile that is refugee in another country. This game will be a mirror of the Cold War: each movement is dangerous, each play is strategically important. Who is the best? The communist Jew, obedient to the Soviet state, or the Lithuanian traitor, enemy of the proletarian revolution? A beautiful end, where the game in itself has, for both, a larger importance than the world title and they consequences. A good film, with reasonable tension, great representative of the rare Swiss movies.
11 out of 17 people found the following review useful:
A major disappointment!, 23 August 2003
Author:
AndrePhilidor from Los Angeles
A well filmed movie of the tense contest for the World Championship
between
Soviet player Akiva Liebeskind (undoubtedly modeled after International
Grandmaster Akiba Rubenstein, a magnificent master of the endgame,
originally a rabbinical student in Poland who never quite made it to the
World Championship level and declined into mental illness), and
Liebeskind's
challenger, Grandmaster Pavius Fromm (almost certainly named after "From"
of
the From's Gambit in chess). Fromm, a Lithuanian political exile from
behind the Iron Curtain, is an arrogant dislikeable pawn of the Soviets
who
have kept his wife prisoner. Virtually unrecognizable are their wives,
the
once lovely Leslie Caron and Swedish star Liv Ullman who have little more
than bit parts.
Personally, as a chessplayer who has been struggling to find the secret of
chess for almost 30 years, it was made clear that Grandmasters of chess
see
farther than us ordinary mortals when Liebeskind analyzes his strategy to
win the next game with the final coup by moving a Rook to the square G10!
(The chessboard has only 8x8 squares.) Many incidents from the real
history
of chess are keyed into the script. When analyzing a game with his team,
he
objects to a player putting a cigarette to his mouth. "But it is not
lit!"
his friend replies. "Yes," says Liebeskind, "but it is well known that in
chess the threat is greater than the execution". A quote right from
Emmanuel Lasker, World Champion for 27 years. And this actualy occurred
in
a top level chess match when a player put an unlit cigar in his mouth, and
his opponent protested.
When each player's team brings in a parapsychologist to stare down or even
hypnotize his the opponent, there are vigorous protests. Exactly what
happened in a match in Baguio City, the Phillipines when World Champion
Anatoly Karpov's team brought parapsychologist Dr. Zharkov from Moscow to
stare down the challenger, dissident and escapee from the Soviet Union,
Viktor Korchnoi. (Korchnoi lost the match.)
In the end, I found the script of this move poorly written, disappointing
in
the ending, well acted and portraying the world of chess and a World
Championship contest reasonably well. One jarring note was the large
number
and rows of empty seats in the auditorium where the World Championship was
being played. In the real world, every seat would have been taken and
overflow audiences would have been in auxiliary rooms watching on TV with
commentary from other GM's unheard by the players. Did the producers just
try to save a few pennies but not hiring enough extras to fill the seats?
Hard to understand when clearly this was an expensive and lavish film
portrayal of a World Chess Championship.
Almost a good movie. As a long time chessplayer, I am glad I watched it.
I
cannot recommend it as worthwhile for general audiences.
9 out of 15 people found the following review useful:
One of the best films I have ever seen, 20 July 2001
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Author:
nchapron from London, England
I saw this film when it came out in 1984, and since then, have been unable to forget it. I have been looking for it everywhere, from shops to the Internet without success. It seemed to have disappeared from the surface of the Earth. Finally, ARTE, a French/German TV channel, decided to broadcast it two months ago...and of course, I recorded it. It is based around a very simple storyline. A chess match. The two main players in the world. Both russians. Two generations fighting against each other, and also two visions of the world. The oldest generation who stayed and endured the last 50 years of Russian history. The younger one who left, but not unscathed. For them, only one thing matters : Chess, but for the outside world, and their entourage, many other things come into account: propaganda, money etc... From the actors to the plot, I cannot find any default with it. It is soberly and superbly played by Michel Piccoli (it is probably the only film where I really liked him) and the whole cast is a marvel. To be seen absolutely !!!
2 out of 3 people found the following review useful:
Multidimensional Film !, 28 September 2010
Author:
ahmed elshikh (ahmed_abd_elreheem@yahoo.com) from Egypt
*** This review may contain spoilers ***
Finally a close to perfect work. This film got it all. The duel, thank god, can be read through more than one dimension, it's how to be rich as a drama, and a thought-provoking film too. One can read it as a brilliant chapter in the cold war's time; the original Soviet communist vs. the Lithuanian enemy of the proletarian revolution. As if it's the eastern block vs. the western world. Then it's a battle of minds between the old generation who believed in something and fought for it, and the young one who rebelled against the first, fighting for the opposite. So it is, as well, the wise old vs. the riotous young. The differences between the 2 main characters are catchy and well-made. One is mystic who loves to unite with nature (great scene, with only music, for him enjoying sailing as if it's a spiritual fun). And the other is more materialistic, with hot pace and temper (enough to remember his leather jacket and motorcycle). I loved the pace, it's meditative and exciting in the same time; which is very hard to achieve by the way. Still the scene of seeking help by external factors to affect the players is smartly comic to the max (that Indian guru, who controls minds, is pure comedy). The 2 lead actors played their roles in iconic way if you will. However nothing is better than the end of it. Simply this film wins immortality by not relaying only on the cold war situation back then, yet it dives into deeper layer to make it essentially a duel between just humans, who wants to assure themselves in the thing they love. Notice well how it doesn't eventually choose a winner or a loser too, because the game is on and the duel is forever between the older and the younger. It's how the film so intelligently will live for more and more; being suitable to watch anytime or anyplace (it outlived the cold war itself already). So it is satisfying whether as politically, philosophically, or and that's the most important as a good effective drama in the first place; where you can watch it only as a thrilling movie about a crucial game of chess between the smartest 2 guys on earth! Naturally, this is one of the best films I have ever seen. Or in another word, this is how films must be made.
4 out of 11 people found the following review useful:
A great game of chess, 23 May 2001
Author:
lionel.willoquet (lionel.willoquet@wanadoo.fr) from Nevers, France
Geneva welcomes the 23rd world chess championship, which sees the confrontation of the Soviet citizen Michel Piccoli, unconquered for 12 years, with his young fellow countryman, now a refugee in the West, Alexandre Arbatt, winner (conqueror) of the " tournament of the candidates "... The chess is only an excuse for a political tussle, the real game taking place gently in the wings in an East-West confrontation. The whole thing is perhaps a little dated.
3 out of 11 people found the following review useful:
Checkmate?, 3 August 2003
Author:
dbdumonteil
Or not?"La diagonale du fou " was extremely well received at the time of issue -it won the prestigious "prix Louis Delluc" and AA- . With hindsight,it's now difficult to understand what the enthusiasm was all about.Heavily symbolic,the movie had high pretensions :the cold war on a chessboard.I must admit that for someone like me who cannot play chess at all,it's pretty tedious.But the biggest bomb is the female parts:what's the point of casting two legendary actresses (Leslie Caron,star of Minelli's musicals " an American in Paris" and "Gigi"and Walters' "Lili",and Bergmanian Liv Ullmann) and giving the first one barely five or six lines ,and the Swedish thespian a fifteen-minute walk -on part?
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