5 user 10 critic

Dang doi lai ming (1984)

Years later, a woman narrates her personal story of the Japanese takeover of Hong Kong in 1941. She's Nam, young, attractive, daughter of a wealthy rice merchant, and prey to painful, ... See full summary »




On Disc

at Amazon

3 wins & 9 nominations. See more awards »


Learn more

People who liked this also liked... 

Action | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A romantic and action packed story of three best friends, a group of high end art thieves, who come into trouble when a love-triangle forms between them.

Director: John Woo
Stars: Leslie Cheung, Yun-Fat Chow, Cherie Chung
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Filmed in New York, story of naive young woman from Hong Kong who goes to New York to study. Street-wise cabbie cousin takes care of her in the big city

Director: Mabel Cheung
Stars: Yun-Fat Chow, Cherie Chung, Danny Bak-Keung Chan
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

After being released from prison, Tang Kat Yung exacts revenge on Li Ah Chai, in this sequel to Rich and Famous.

Director: Taylor Wong
Stars: Yun-Fat Chow, Andy Lau, Alex Man
Yan zhi kou (1987)
Drama | Fantasy | Music
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Fleur is the blue angel in one of Hong Kong's "flower houses" - bordellos and night clubs of the 1930's. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir... See full summary »

Director: Stanley Kwan
Stars: Leslie Cheung, Anita Mui, Alex Man
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A father's ex-girlfriend resurfaces after a 10-year absence wanting to take her son away from him. With his world shattered, he must decide between what is best for his son and his own future happiness.

Director: Johnnie To
Stars: Yun-Fat Chow, Sylvia Chang, Kun-Hsuan Huang
Action | Crime | Romance
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

A tale between two brothers: One has left the triads and gone legit, the other has decided to stay and keep the triad from going to the ways of drugs and gun running.

Director: Tung Cho 'Joe' Cheung
Stars: Yun-Fat Chow, Alan Tang, Pat Ha
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Inside a Chinese prison two inmates form a friendship and face the difficulty of life on the inside.

Director: Ringo Lam
Stars: Yun-Fat Chow, Tony Ka Fai Leung, Ka-Kui Ho
Action | History | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

When a scroll containing valuable martial arts secrets is stolen from the Emperor, an army detachment is sent to recover it. Blademaster, a young martial arts expert, accidentally ends up ... See full summary »

Directors: Siu-Tung Ching, King Hu, and 4 more credits »
Stars: Samuel Hui, Cecilia Yip, Jacky Cheung
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

To pay off his debt as a gambler, a man drags his sister and step-brother into a life of crimeand a violent war between rival gang lords.

Director: Taylor Wong
Stars: Yun-Fat Chow, Andy Lau, Alex Man
Action | War
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

A man travels from China to Vietnam, on the brink of war with America, to retrieve his uncle and cousin but find complications when he falls in love with a female gangster with a dangerous ex.

Director: Hark Tsui
Stars: Yun-Fat Chow, Tony Ka Fai Leung, Anita Mui
Action | Drama | War
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

An action film about a daring commando raid into Vietnam to destroy a munitions dump left behind by American marines.

Director: Sammo Kam-Bo Hung
Stars: Sammo Kam-Bo Hung, Biao Yuen, Haing S. Ngor
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A family of stuntmen suffer the trials and tribulations of their trade.

Director: Shu Tong Wong
Stars: Man Yee Chan, Yun-Fat Chow, Tiet Wo Chu


Credited cast:
Yip Kim Fay (as Chow Yun Fat)
Han Yuk Nam
Kien Shih ...
Chung Shin
Wu Ma ...
Chairman Liu Yan-Mau
Rest of cast listed alphabetically:
Paul Chun ...
Feng Ku ...
Billy Lau ...
Factory Foreman
Yun-Chiang Peng
Chien Yu
Sai-Kit Yung ...
General Kanezawa


Years later, a woman narrates her personal story of the Japanese takeover of Hong Kong in 1941. She's Nam, young, attractive, daughter of a wealthy rice merchant, and prey to painful, disabling seizures. Her boyhood friend is Coolie Keung, whose family used to have wealth; he's now impoverished, a tough kid, a leader, in love with her. Into the mix steps Fay, cool and resourceful, an actor from the north, intent on getting to Gold Mountain in the US or Australia. They form a threesome, but the day they are to leave Hong Kong, the invasion stops them. Fay must rescue Keung from collaborators, Nam falls in love with Fay, and danger awaits their next attempt to escape. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Action | War

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:





| |

Release Date:

2 November 1984 (Hong Kong)  »

Also Known As:

Waiting for Dawn  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Powerful drama and among the HK cinema's masterpieces
28 December 2002 | by (Finland) – See all my reviews

Hong Kong film maker Leung Po Chi's Hong Kong 1941 (1984) was a film that first showed audiences the talent and intense charisma of soon to become superstar Chow Yun Fat as his breakthrough was just two years later in John Woo's stunning gangster piece A Better Tomorrow in 1986. Hong Kong 1941 tells the harrowing story of two Hong Kong based lovers, Alex Man and Cecilia Yip, both very great here, who meet a traveler and a nice fellow (Chow) whom with they get friends with. The year is that of the film's title, and the Japanese are invading China and soon they're going to attack Hong Kong, too, and it doesn't take long before their army arrives and the city full of dreams and people gets into chaos. The three leads try to survive and also learn the power and many sides of true friendship as also Chow falls in love with beautiful Cecilia. No unnecessary humor, no empty or meaningless dialogue, plenty of silence and cinematic power: this is Hong Kong cinema at its most powerful element.

All the actors do great job and there's no over-acting or any other irritating elements in their work. Some very interesting faces are also included in the cast like the director himself and the veteran film maker Wu Ma as the sadistic "fire cracker torturer" but mostly I'm pleased by the work of the leads, the three persons, who give so calm and restrained performances here thanks to the talented director and his ambition to make a believable and touching motion picture. The screenplay is overall very good and the Japanese are not depicted as just sadistic and faceless animals like some other Hong Kong films have done, judging and underlining some dark parts in their history making all of them look completely wicked and rotten. This film just shows and never goes too far. It is pretty correct in other words.

The film won a best cinematography award in 1984 Hong Kong Film Awards (also Chow Yun Fat won the Taiwan Golden Horse for Best Actor in the same year, the film had also many other nominations for different awards) and the visual look is indeed very impressive in its natural lightning, restrained camerawork, some very effective POV shots and angles. The scenery at the beginning and the end not only makes the film look like a "circle" depicting how everything can be different and avoided once we accept to change and look into ourselves, but also gives some very beautiful images of the forthcoming dawn at the sea. Every camerawork detail in the film has its purpose and is not there just to make the piece look "stylish" or special without any other reason.

Among the greatest things in this film is the usage of silence which is so much more powerful than words and dialogue. There are many silent scenes in Hong Kong 1941 (like the boat scene at the beginning and the very emotional scene between Cecilia Yip and Chow once they finally show each others' feelings) and this is definitely something that is usually lacking from many Hong Kong films making them much less than they try to be and express. The power of this art can be at its most brilliant in silence and Japanese master Takeshi Kitano's films (Hana-Bi, Sonatine plus many others) are perhaps the most stunning examples of this.

The theme of Hong Kong 1941 is universal about friendship and sacrifice for the ones we love and care about. The ending could have been the traditional happy one but it isn't as isn't life itself all the time. The ending finally makes the character's in question motives and values as clear as possible in their humanity and good will. Also the harrowing dark sides of our nature get depicted in the piece as some of the historical imagery and war related things are almost shocking and very strong. Violence isn't too plenty in the film, it is just as plenty and graphic as is required to the maximum effect of the piece, and this is definitely the more "easy to take" and polished depiction of the history of China and Japan than film maker Tun Fei Mous' two harrowing films Men Behind the Sun (1987) and Black Sun: The Nanking Massacre (1995). Hong Kong 1941 is in many ways a very powerful film, in its drama, visuality and violence, both emotional and physical. One of the most surprising and effective scenes involve Chow's character and his action in one horrible fire cracker related scene as the viewer definitely doesn't know what his character's doing and is he really saying and doing what we see. The screenplay really is that great and multi leveled and this particular scene is possibly the most striking example of that.

Perhaps the only negative things in the film are in the music and some scenes that seem to run little too long and not having too much to say. The music is very effective for most of the time but I think during one fight scene the music is little irritating and too "fast" or "light" and thus makes the scene look a little too harmless and like your usual Hong Kong action scene. Also some scenes between certain characters seemed a little too long but it may be (as usual in Hong Kong films) that these little negative things are more revealed after multiple viewings.

Hong Kong 1941 is an important piece of cinema and hasn't lost its impact or universal importance at all as as long as this world is inhabited by human beings, films like this are required to make our nature change and make a better tomorrow possible and closer. 9/10

3 of 5 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for: