In 1840's Buenos Aires, Argentina, a beautiful young socialite named Camila falls in love with Ladislao, a Jesuit priest. After several failed attempts at fighting his own feelings, he ... See full summary »
A small incident over two neighbors common wall sparks a conflict which affects the intimacy of the view over the chimney; the protagonist sparks a conflict and with paranoiac obsession destroys everyday life.
Out of the blue, a meek, old painter begins receiving love letters from Rosaura. This intrigues his fellow boarding house tenants, so they involve themselves into his relationship until one day the mysterious Rosaura appears.
María Luisa Robledo
A union organizing demolition worker and a friend of his decide to blackmail the corrupt company they work for setting up a fake accident. Because of a miscalculation the friend dies, but ... See full summary »
Julio De Grazia
19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger lover Alicia and gay actor friend Dante.
Juan Diego Botto,
A young man is on the verge of death due to a traffic accident. Only a doctor keep hope in his recovery: family, friends, and the health institution itself have abandoned him. The relationships established between these two men and with the other characters are obscured by the rarefied atmosphere of those years. An essential factor to consider is the historical moment where the action takes place: the final years of the last civic-military dictatorship in Argentina. This fact is central to better understand the characters and their reactions. Written by
Public (as opposed to private) hospitals in Argentina are supposed to treat patients free of charge; donations from the patient or the patient's family are encouraged but not required. Surprisingly, many hospitals manage to provide first rate care; physicians and nurses give their best on a daily basis in spite of their meager salaries and limited resources. I experimented this first hand in the Hospital de Niños (Children's Hospital) in Buenos Aires in 1972; the patient was my daughter.
One cannot but rejoice that the subject has been given coverage in this movie. Unfortunately the script by director Alejandro Doria and Jacob Langsner is overly dramatic, at times touching soap opera. Some actors (especially Luis Brandoni and China Zorrilla) are feed plenty of cliché lines, others (like Darío Grandinetti) fare better. The reaction of Juan's family to his problem is no doubt conceivable but atypical.
My initial reaction to this movie was somewhat negative. However, it brings to light a reality worth knowing and thus compensates its weaknesses.
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