Dark Mirror (TV 1984)

Director:

Richard Lang

Writers:

Corey Blechman, Nunnally Johnson

Stars:

Jane Seymour, Stephen Collins, Vincent Gardenia

Nominated for 1 Primetime Emmy.

Cast

Credited cast:
Jane Seymour	...	Leigh Cullen / Tracy Cullen
Stephen Collins	...	Dr. Jim Eiseley
Vincent Gardenia	...	Detective Al Church
Rest of cast listed alphabetically:
Hank Brandt	...	Girard
Cathleen Cordell	...	Mrs. Bennett
Reid Cruickshanks	...	Avery
Robert DoQui	...	Higgens
Ty Henderson	...	Wittman
Jack Kruschen	...	Smithson
Bill Quinn	...	Mr. Bennett

Storyline

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Plot Keywords:

remake | twins | murder | evil twin

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Genres:

Drama | Thriller

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Certificate:

Unrated

Details

Country:

USA

Language:

English

Release Date:

5 March 1984 (USA)

Also Known As:

Delitto senza movente

Company Credits

Production Co:

Aaron Spelling Productions

Technical Specs

Runtime:

120 min 120 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1

Did You Know?

Connections

Remake of The Dark Mirror (1946)

User Reviews

This mirror is crack'd.

Jane Seymour has enjoyed a career divided. Half the time, she's portrayed gentle, serene heroines. The other half has been made up of vicious, man-eating vixens. Here, fans of Ms. Seymour will get both! This updating of a 1946 Olivia de Havilland movie focuses on twin sisters, recently reunited after being separated as infants. One or both of them is under suspicion of the murder of a man they were dating under one identity (without his knowledge!) If one doesn't care for Jane, there's no sense in watching any of this because she IS the movie. She's in virtually every scene either as one twin or the other or both. Support comes in the form of blond, rather bland Collins as a blond, rather bland psychiatrist and Gardenia (hamming it up all over the place) as a determined cop. The movie is mainly an excuse to show off Seymour's incredible mane of hair which extends to her rear end and to put her in some hilarious Nolan Miller get-ups. Seymour also gets to show off the two aforementioned aspects of her screen persona. The story does not translate particularly well to a modern setting as the viewer has by now become accustomed to this type of story (a daytime soap opera staple by now!) It was more provocative and surprising in the 1940's. The film asks the audience to believe that two sisters can live under one identity (in a high rise apartment and with designer clothes) and take turns working at a University gift shop (!) for a living!! Whatever they made at that job wouldn't keep them in creme rinse for a week!