The prostitute Liz works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a ... See full summary »
Late on Guy Fawkes Day, 1892, Oscar Wilde arrives at a high-class brothel where a surprise awaits: a staging of his play "Salome," with parts played by prostitutes, Wilde's host, his lover ... See full summary »
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
The thirty year-old hard-worker Bobby Grady is married with two children to the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work the night shift at a fashion design studio whose owner believes his talented and introspective designer Joanna Crane is selling his designs to competitors. Bobby accepts the job to make money and please Amy with a bathtub and follows Joanna after hours. He discovers she has a double life, working as a fifty-dollar hooker called China Blue in the red light district and practicing kinky sex with her clients to satisfy their fantasies. Bobby becomes obsessed by China Blue and when the true thief is found, he has sex with her and they have a crush on each other. Meanwhile the insane preacher Rev. Peter Shayne (Anthony Perkins) decides to save Joanna's soul and stalks her everywhere. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to film critic Roger Ebert, the picture "required massive cuts in the movie before it could qualify for an R rating" in the USA with studio distributor New World Pictures reluctant to release the film stateside with an X rating. See more »
Didn't your mother teach you to wash your hands after you went to the bathroom?
Nope, she taught me not to piss on my fingers.
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It's no surprise that Ken Russell's ambitious psychosexual drama "Crimes of Passion" was not well received upon its initial release back in 1984. But to be fair, based on the heavy edits required to achieve an 'R' rating, it's hard to imagine the film having the same sort of effect as the un-rated director's cut. Explicitness is key to a film of this nature -- necessary for provoking audience reaction, but also for providing a raw layer of intensity to which the viewer can connect with. For example, the explicit dialogue in the bedroom confessional scene between Bobby & Amy Grady (equally fine performances from John Laughlin and Annie Potts) effectively captures the real disconnect present within so many relationships. On one hand there's a need and/or desire for sex as a means of fulfillment and expression of love, but on the other hand there are responsibilities associated with family life that may impede that desire, or in the case of the character of Amy Grady, a general lack of sexual desire is just part of her persona. Meanwhile this leaves her husband Bobby feeling discontented. The film asks then, just how important is sex? Is it an essential part of being happy? In stark contrast to the dynamic between Bobby & Amy Grady, is the character of China Blue/Joanna Crane -- played with absolute gusto by Kathleen Turner (giving one of the finest performances of her career). While her motives remain for the most part unclear, the character of China Blue appears to be using sex as a control mechanism. But what is it that she is trying to control? Through the use of some fairly explicit sex scenes it seems apparent that she enjoys the sex itself while also enjoying the anonymity and emotional disconnect involved with being a girl for hire. But is this feeling the result of her actual disdain for having that emotional connection, or is it a result of having been scarred by a past relationship? The power play argument is reinforced by seeing the Joanna Crane side of the character -- a highly successful undergarment designer with a cool car and a great apartment; someone who seems to have it all, yet wants to take her power one step further. This theory is drawn into question (of course!) when her path crosses with Bobby Grady; someone who seems to be able to offer her the entire package she secretly longs for. To complicate things further, there's the character of Rev. Peter Shayne (an Oscar worthy performance from Anthony Perkins); a man so distraught and shamed by his own inner demons that he seeks his own redemption through the course of offering to redeem China Blue. Throw in an enjoyably hypnotic yet cheesy & dated synthesizer score, and the usual striking visual imagery and religious allegory that Ken Russell is well known for, and the result is a thought provoking and highly entertaining film. Best recommended to those who don't mind being left with a lot of unanswered questions at the end, or who aren't easily offended an 8/10, this film is destined to become a major classic and deserves repeated viewings.
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