The Cotton Club (1984)

Director:

Francis Ford Coppola

Writers:

William Kennedy (story) &
Francis Ford Coppola (story) ...

Release Date:

14 December 1984 (USA)

Genre:

Crime | Drama | Music

Tagline:

It was the jazz age. It was an era of elegance and violence. The action was gambling. The stakes were life and death.

Plot:

The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club...

Plot Keywords:

Jazz | Cultural Assimilation | Dead Boy | Harlem New York City | Controversy

Awards:

Nominated for 2 Oscars. Another 1 win & 6 nominations

Cast

Richard Gere	...	Dixie Dwyer
Gregory Hines	...	Sandman Williams
Diane Lane	...	Vera Cicero
Lonette McKee	...	Lila Rose Oliver
Bob Hoskins	...	Owney Madden
James Remar	...	Dutch Schultz
Nicolas Cage	...	Vincent Dwyer
Allen Garfield	...	Abbadabba Berman
Fred Gwynne	...	Frenchy Demange
Gwen Verdon	...	Tish Dwyer
Lisa Jane Persky	...	Frances Flegenheimer
Maurice Hines	...	Clay Williams
Julian Beck	...	Sol Weinstein
Novella Nelson	...	Madame St. Clair
Laurence Fishburne	...	Bumpy Rhodes (as Larry Fishburne)

Runtime:

127 min | Germany:123 min (video version)

Country:

USA

Language:

English | Italian

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Iceland:16 | Hungary:16 | Australia:M | Argentina:18 | Chile:18 | Finland:K-16 | France:U | Norway:16 (1985) | Sweden:15 | UK:15 | USA:R | West Germany:16

Filming Locations:

5th Avenue, Manhattan, New York City, New York, USA

Company:

Zoetrope Studios

Trivia:

In this film, Ed O'Ross plays one of Dutch Schultz's bodyguards. In Hoodlum (1997), his character kills Schultz.

Goofs:

Continuity: When Dixie goes to ransom Frenchy there is a different amount of shaving cream on Mad Dog's face in every shot.

Quotes:

Dixie: What do they call you?
Sol Weinstein: Nobody calls me nothin'.
Dixie: Not even your mother?
Sol Weinstein: I didn't have a mother. They found me in a garbage pail.

Movie Connections:

Referenced in The Dream Studio (2004) (V)

Soundtrack:

Drop Me Off In Harlem

All That Jazz

Part fictional and part non-fictional, this lavish two-hour Francis Ford Coppola film spotlights the Cotton Club, the legendary, real-life Harlem jazz nightclub that flourished in the Prohibition era of the late 1920s and early 1930s. Richard Gere plays Dixie Dwyer, a young musician who works for mobsters, in an effort to advance his career. Dwyer falls in love with Vera Cicero (Diane Lane), the girlfriend of gangster Dutch Schultz (James Remar). The Dwyer character is based loosely on real-life jazz trumpet player Bix Beiderbecke.

Throughout the film, various gangsters and bootleggers interact, sometimes violently, but much of the action centers around the Cotton Club, an establishment owned in real-life by Owney Madden, played in the film by actor Bob Hoskins. Madden would bring in Black performers to entertain a Whites-only clientèle, a truly racist policy, and a major plot point in the film's story.

The film's plot is somewhat muddled, the result of a less than stellar screenplay. And, as you would expect, the gangster characters are not terribly likable. But the film overcomes these script weaknesses with a captivating visual and musical style that is both tawdry and elegant. The corruption, the violence, and the implied sleaze are garish and tawdry to be sure. Yet, the Club's ambiance gushes with a certain elegance and glamour. It's a strange mix, but one that is entirely consistent with that era in U.S. history.

The film gets points from me for its lush, period piece costumes and production design, and adroit lighting, as well as all those jazz numbers, both sultry and flashy. Gregory Hines together with brother Maurice Hines provide some snappy tap dancing, some of which is improvised. Interestingly, their grandmother really did perform at the Cotton Club during its heyday. Also of interest in the film, viewers get to watch towering Fred Gwynne, who plays Frenchy, the oh-so-serious assistant to Owney Madden; the two of them engage in some interesting dialogue.

Although the script's story and characters are less than ideal, I enjoyed the film a lot, mostly as a result of the tawdry and elegant visual style combined with the lavish jazz numbers. If you're interested in gangster movies or the Prohibition era of American history, this film is a must-see.