Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship.... See full summary »
A sergeant must deal with his desires to save the lives of young soldiers being sent to Vietnam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old army buddy.
Francis Ford Coppola
James Earl Jones
Having discovered that she is pregnant, Natalie Ravenna (Shirley Knight), a Long Island housewife panics and leaves home to see if she might just possibly have made something different out ... See full summary »
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club, those that ran it, and is peppered with the Jazz music that made it so famous. Written by
Colin Tinto <email@example.com>
When Dixie and his family leave the Cotton Club, two small black kids are dancing on the sidewalk for spare change. They are clearly intended to be The Nicholas Brothers, who began dancing at the Cotton Club soon after this. In fact, however, they were already established vaudeville performers in 1928. See more »
When Dixie goes to ransom Frenchy there is a different amount of shaving cream on Mad Dog's face in every shot. See more »
You've got about as much style as a bowl of turnips.
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Forget all the behind the scene's politics; Francis Ford Coppola's dazzlingly stylish, THE COTTON CLUB is certainly one of his best efforts. A movie that deserves it's place alongside other Coppola masterpieces such as, THE GODFATHER and APOCALYPSE NOW.
But the legacy of this film is very strange: The behind the scenes shenanigans is legendary, it was unjustly panned when it was first released, and box-office was slight; however, watching this film you can't help but wonder why?
Everything from the performances to the look of the film is first-rate; with James Remar particularly good as Dutch Schultz, and the ending of this film is nicely reminiscent of THE GODFATHER.
So if your looking for what might be considered a buried Coppola classic, check out THE COTTON CLUB.
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