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The Cotton Club (1984)

 -  Crime | Drama | Music  -  14 December 1984 (USA)
6.5
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Ratings: 6.5/10 from 11,026 users  
Reviews: 75 user | 32 critic

The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club, those that ran it, and is peppered with the Jazz music that made it so famous.

Director:

(as Francis Coppola)

Writers:

(screenplay), (screenplay), 4 more credits »
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Title: The Cotton Club (1984)

The Cotton Club (1984) on IMDb 6.5/10

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Nominated for 2 Oscars. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gwen Verdon ...
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Maurice Hines ...
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Bumpy Rhodes (as Larry Fishburne)
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Storyline

The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club, those that ran it, and is peppered with the Jazz music that made it so famous. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Where crime lords rub elbows with the rich and famous! See more »

Genres:

Crime | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 December 1984 (USA)  »

Also Known As:

Cotton Club  »

Box Office

Budget:

$58,000,000 (estimated)

Gross:

$25,900,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (video)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Actor Richard Gere really is an accomplished trumpet player and performed his own solos in this movie. See more »

Goofs

When Dixie goes to ransom Frenchy there is a different amount of shaving cream on Mad Dog's face in every shot. See more »

Quotes

Owney: Someone oughta take out your brain and pickle it!
See more »

Connections

Referenced in The Great Gatsby (2013) See more »

Soundtracks

Dixie Kidnaps Vera/The Depression Hits/Best Beats Sandman
Composed by John Barry
See more »

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User Reviews

 
"That's how they live in this world. Maybe one day you'll wise up, sap"
8 May 2009 | by (Australia) – See all my reviews

One gets the sense that 'The Cotton Club (1984)' will improve upon repeat viewings, once you've become accustomed to what director Francis Ford Coppola was attempting. After all, this is a gangster film from the man who brought us 'The Godfather (1972)' and its sequels – what else could we expect but another Corleone saga? The film we're delivered is nothing of the sort, a testament to the director's constant willingness to take risks and experiment with new ideas. Indeed, rather than trying to emulate Coppola's former successes, 'The Cotton Club' could more accurately be described as a "gangster musical," a realisation that took me until the film's second half. Do those two genres even go together? Perhaps taking inspiration from Herbert Ross' 'Pennies from Heaven (1981)' – and the mini-series on which it was based – the film blends the ugly brutality and corruption of the Prohibition- era with the dazzling bright lights of the Cotton Club, Harlem's premiere night club. It is this deliberate but uneasy juxtaposition of reality and fantasy that fuels Coppola's vision, an ambitious undertaking without a dominant focus.

The film's major storyline concerns Dixie Dwyer (Richard Gere), a comparatively ordinary jazz musician who unexpectedly finds himself associating with organised crime boss "Dutch" Schultz (James Remar). Dixie is interesting because, unlike your typical hero consumed by the allure of amoral riches, he always remains peripheral to the world of gangsters; he observes, with disapproval, its dishonesty and depravity, but rarely finds himself a part of it. In fact, the closest he ever comes to being a gangster is in Hollywood, where he shares the sort of film roles that made James Cagney and Edward G. Robinson famous. Coppola might have been offering a commentary on the inherently romanticised version of reality offered by the movies, but his "real world" of gangsters is scarcely less stylised. The seedy underbelly of organised crime is paradoxically depicted as taking place in the classiest locales in Harlem, where the crime bosses consume the best alcohol and mix with Hollywood's elite talent (Chaplin, Swanson and Cagney among the featured patrons).

Proving further that Coppola wasn't attempting to replicate his Corleone saga, 'The Cotton Club' also features a rather extraneous subplot with Maurice and Gregory Hines as African-American tap-dancers vying for the "big-time" at the Cotton Club, where (in a bizarre discriminatory switch) only black performers are hired. The regular cross-cutting between this story and Dixie Dwyer's doesn't quite work, and, in any case, the taut romance between Dwyer and tough-girl Vera (an absolutely gorgeous Diane Lane) is much more involving than that between Sandman Williams (Gregory Hines) and mixed-race dancer Lila (Lonette McKee). Among the film's impressive supporting performers are Bob Hoskins and Fred Gwynne as crime associates, Nicholas Cage as an overly-ambitious young thug, Laurence Fishburne as black crime boss Bumpy Rhodes, and James Remar, playing a sleazier and less identifiable version of Dutch Schultz to Dustin Hoffman in 'Billy Bathgate (1991).' The premiere gangster film of 1984 was Leone's 'Once Upon a Time in America (1984),' but, despite being runner-up, nobody can accuse Coppola of playing it safe.


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The Dutchman curlew-2
This is an amazing movie! probably in my top10 Asur18
ending? Saracia
Directors Cut/Extended Version? vangreun
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Pictures of Diane Lane in crotch-high boots! collin_crane77
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