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Così parlò Bellavista (1984)

 -  Comedy  -  6 October 1984 (Italy)
7.2
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Ratings: 7.2/10 from 302 users  
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Naples, Italy, 1970. The story of an "expanded" family trying to overcome daily affairs.

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Title: Così parlò Bellavista (1984)

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Cast

Credited cast:
Antonio Allocca ...
Core 'ngrato
Lucio Allocca ...
Il cameriere
Giovanni Attanasio ...
Il barista
Umberto Bellissimo
Tommaso Bianco ...
Il tassista
Mario Carelli
Biagio Casalini ...
Il presentatore e l'ospite d'onore
Benedetto Casillo ...
Il vice sostituto portiere
Massimo Colatosti
Marina Confalone ...
La cameriera
Gerardo D'Andrea
Isa Danieli ...
La moglie di Bellavista
Gianni De Burg ...
Il parcheggiatore
Luciano De Crescenzo ...
Prof. Bellavista
Francesco De Rosa ...
Il venditore di bare a rate
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Storyline

Naples, Italy, 1970. The story of an "expanded" family trying to overcome daily affairs.

Plot Summary | Add Synopsis

Plot Keywords:

photo booth | See All (1) »

Genres:

Comedy

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Release Date:

6 October 1984 (Italy)  »

Also Known As:

Also sprach Bellavista  »

Filming Locations:


Company Credits

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Technical Specs

Color:

(Telecolor)
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Connections

Followed by Il mistero di Bellavista (1985) See more »

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User Reviews

The golden soul of Naples.
1 July 2004 | by (United States) – See all my reviews

The title translates as "Thus Spoke Bellavista," or as in the case of the Avril Bardoni translation, published in Britain, of Luciano De Crescenzo's book on which this film was based, "Thus Spake Bellavista."

The movie is a collection of Neapolitan vignettes, united by the philosophical words of Gennaro Bellavista, an amiable retired professor of philosophy whose friends, neighbors, and co-Neapolitans we are able to observe. Like the stories of Giuseppe Marotta in "The Gold of Naples" and the De Sica film based on that work, the movie evokes the Neapolitan spirit: garrulous, uncannily shrewd and worldly-wise, poetic, life-affirming, musical, and ever passionate about love

The film is set into motion by the arrival from Milan of Dr. Cazzaniga (Renato Scarpa) transferred to the city of Partenope for business reasons. His rational, logical, methodically north-Italian, north-European style comes into direct conflict with the customs and manners of the locals. Lina Wertmüller's "Ciao, Professore" charts some of this same territory.

It is said that unemployment is the perennial occupation of Naples. Bellavista's daughter is engaged to a young architect who is unemployed. She is already carrying his child. The couple's venture into running a religious-goods shop goes awry when threatened by creditors and the local Camorra.

A fortuitous rapprochement between Bellavista and Cazzaniga begins when they are together in a stalled elevator. From Cazzaniga's subsequent offer of employment to Bellavista's son. the couple will decide to move to Milan. Their child is born on the plane, midway between Naples and Milan. North and South have symbolically come together.

The best things in the film are the numerous minor characters, their mannerisms, facial expressions. Much of what they say could never be properly translated into any other language via subtitles. The Neapolitan dialect has a palette than resists any such conversions. I especially like the scene with the two dotty old ladies, one deaf as a doornail, trying to decide which numbers to select to play in the lottery. There is a wacky bit with a guy who "assists" a man who is having his picture taken in a photo booth. He has the gall to charge the guy for being his "photo director." Only in Naples!

Luciano de Crescenzo, who wrote the original book and directed the film, also stars as its uniting title character, Gennaro Bellavista, and he is a remarkable and admirable presence. The movie was never released in the United States. Too parochial, perhaps? But it was shown at New York's Museum of Modern Art in December of 1993 as part of their film series entitled "Napoletana: Images of a City."


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