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Oh, I can understand why "Conan the Destroyer" is the way it is. The
original, classic "Conan the Barbarian" was a hit, but the Hollywood
decided they could get x-amount more money if they made a more
family-friendly sequel, thereby opening the franchise to the lucrative
market (never mind that, for as long as there have been "restrictive"
ratings, kids have known how to get to see the movies they want). Take
the sex, tone down the violence, crank up the humor, and... out comes this
It's like "Destroyer" is stuck in a state of half-development. The basic storyline would be okay, but the script gives Conan a coterie of unneccessary sidekicks (as if Conan were not a strong enough character to carry a movie by himself). Grace Jones is interesting to look at but gets tiresome VERY fast; the cowardly sidekick gets more irritating by the second; Mako wears this expression like he's only in this one for the money. Olivia d'Abo is just plain miscast: it's like she's a marker that should read "Insert More Interesting Character in Second Draft." Arnold Schwarzenegger does a competent job as Conan, but we don't see the raw power and brute force of the first movie. There is a thin line between competence and complacency, between an actor and a star; it took Roger Moore six years to get to that point in the James Bond series, while Schwarzenegger reaches the same point with Conan in two.
I think part of the problem is whether or not the Conan concept is flexible enough to become family fare, and my answer is "no." Fans of Robert E. Howard's Conan work know his Cimmerian is a very rough-edged hero, a cunning, hard-drinking, hard-fighting man, and the first Conan movie captured that essence. To change him into the simple-minded do-gooder of "Conan the Destroyer" is to destroy what Conan is all about, and the movie suffers for it.
Is "Conan the Destroyer" worth watching? Yes. For someone who knows absolutely nothing about Conan, I suppose it can be a harmless sword-and-sorcery popcorn flick. For Conan fans, it's kind of like "Legend of the Lone Ranger" for Lone Ranger fans: an irresistible example of just how badly Hollywood can treat your favorite character.
I just hope that if there is ever another Conan movie (not likely, thanks to "Destroyer"), the producers will concentrate on following the style of "Conan the Barbarian" and just ignore this one.
After the worldwide success of CONAN THE BARBARIAN, it was inevitable that a
sequel would be made (director John Milius envisioned the saga as a trilogy,
with an aged Conan ruling his own kingdom in the final chapter). But
Universal, seeing star Arnold Schwarzenegger as appealing more to younger
audiences, did not like the R-rated combination of gore, sex, and machismo
philosophy of the first film, so Milius was unceremoniously dumped, and more
family-friendly action director Richard Fleischer was brought in to helm
CONAN THE DESTROYER.
Working with a script by comic book scribes Roy Thomas and Gerry Conway, much of what made the first film so unique was tossed aside. While Milius had Arnold lose weight and study Oriental swordsmanship, in an effort to tone down the bodybuilder look, and make him more flexible and believable as an arena-trained warrior, Fleischer ordered the actor to bulk up as much as possible, hoping to recreate the impossibly-muscled giant painted by Frank Frazetta on the covers of the paperback CONAN novels. Instead of being a taciturn loner, Conan would joke and 'care' about people, with an idiot sidekick (Tracey Walter) to provide comic relief. Bloodletting would be mainly off-camera, sex would consist solely of flashes of cleavage, and any monsters faced would be toned-down so children wouldn't be traumatized. While all this succeeded in garnering a PG rating, the end result was less Robert Howard's barbarian, more the generic B-movie hero seen in the dozens of imitations CONAN THE BARBARIAN had inspired.
The plot is simple; Cruel but beautiful Queen Taramis (SUPERMAN I and II villainess Sarah Douglas) promises to revive Conan's dead love, Valeria, if he'll lead virgin Princess Jehnna (Olivia d'Abo) and her bodyguard (basketball legend Wilt Chamberlain), on a quest to steal a giant diamond, and use it to recover a horn that will bring god Dagoth to life. Joined by his sidekick, Malak, a wizard (Mako), and a female warrior (Grace Jones), the group faces the usual array of monsters, wizards, and enemy soldiers, and defeats them all, succeeding in the quest...but Conan discovers, nearly too late, that the bodyguard has been ordered to murder him, after the horn is retrieved, and that Jehnna is to be sacrificed as part of the process of reviving Dagoth...
While the fight between Conan and Toth-Amon (Pat Roach), in a hall of mirrors, is well-staged and exciting, much of the rest of the film seems flat, with one scene, of Conan blind drunk at a campfire, ridiculously out of character and silly.
CONAN THE DESTROYER didn't achieve anywhere near the success of the original, but Schwarzenegger had no reason to worry; his next film would be a low-budget SF thriller called THE TERMINATOR, and he was about to become a superstar!
A footnote to CONAN...in early 2003, Schwarzenegger and John Milius tentatively agreed to bring CONAN THE KING, the final chapter of the saga, to the screen...With the original director's vision, and the improvements in FX that CGI has provided, we may yet see the ULTIMATE Conan film reach the screen, if Arnold's political career doesn't take precedence!
While the original 'Conan the Barbarian' was more dramatic, the sequel is
played more for laughs. Nonetheless, it is still a highly entertaining sword
and sorcery fantasy flick. The music is again outstanding and carries the
movie where the dialogue fails. Of particular note is Wilt Chamberlain's
impressive performance as the immense Bombatta. He has a tremendous screen
presence, more than just his stature (plus he had to do his own stunts!).
There are lots of memorable scenes throughout the movie. Not a cerebral film, just good old-fashioned fantasy!
If you're looking for a deep, interesting and layered fantasy flick
which makes sense and has an original story, go rent out the first
Conan movie. Conan the Destroyer is pure Hollywood cheese, made because
the Conan the Barbarian was such a hit. The studio execs made the story
more light-hearted, with sidekicks and magic and the kind of story a
thirteen-year-old could watch without getting in trouble.
Oddly enough, it works. While it's light years away from Robert E Howard's original Conan stories, Conan the Destroyer is still great fun, even twenty years after it was made. Arnold Schwarzenegger makes the most of the very silly lines he's given, Tracey Walter proves a capable if somewhat pointless comic foil, and the irony of casting Wilt Chamberlain as a protector of a young princess' virginity is hilarious.
Mako hams it up, Grace Jones takes it all too seriously and Olivia D'Abo makes for a good childlike princess because she was 16 when the film got made. The music's over-dramatic, the lines are laughable ("Some wizard you are! Go back to juggling apples!") and the story's cliché, but for Saturday night viewing, nothing beats Conan the Destroyer.
Possibly Interesting Trivia: This movie was produced by Raffaela De Laurentis, daughter of the famous Dino De Laurentis. She also produced the confusing big-budget epic "Dune". Both Dune and this movie flopped at the box office, and both were filmed in Mexico.
The plot moves on at a fair old pace from one big set piece to another and it is clear the film had a decent budget. In fact, I would say that this is excellent bubblegum sword and sorcery fodder except for a few minor, but annoying quirks. For one thing the comedy sidekick Malak is phenomenally irritating, badly acted, and takes any tension, interest etc out of any scene. Clearly they were going for a wider 'family' appeal with this film, but this was also clearly a decision made some time down the filming process. Most obviously this hits home during the fight scenes with some very choppy cutting as some of the more gruesome bits have been removed. And Conan's second encounter with the camel suffers from this too! That aside the cast carry off their roles with aplomb, Grace Jones in particular really getting across her character's zest for and love of combat. One of the better hack and slash films out there.
*** This review may contain spoilers ***
The great warrior, Conan, is promised the return of his beloved Valeria
if he will lead a quest to find a horn which belongs to an evil god,
Dagoth. Along this journey, accompanied by the princess of whose
kingdom worships Dagoth and her giant guardian, Conan will find others
to assist him along the way as they come across heavy resistance and
danger to their mission to retrieve the horn.
I've read many considering this a homage of sorts to Seven Samurai, and while it does contain a group joining forces to defeat a powerful enemy, this is more of an adventure tale with sword and sorcery(..absent the nudity and gore from Conan the Barbarian which actually appeals to those yearning for the more gratuitous elements sacrificed to obtain a larger audience). Quite an eclectic group we follow, too. Grace Jones as a tribal warrior. Wilt Chamberlain as the princess' guard who we all know could turn on Conan any moment. Mako as a powerful magician whose saved from nearly being a feast for a cannibal tribe. Jeff Corey as a thief who swallows gems he steals. Olivia d'Abo, the virginal princess who secretly desires Conan.
The most unfortunate decision was a limited Sarah Douglas who is perfect as the sinister Queen Taramis who wants to sacrifice d'Abo so that she can command Dagoth to do her will, with designs on ruling the world..she gets little screen time which is a shame, because she's so wonderfully evil Instead the film spends a lot of time on the journey with Conan, Bombaata(Chamberlain), and princess Jehnna(d'Abo)gathering up allies, encountering opposition, providing fans with plenty of swordplay.
A little bloodier than I had remembered, but nowhere near as ultra-violent as Conan the Barbarian. Arnold Schwarzenegger was in fine form during this period, but the movie doesn't demand him to flex in acting muscle, just his pecks when he wields his sword at his adversaries. Most often chuckle at Chamberlain's performance, but, let's be honest, we all know he was hired for his towering presence not his acting chops. Grace Jones goes all out as she normally does, with a giant stick, battling men with swords, eyes bulging, hyena screeching, the works. The Mexico locations provide this film with the proper setting needed for warriors battling in caves, deserts, and under the hot sun. Far less serious approach is applied here compared to Conan the Barbarian which might be why it received less critical reception. Most of the graphic violence is shot away from the viewers' eyes, certain to earn a PG rating, but what did the filmmakers sacrifice in return? Contains another masterful Basil Poledouris score, adding a riveting thrill to the battles not to mention providing Conan with a majestic aura.
This film is more lighter in tone than John Milius' classic, Conan The Barbarian. Probably due to a more lightweight director, Richard Fliescher coming on board, and more importantly a script by Marvel Comics writers Roy Thomas and Gerry Conway. However, the mix is more enjoyable this time around, not as interesting or impessive than its predescessor, but more fun. Arnold never looked more mightier than here, looking like the true Marvel Comics equivelent of the hero, rather than Milius' or Robert Howards version. The script is pretty dull, it has to be said, owing from the likes of Steve Reeves Hercules movies and the classics of Ray Harrihausen. But there is still Arnold, the wonderfull sets, the powerful Basil Poledouris theme, and a cast of Grace Jones, Sarah Douglas, Tracey Walter, Mako, Wilt Chamberlain and Olivier D'Abo, who some how manage to make this resemble an episode of the 60's Batman T.V Series than a piece of Robert Howard soaked fantasy.The fighting scenes a re good and there is a fantastic scene in wich Conan is trapped in a cave of mirrors terrorised by Red-Hooded monsters. The only way to kill them? To smash the mirrors of course. Pure Marvel Comics fantasy.
I don't know why it got such a low rating, I really enjoyed Conan the
Destroyer. I wasn't as good as the first one, but it was a very good
sequel, and definitely worth watching. Good acting, good music, the
special effects could have been better, but they were still good. WATCH
THIS! Arnold did a really good job with this movie. I think one of the
reasons people thought it wasn't good was because it was either
confusing or boring. It wasn't boring at all. And it was a little
confusing because it is a fantasy adventure movie!
Look at Lord of the Rings, that is fantasy, only everybody loves that! What the....
*** This review may contain spoilers ***
When I was a little girl, my parents were hooked on the Conan movies,
but The Destroyer always stood out to me more for some reason. But I
haven't watched this movie for a very long time, so the other night, I
was in a weird mood, I decided to watch the Conan movies. So The
Destroyer was more familiar to me. But the thing is, this movie is a
sort of break through for Arnold, since this movie was a flop at the
box office, he doesn't like sequels, The Terminator being his only
exception. So I was curious as an adult if this movie really was as bad
as it's made out to be, I liked it a little bit when I was a kid, but
when you're a kid, you're fascinated by anything. So watching this
movie, as cheesy as it was, I still had a good time watching it. I
understand why a lot of people have a distaste for it, it's definitely
not up to par with the first Conan, it's more of a comedy vs.
adventure. But I still enjoyed this movie, it's a good bad film that
Conan and his partner, Malek, are brought before Queen Taramis, who asks that Conan perform two tasks for her: obtain a special gem and retrieve the magic horn that can awaken the god, Dagoth. In exchange, she offers to resurrect Conan's dead lover, Valeria. Conan agrees. Conan, Malak, Jehnna, the queen's niece, and Bombaata set off on their journey. Along the way, Conan enlists the aid of his old comrade Akiro and the group later encounters Zula, who joins the party. They then set off after the magical horn, which is kept inside of a mysterious fortress. Jehnna retrieves the horn. After some difficulty from the cult residing in the fortress, they try to make their way back to Queen Taramis however, Bombaata betrays Conan and takes Jehnna, leaving the others to fight for their lives.
The story is a bit much and it's not the same as the original, but if you give it a fair enough chance, I think you'll enjoy it too. It is a bit more comedic and steers away from the original story, but I think the comedy still made it fun. I loved the addition of Grace Jones, she was one tough chick and could stand proudly next to Conan; even if she did have a silly Japanese anime type of look to her hair in the end. I loved the costumes and the special effects and of course, Arnold. Conan is the part that he was meant to play and he carries the movie well with the other cast. Granted I know the direction isn't really good, it does have a more cheesy vibe as this was the same director for our favorite barbarian box office flop that was Red Sonja. There are a lot of plot holes and a script that could us a more than a few touch up's, but give the movie a fair enough chance, don't compare it to the original, on it's own, I'm sure you'll have a good time watching it.
I have been captivated by Conan's heroic fantasy world for many years.
For this reason alone I am rating this film as 6/10. Do not expect a
continuation of the first Conan film. 'Conan The Destroyer' is too
light in its scope and Conan is not the same man anymore. The villains
are also not as menacing.
Having said that it was good to see Grace Jones and Sarah Douglas and also Conan's companions had good lines and were very funny at times.
As a side note I found the adjective 'Destroyer' in the title quite misleading and unfortunate. For those of us that read the Conan novels we see Conan driven by his own motivations, and fighting his battles only if he had to and not for the sake of destroying. The film distributors could have picked something else to promote the movie.
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