| Photos (See all 43 | slideshow) | Videos (see all 3) |
| Arnold Schwarzenegger | ... | Conan | |
| Grace Jones | ... | Zula | |
| Wilt Chamberlain | ... | Bombaata | |
| Mako | ... | Akiro 'The Wizard' | |
| Tracey Walter | ... | Malak | |
| Sarah Douglas | ... | Queen Taramis | |
| Olivia d'Abo | ... | Princess Jehnna (as Olivia D'Abo) | |
| Pat Roach | ... | Man Ape / Toth-Amon | |
| Jeff Corey | ... | Grand Vizier | |
| Sven-Ole Thorsen | ... | Togra (as Sven Ole Thorsen) | |
| Bruce Fleischer | ... | Village Heckler | |
| Ferdy Mayne | ... | The Leader (as Ferdinand Mayne) | |
| rest of cast listed alphabetically: | |||
| André the Giant | ... | Dagoth (uncredited) | |
| Angel Ashley | ... | (uncredited) | |
| Matt Conner | ... | Zeus (uncredited) | |
| Erik Holmey | ... | Henchman of Queen Taramis (uncredited) | |
| Terry O'Neill | ... | Village Heavy (uncredited) | |
| John Sabol | ... | Warrior in village (uncredited) | |
Directed by | |||
| Richard Fleischer | |||
Writing credits | ||
| Robert E. Howard | (character) | |
| Roy Thomas | (story) & | |
| Gerry Conway | (story) | |
| Stanley Mann | (screenplay) | |
Produced by | |||
| Dino De Laurentiis | .... | executive producer | |
| Raffaella De Laurentiis | .... | producer | |
| Stephen F. Kesten | .... | executive producer | |
| Edward R. Pressman | .... | producer | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Jack Cardiff | (photographed by) | ||
Film Editing by | |||
| Frank J. Urioste | |||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Pier Luigi Basile | |||
Art Direction by | |||
| José María Alarcón | |||
| Kevin Phipps | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| Giannetto De Rossi | .... | creative makeup | |
| Mirella De Rossi | .... | key hair stylist | |
| Luigi Rocchetti | .... | makeup artist | |
Production Management | |||
| Anuar Badin | .... | production supervisor | |
| Moira Kelly | .... | production supervisor | |
| Stephen F. Kesten | .... | unit production manager | |
| Kuki López Rodero | .... | production supervisor | |
Art Department | |||
| Pablo Alonso | .... | model maker | |
| Ángel Arriola | .... | model maker | |
| Sante Barelli | .... | chief painter | |
| Mariano Fernandez Berenguer | .... | chief plasterer | |
| Jose Bolano | .... | chief plasterer | |
| Antonio Paramo Campos | .... | chief plasterer | |
| Vito Consoli | .... | chief painter | |
| Steve Cooper | .... | draughtsman | |
| Steve Cooper | .... | set designer | |
| Antonio De Toro | .... | chief painter | |
| Giorgio Desideri | .... | set dresser | |
| Ron Downing | .... | stand-by prop man | |
| Andrew Holder | .... | chief sculptor | |
| John Haydn Larson Jr. | .... | chief sculptor | |
| Tanya Lowe | .... | apprentice illustrator | |
| Giles Masters | .... | draughtsman | |
| Jacinto Soria | .... | model maker | |
| William Stout | .... | concept designer (as Bill Stout) | |
| Graham Sumner | .... | property master | |
| Maurice Zuberano | .... | storyboard artist | |
| Moises Pineda | .... | production buyer assistant (uncredited) | |
Sound Department | |||
| Ray Alba | .... | sound editor | |
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Shelley Brown | .... | apprentice sound editor | |
| Milton C. Burrow | .... | supervising sound editor | |
| Scott Burrow | .... | sound editor | |
| Tom E. Dahl | .... | sound re-recording mixer | |
| Jeff Jones | .... | assistant sound editor | |
| Jack Kirschner | .... | sound editor | |
| Edward Malone | .... | assistant sound editor | |
| Lorane Mitchell | .... | sound editor | |
| Art Ottinger | .... | loop dialogue | |
| Keith Stafford | .... | sound editor | |
| Manuel Topete | .... | sound mixer | |
| Martin Maryska | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Antonio Balandín | .... | special effects technician | |
| Alfonso Gutiérrez | .... | special effects technician | |
| Steve Humphrey | .... | special effects technician | |
| Carlo Rambaldi | .... | creature designer: Dagoth | |
| Chuck E. Stewart | .... | special effects technician | |
| John K. Stirber | .... | special effects supervisor | |
Visual Effects by | |||
| Charles L. Finance | .... | visual effects coordinator | |
| Michael Lloyd | .... | optical graphics | |
| Emilio Ruiz del Río | .... | foreground miniatures | |
Stunts | |||
| Román Ariznavarreta | .... | stunts | |
| Vic Armstrong | .... | stunt coordinator | |
| Nate Brown | .... | stunts | |
| Ignacio Carreño | .... | stunts (as Ignacio Carreño López) | |
| Joaquin Olias Mena | .... | stunts | |
| José Panizo | .... | stunts | |
| Miguel Pedregosa | .... | stunt coordinator | |
| Cory Pierson | .... | stunts | |
| José María Serrano | .... | stunts | |
Camera and Electrical Department | |||
| Apache | .... | key grip | |
| Neil Binney | .... | camera operator | |
| John Cardiff | .... | camera operator | |
| Roy Furness | .... | electrician | |
| Frank Heeney | .... | gaffer | |
| Gerhard Hentschel | .... | camera maintenance | |
| Ignazio Maccarone | .... | practical electrician | |
| John Matthews | .... | best boy | |
| Roger McDonald | .... | focus puller | |
| Ron McKay | .... | electrician | |
| David Tondeur | .... | clapper loader | |
| George Whitear | .... | still photographer | |
| René Marquéz | .... | electrician (uncredited) | |
Animation Department | |||
| Sam Kirson | .... | animator | |
| Gabi Payn | .... | animator (as Garry Payne) | |
Casting Department | |||
| Nina Axelrod | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Thomas Casterline | .... | wardrobe supervisor | |
| Ana Maria Infante | .... | wardrobe mistress | |
| Michael Jones | .... | milliner | |
| Mary Etta Lang | .... | dyer | |
| Edward Percival | .... | cutter | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Douglas Clark | .... | apprentice film editor | |
| Mark Eggenweiler | .... | assistant film editor | |
| Deborah Phipps | .... | assistant cutter (as Debbie Harkness) | |
| Roz Ward | .... | assistant cutter | |
Music Department | |||
| Daniel Allan Carlin | .... | supervising music editor | |
| Angelo Giovagnoli | .... | musician: french horn solo | |
| Gilbert Marouani | .... | music consultant | |
| Greig McRitchie | .... | orchestrator | |
| Basil Poledouris | .... | conductor | |
| Jack Smalley | .... | orchestrator | |
Transportation Department | |||
| Arturo Curiel | .... | driver (uncredited) | |
Other crew | |||
| Ginette Angosse | .... | assistant: Ms. DeLaurentiis | |
| Craig Campobasso | .... | production office assistant | |
| Pamela Carlton | .... | script supervisor | |
| L. Sprague De Camp | .... | technical advisor | |
| Eduardo De La Grana | .... | assistant accountant | |
| Ricardo Del Río | .... | Dagoth crew | |
| Thomas Freman | .... | assistant accountant | |
| Federica Gallen | .... | Dagoth crew | |
| Bruno Landis | .... | Dagoth crew | |
| Lauren Marems | .... | Dagoth crew (as Laurie Marems) | |
| Michael Menzies | .... | supervising accountant | |
| Barry Nolan | .... | supervisor special photographic effects (as Barry A. Nolan) | |
| Debbie Peterson | .... | production secretary | |
| Juan Clemente Prosper | .... | location manager (as Juan Clemente) | |
| Jane Rayleigh | .... | production secretary | |
| Timoteo Nevado Roman | .... | wrangler | |
| Bruno Rubeo | .... | Dagoth crew | |
| Robert Schaefer | .... | title art (as Bob Schaeffer) | |
| Paolo Scipione | .... | Dagoth crew | |
| Anne Strick | .... | unit publicist | |
| Steve Townsend | .... | Dagoth crew | |
| Debbie Van Hoek | .... | location contact | |
| Kiyoshi Yamasaki | .... | sword master | |
| Arturo Del Rio | .... | production assistant (uncredited) | |
| 'Chico' Hernandez | .... | wrangler: Mexico (uncredited) | |
| Harry Kopoian | .... | airport liaison: Mexico (uncredited) | |
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| Conan the Barbarian | Conan the Barbarian | Red Sonja | The Scorpion King | The Dark Mist |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Oh, I can understand why "Conan the Destroyer" is the way it is. The original, classic "Conan the Barbarian" was a hit, but the Hollywood bigwigs decided they could get x-amount more money if they made a more family-friendly sequel, thereby opening the franchise to the lucrative kid's market (never mind that, for as long as there have been "restrictive" movie ratings, kids have known how to get to see the movies they want). Take out the sex, tone down the violence, crank up the humor, and... out comes this movie.
It's like "Destroyer" is stuck in a state of half-development. The basic storyline would be okay, but the script gives Conan a coterie of unneccessary sidekicks (as if Conan were not a strong enough character to carry a movie by himself). Grace Jones is interesting to look at but gets tiresome VERY fast; the cowardly sidekick gets more irritating by the second; Mako wears this expression like he's only in this one for the money. Olivia d'Abo is just plain miscast: it's like she's a marker that should read "Insert More Interesting Character in Second Draft." Arnold Schwarzenegger does a competent job as Conan, but we don't see the raw power and brute force of the first movie. There is a thin line between competence and complacency, between an actor and a star; it took Roger Moore six years to get to that point in the James Bond series, while Schwarzenegger reaches the same point with Conan in two.
I think part of the problem is whether or not the Conan concept is flexible enough to become family fare, and my answer is "no." Fans of Robert E. Howard's Conan work know his Cimmerian is a very rough-edged hero, a cunning, hard-drinking, hard-fighting man, and the first Conan movie captured that essence. To change him into the simple-minded do-gooder of "Conan the Destroyer" is to destroy what Conan is all about, and the movie suffers for it.
Is "Conan the Destroyer" worth watching? Yes. For someone who knows absolutely nothing about Conan, I suppose it can be a harmless sword-and-sorcery popcorn flick. For Conan fans, it's kind of like "Legend of the Lone Ranger" for Lone Ranger fans: an irresistible example of just how badly Hollywood can treat your favorite character.
I just hope that if there is ever another Conan movie (not likely, thanks to "Destroyer"), the producers will concentrate on following the style of "Conan the Barbarian" and just ignore this one.