A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in ... See full summary »
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An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
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A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in love with handsome, heavily eyebrowed strangers with a smoldering look in their eyes; about sudden disappearances of spouses when the moon is round & the wolves are howling in the woods; about babies found inside stork eggs, in a stork nest high up a tree; etc., etc. Of course the story of Little Red Ridinghood is also present, with a very handsome he-wolf! (And of course this he-wolf consumes Grandmother, but 'consumes' Little Red Ridinghood). All the stories are somehow reducible to loss of innocence, and fear of/hunger for (a newly acquired sense of) sexuality; their Freudian character is mirrored in their dreamlike shapes. This movie is not really a horror movie; it's more a multiple tale about growing up into adolescence. Written by
Homme A. Piest <email@example.com>
Due to both budgetary constraints and fears about safety, most of the 'wolves' in the film are actually Belgian Shepherd Dogs whose fur has been dyed. For some of the close-up shots of Rosaleen ('Sarah Patterson') interacting with the wolf towards the end of the film, a real wolf was used. During the entirety of the production, only two real wolves were used. See more »
[hears wolves howl]
Who's come to sing us carols, then?
Only my companions, darling. I love the company of wolves. Look out of the window and you'll see them.
Poor creatures. It's freezing cold out there. No wonder they howl so.
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The company of wolves is very far from being the typical movie about werewolves, it's very different from films such as An American Werewolf in London or The Howling. This film is full of symbolism, it's a kind of rewriting of Perrault's Little Red Ridding Hood with Freudian elements. The film was directed by Neil Jordan, but in it we can notice the writing of Angela Carter, an author who is mainly interested in rewriting folklore myths from a feminist point of view. If you see this film you will enter a world of magic, of dreams, not only by means of the script, but also by the settings, which are really wonderful. The film itself deals with the end of childhood and the beginning of adolescence, with all its sexual connotations, and the loss of innocence. When we become adults we realize life is not a magic tale. All this is treated from a feminist point of view, the main character is a girl who dreams about several stories with werewolves. Visually the movie is incredible, and it manages to reflect the symbolism of woods, the mixture of light and darkness, the magic creatures which live there during the night and the dangerous inside them especially for the girls who don't follow the path. From my point of view the film is one of the best dealing with the myth of werewolves, mainly because the film is a metaphor of life, of the human specie, all of us have an animal inside.
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