Saxophonist Danny witnesses the murder of his band manager and a deaf-mute girl after a gig. Questioned by the police, he remembers only the orthopedic shoes of the killers' leader. So ... See full summary »
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie ... See full summary »
The two teenagers Jimmy and Rose spend their vacation at the small Irish sea-resort Bray. Out of boredom they observe other people and imagine wild stories about them. One day they observe ... See full summary »
The film is primarily based on the werewolf stories in Angela Carter's short story collection The Bloody Chamber ('The Company of Wolves', 'Wolf-Alice' and 'The Werewolf'). However, the plot of the film is more similar to Carter's 1980 radio adaptation of 'The Company of Wolves' than to the original story, as it was in the adaptation that Carter introduced such concepts as digressive narration within the main narrative (in the original story, the various diversionary narratives are separate from and occur prior to the main narrative). See more »
[after the huntsman turns into a wolf from being shot, tearfully]
I'm sorry. I never knew a wolf could cry.
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This odd, adult fairy tale was all but thrown away when first released, and perhaps not without reason. The dark, dreamlike blend of magic, mysticism, and psycho-Freudian symbolism must have totally confounded the marketing team who (out of frustration?) chose to present it as a horror film in the same vein as 'An American Werewolf in London' or 'The Howling'. The story is set in a strange, Arcadian forest apparently deep inside the dreams of a sleeping young girl on the brink of womanhood, who conjures up a facsimile Little Red Riding Hood, warned by her wise old grandmother to beware of those wolves that are "hairy on the inside". Aside from one or two distracting but visceral werewolf transformation scenes the film is an imaginative and unique reflection on the origins of fable, admittedly not for all tastes.
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