A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in ... See full summary »
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This film contains four distinct, separate stories. "Black Hair": A poor samurai who divorces his true love to marry for money, but finds the marriage disastrous and returns to his old wife... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Director:
Michele Soavi
Stars:
Hugh Quarshie,
Tomas Arana,
Feodor Chaliapin Jr.
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Ainar the lonely, his friend Gunnar, ... See full summary »
Director:
Guy Maddin
Stars:
Kyle McCulloch,
Michael Gottli,
Angela Heck
A village in Nineteenth Century Europe is at first relieved when a circus breaks through the quarantine to take the local's minds off the plague. But their troubles are only beginning as ... See full summary »
Director:
Robert Young
Stars:
Adrienne Corri,
Thorley Walters,
Anthony Higgins
Inspired by fairy-tales such as Alice in Wonderland and Little Red-Riding Hood, "Valerie and her Week of Wonders" is a surreal tale in which love, fear, sex and religion merge into one fantastic world.
Director:
Jaromil Jires
Stars:
Jaroslava Schallerová,
Helena Anýzová,
Petr Kopriva
A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in love with handsome, heavily eyebrowed strangers with a smoldering look in their eyes; about sudden disappearances of spouses when the moon is round & the wolves are howling in the woods; about babies found inside stork eggs, in a stork nest high up a tree; etc., etc. Of course the story of Little Red Ridinghood is also present, with a very handsome he-wolf! (And of course this he-wolf consumes Grandmother, but 'consumes' Little Red Ridinghood). All the stories are somehow reducible to loss of innocence, and fear of/hunger for (a newly acquired sense of) sexuality; their Freudian character is mirrored in their dreamlike shapes. This movie is not really a horror movie; it's more a multiple tale about growing up into adolescence. Written by
Homme A. Piest <piest@pobox.leidenuniv.nl>
The voiceover at the end of the film is the moral from Charles Perrault's original Little Red Riding Hood story, 'Le Petit Chaperon Rouge', which warns young girls always to be wary of charming strangers. See more »
The company of wolves is very far from being the typical movie about werewolves, it's very different from films such as An American Werewolf in London or The Howling. This film is full of symbolism, it's a kind of rewriting of Perrault's Little Red Ridding Hood with Freudian elements. The film was directed by Neil Jordan, but in it we can notice the writing of Angela Carter, an author who is mainly interested in rewriting folklore myths from a feminist point of view. If you see this film you will enter a world of magic, of dreams, not only by means of the script, but also by the settings, which are really wonderful. The film itself deals with the end of childhood and the beginning of adolescence, with all its sexual connotations, and the loss of innocence. When we become adults we realize life is not a magic tale. All this is treated from a feminist point of view, the main character is a girl who dreams about several stories with werewolves. Visually the movie is incredible, and it manages to reflect the symbolism of woods, the mixture of light and darkness, the magic creatures which live there during the night and the dangerous inside them especially for the girls who don't follow the path. From my point of view the film is one of the best dealing with the myth of werewolves, mainly because the film is a metaphor of life, of the human specie, all of us have an animal inside.
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The company of wolves is very far from being the typical movie about werewolves, it's very different from films such as An American Werewolf in London or The Howling. This film is full of symbolism, it's a kind of rewriting of Perrault's Little Red Ridding Hood with Freudian elements. The film was directed by Neil Jordan, but in it we can notice the writing of Angela Carter, an author who is mainly interested in rewriting folklore myths from a feminist point of view. If you see this film you will enter a world of magic, of dreams, not only by means of the script, but also by the settings, which are really wonderful. The film itself deals with the end of childhood and the beginning of adolescence, with all its sexual connotations, and the loss of innocence. When we become adults we realize life is not a magic tale. All this is treated from a feminist point of view, the main character is a girl who dreams about several stories with werewolves. Visually the movie is incredible, and it manages to reflect the symbolism of woods, the mixture of light and darkness, the magic creatures which live there during the night and the dangerous inside them especially for the girls who don't follow the path. From my point of view the film is one of the best dealing with the myth of werewolves, mainly because the film is a metaphor of life, of the human specie, all of us have an animal inside.