A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in ... See full summary »
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told a tale by their Icelandic grandmother about Einar the Lonely, his friend Gunnar, and the ... See full summary »
This film contains four distinct, separate stories. "Black Hair": A poor samurai who divorces his true love to marry for money, but finds the marriage disastrous and returns to his old wife... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
Inspired by fairy-tales such as Alice in Wonderland and Little Red-Riding Hood, "Valerie and her Week of Wonders" is a surreal tale in which love, fear, sex and religion merge into one fantastic world.
A village in Nineteenth Century Europe is at first relieved when a circus breaks through the quarantine to take the local's minds off the plague. But their troubles are only beginning as ... See full summary »
A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in love with handsome, heavily eyebrowed strangers with a smoldering look in their eyes; about sudden disappearances of spouses when the moon is round & the wolves are howling in the woods; about babies found inside stork eggs, in a stork nest high up a tree; etc., etc. Of course the story of Little Red Ridinghood is also present, with a very handsome he-wolf! (And of course this he-wolf consumes Grandmother, but 'consumes' Little Red Ridinghood). All the stories are somehow reducible to loss of innocence, and fear of/hunger for (a newly acquired sense of) sexuality; their Freudian character is mirrored in their dreamlike shapes. This movie is not really a horror movie; it's more a multiple tale about growing up into adolescence. Written by
Homme A. Piest <firstname.lastname@example.org>
During the shooting of the scene where the duck is used as bait to lure in the wolf, a real wolf was used. However, when shooting the scene, as the wolf approached the hole, the duck quaked and the wolf ran away, and refused to go near the whole again. The scene then had to be shot with another wolf the next day. See more »
So I wasn't good enough for you? I was once. Once upon a time! Don't you remember? Well, don't you? The Wolves in the forest are more decent!
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This movie is a commentary on the passage from innocence to adulthood and the life we throw away as we make that transition. It is series of dream sequences that cover the many ways a man becomes a werewolf while the primary story line is moody reworking of the Little Red Riding Hood tale. The movie itself is very complex and not for those looking for a straight horror movie or a fantasy love story. It puts forth the premise that childhood must end, and we must all in time give in to the animal within. The ending is one that comes as a surprise and a shock to most viewers. The transformation scenes are some of the most incredible in the history of werewolf movies. Those who view this movie will either walk away confused or find themselves changed in some subtle way. It tends to be a bit hard to find in the video stores, but it is more than worth the trouble of searching.
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