Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
Kansas City in the 1930s: private investigator Mike Murphy's partner is brutally murdered when he tries to blackmail a mobster with his secret accounting records. When a rival gang boss goes after the missing records, ex-policeman Murphy is forced to team up again with his ex-partner Lieutenant Speer, even though they can't stand each other, to fight both gangs before KC erupts in a mob war. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
"Fat Freddy" is also the name of a character in the underground comic book "The Fabulous Furry Freak Brothers". See more »
This first time Murphy (Burt Reynolds) visits his apartment, he switches on his 1930s era radio, which instantly begins playing music, as a modern one would. This is incorrect - a radio of that era contained vacuum tubes, and it would have taken the radio several minutes to "warm up" before any music could be heard. See more »
[to Speer as he and Speer are trying to get information from a hoodlum]
*After* we get the information, *then* you can kill him.
See more »
There's no excuse for this movie being as bad as it is. Given the talent involved, absolute minimal effort would have made it a memorable film, significant effort would probably have pushed it to the level of classic. However, Clint Eastwood is as wooden as ever, he's unlikeable, unbelievable and forgettable in this. Burt Reynolds seems desperately grasping in every scene for a funny moment and finds none. They have zero chemistry with each other, nor do they have any real chemistry with the the rest of the characters, which despite being well cast are also all one-dimensional and uninteresting. The story is poorly slapped together, boring and simply doesn't work. The production value is actually good but the story and execution are crap. It's seems as if all the effort went into preproduction and the filming was an after thought. They had to have really gone out of their way to sabotage this thing, but apparently they did. It's crap.
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