Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Philo Beddoe is an easy-going trucker and a great fist-fighter. With two friends - Orville, who promotes prize-fights for him, and Clyde, the orangutan he won on a bet - he roams the San ... See full summary »
Kansas City in the 1930s: private investigator Mike Murphy's partner is brutally murdered when he tries to blackmail a mobster with his secret accounting records. When a rival gang boss goes after the missing records, ex-policeman Murphy is forced to team up again with his ex-partner Lieutenant Speer, even though they can't stand each other, to fight both gangs before KC erupts in a mob war. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Blake Edwards was the original writer and director on the project. He stepped aside as director after creative differences with star Clint Eastwood. The earlier Burt Reynolds movie Rough Cut (1980) was also originally intended to be directed by Edwards who left that project too. Edwards and Reynolds did in fact work together on The Man Who Loved Women (1983), made and released about a year before this movie. See more »
In the gunfight scene in the street, when Lt. Speer is walking down the street with the pump-action shotgun, the audio is of the action being operated in one fluid motion, while the video shows the action being pulled open, Speer pauses momentarily, and then closes the action, with no sound. See more »
[she and Speer are sharing a drink from a bottle of illegal booze labeled furniture polish]
Wow! This really is furniture polish!
Shocking what Prohibition causes some people to drink these days.
See more »
By most accounts, Clint Eastwood hijacked his long-awaited teaming with fellow superstar Burt Reynolds and the credits bear this out. After showing writer-director Blake Edwards the door, Eastwood recruited the more malleable Richard Benjamin to direct (in his autobiography, Reynolds said Benjamin was "terrified" of Eastwood), ordered Edwards' script be given a rewrite by Joseph Stinson whose only other credit was the previous year's Dirty Harry film, "Sudden Impact," brought in key players from his Malpaso crew (notably Fritz Manes as producer and Lennie Niehaus as composer), and even dumped Edwards' title, "Kansas City Jazz," in favor of the equally imaginative (I'm kidding) "City Heat."
Despite Dirty Harry's takeover, "City Heat" emerges as a showcase for Reynolds. He has the most screen time and the zippiest dialogue, but playing against a typically wooden Eastwood also heightens the opportunity for Reynolds to reap laughs with his more extroverted approach. The contrast between the two is very entertaining.
Critics were quick to dismiss this Christmas 1984 release as a bomb which it certainly appeared to be beside the Eddie Murphy blockbuster, "Beverly Hills Cop," in release at the same time. It is disappointing (Edwards would likely have given it more class), but by no means a dud. It breezes along at a comfortable pace, mixes its laughs evenly with action, and should make for a satisfying indulgence for fans of the two stars.
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