On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge ... See full summary »
Scrooge, the ultimate Victorian miser, hasn't a good word for Christmas, though his impoverished clerk Cratchit and nephew Fred are full of holiday spirit. But in the night, Scrooge is ... See full summary »
Made for television version of the Charles Dickens classic of the same name. Ebenezer Scrooge is a hard-nosed, single-minded businessman in Victorian London. He has disowned his only living relative - his nephew Fred - and generally treats everyone he meets with extreme contempt. He hates Christmas, only cares about making money and only gives his clerk, Bob Cratchit, the day off. However, he is taught the true meaning and spirit of Christmas by three ghosts who show him his own past and present. He is also shown what the future holds for him if he doesn't change his behavior. Written by
Jason Ihle <firstname.lastname@example.org>
Unlike other film adaptations and the book, the scene of Scrooge's shrouded corpse occurs before the Opportunists scene. See more »
The spinet piano during Christmas Present was not available until the 1930s. See more »
[to the Ghost of Christmas Yet To Come]
Good Spirit, your nature intercedes for me and pities me. Assure me that I may yet change these shadows, by an altered life. I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The spirits of all Three shall strive within me! I will not shut out the lessons that they teach! Tell me that I may sponge the writing from this stone!
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Far richer in texture and character than even the classics from the 30's and 50's. George C. Scott was born to be Scrooge, just as he was born to be Patton. Mr. Scott will be known as one of the greatest actors of the 20th century. The character of Scrooge as played by Mr. Scott seemed to jump off the screen. Scott as Scrooge brought an richer, more robust, yet a more deeply moving Scrooge to the screen than any of his predecessors in the role of the meanest man in 18th century London. Mr. Scott seemed to bring Scrooge to a more personal, understandable yet highly conflicted level; his role was acted with the great authority Scott always bring to the screen: yet his usual bellicose voice would sometimes be brought to a whisper, almost as a soliloquy, as he would berate the Christmas holiday in one breath, yet reveal his own human frailty in his next line. He could portray the sour and crusty Scrooge, and a misunderstood, sympathetic Scrooge all in the same scene.
Truly a remarkable performance by a giant of his generation.
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