Cal, a young man on the fringes of the IRA, falls in love with Marcella, a Catholic woman whose husband, a Protestant policeman, was killed one year earlier by the IRA.

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Nominated for 2 BAFTA Film Awards. Another 2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
Cal
...
Shamie
...
...
Cyril Dunlop
Stevan Rimkus ...
Crilly
Catherine Gibson ...
Mrs. Morton
Louis Rolston ...
Dermot Ryan
Tom Hickey ...
Preacher
Gerard Mannix Flynn ...
Arty
Seamus Forde ...
Mr. Morton
Edward Byrne ...
Skeffington Sr
...
Man in Library
Audrey Johnson ...
Lucy
Brian Munn ...
Robert Morton
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Storyline

Cal, a young man on the fringes of the IRA, falls in love with Marcella, a Catholic woman whose husband, a Protestant policeman, was killed one year earlier by the IRA. Written by Mark Whitnall <whitnall@rockroseweb.com>

Plot Summary | Add Synopsis

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Out of Ireland's struggle, a passionate love is born.


Certificate:

R | See all certifications »
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Details

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Release Date:

24 August 1984 (USA)  »

Also Known As:

Cal - Memórias de um Terrorista  »

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Did You Know?

Trivia

Third film that employed Mark Knopfler as composer after Comfort and Joy (1984) and Local Hero (1983). See more »

Goofs

Cal buys a present and puts it in his coat pocket but it disappears as he continues to walk. See more »

Quotes

Cal: I would die for you.
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Connections

Referenced in The Lost Boys (1987) See more »

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User Reviews

 
Momentum
17 February 2008 | by (Ireland) – See all my reviews

A strangely and unhappily compelling film from the pen over the wildly over-rated Bernard MacLaverty. The script piles improbability on improbability but, given that its premise is so unlikely, perhaps that is the point, a kind of coincidental momentum of the poor and the bad.

Helen Mirren doesn't fare too well as an RUC widow - there are many Irish actresses who could have suited and played this role much more convincingly. John Lynch is fine, looks the part, capturing something of the long-haired, unwashed aesthetic of the hunger-strikers of the time. The best performance is easily by Donal McCann as Lynch's Da, greasily working up a sweat at the local slaughterhouse. Ray McAnally is wasted in a small part.

I wouldn't recommend it to anyone, but it's an interesting addition to the Troubles archive. Some fine photography and backdrops go a long way towards salvaging a rotten script.


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