A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation. But the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
Tony's father Sam, abducted by aliens three years earlier, returns to earth and seeks out his wife and son, but Rachel has since been living with Joe and the reunion is awkward. Joe doesn't... See full summary »
Harry Bromley Davenport
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A rash of bizarre murders in New York City seems to point to a group of grotesquely deformed vagrants living in the sewers. A courageous policeman, a photo journalist and his girlfriend, and a nutty bum, who seems to know a lot about the creatures, band together to try and determine what the creatures are and how to stop them. Written by
Philip Brubaker <firstname.lastname@example.org>
In 2011, as an April Fool's Day joke, the Criterion Collection, the USA's most prestigious distributor of home video, announced that it was releasing a special-edition DVD and Blu-ray Disc of the film with spine number 573. It was later assigned to The Music Room (1958). See more »
When A.J. 'The Reverend' Shepherd is locked in the sewer by that mysterious stranger, a crew member can be seen in his glasses. See more »
Cooper, you son of a bitch. I'm in jail. I only get one phone call. You think I wanna waste it talking to some goddamn fucking machine?
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B-listers battle homeless monsters for food stamps...
"C.H.U.D." is one of those semi-name oddities that always stood out on video store shelves when I was a youth (lamenting the 'parental lock' on all horror movies I so badly wanted to rent), what with the darkened figures congregating around a manhole, eyes glowing white. Years later, I have finally gotten a chance to see the film, and my response is pretty mixed: it lies somewhere between the Land of Campy and the Dominion of Creepy, with some elements of the Retro Rest Area thrown in for good measure. "C.H.U.D." takes a formula familiar to anybody who's seen a '50s 'Big Bug' flick: Evil Guys In Suits are dumping toxic waste where it doesn't belong (in this case, the sewers below Manhattan), thus inspiring some unexpected and unpleasant side effects in the homeless people living under the city--they transform into C.H.U.D.s (Cannibalistic Humanoid Underground Dwellers), reptilian-looking monsters with a taste for human flesh. While the premise is extremely cheesy, director Douglas Cheek teeters the line between camp and horror rather well--not all-out serious nor a straight romp, it strikes a fair balance (the creepily minimalist, synth-driven score helps, too). The cast of semi-name actors (John Heard, Kim Greist, and a wonderfully wiggy Daniel Stern) treat the material at face value, but never wink at the camera, thus engendering a bizarre charm to the events that transpire. Unfortunately, even for a film that plays as fast and loose as "C.H.U.D." does, it leaves a few too many unresolved plot points for my liking. But if you want something a fair distance from the mainstream radar, greased with the grimy spirit of the 1980s, look no further than "C.H.U.D."
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