Danny Rose is a manager of artists, and although he's not very successful, he nevertheless goes out of his way to help his acts. So when Lou Canova, a singer who has a chance of making a come-back, asks Danny to help him with a problem, Danny helps him. This problem is Lou's mistress Tina. Lou wants Tina to be at his concerts, otherwise he can't perform, but he's married, so Danny has to take her along as if she was his girlfriend. Danny however gets more than he has bargained for when two mobsters come looking for the guy who has hurt their brother by stealing the heart of Tina, the girl he loves. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The deli owner who informs Danny Rose about the fate of one the characters in the movie was really the co-owner of the legendary Carnegie Deli where the scene was shot. He was a retired comic and actor who retained his SAG card named Leo Steiner. He was only cast after the actors Woody Allen brought to the location were inadequate. See more »
In one scene, Danny can be seen walking past a movie theater, that lists _Haloween III (1982)_ on the marquee, when the film is supposed to take place in the 1970s. See more »
Although a very funny film, Broadway Danny Rose is more of character study and philosophical morality play. This film explores the life and values of Danny Rose (played by Allen)--a theatrical talent manager. Although he appears to be a hapless loser, Rose is smart enough to know how to get ahead in his business (do it to others before they do it to you) but is prevented from acting thusly by his morality and his compassion for his clients--which he treats like family. He pours all his energy into his clients' careers only to be abandoned by them when they finally hit it big. In the course of an "adventure" with the hard-bitten Farrow, his values imperceptibly rub off on her and begin working on her conscious. Her moral conversion is completed when she seeks Rose's forgiveness at the much talked about Thanksgiving dinner--a scene not about pathetic losers but rather a study of fellowship, compassion, redemption, and forgiveness.
Allen and Farrow both give career performances. Nick Apollo Forte is absolutely wonderful. The casting, locations, directing, and performances could not be better. Every aspiring film maker should study this film as the perfect example of a powerful "little" film. Watch the film several times and you'll like it more each time. It is may favorite Woody Allen film (everything else is a distant second) and one of my favorite films of all time. The film's lack of commercial and critical success speaks volumes about the sensibilities and values of our society.
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