Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Charlie talks wealthy farmer's daughter Tillie into eloping with him (and taking her father's money). In the city Tillie gets drunk and lands in jail while Charlie runs off with her money ... See full summary »
Robert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to ... See full summary »
Cecil B. DeMille
On his deathbed Carmine Vespucci's father tells him to "get Proclo". With "the hit" on, Gaetano tells a cab driver to take him where Carmine can't find him. He arrives at the Ritz, a gay ... See full summary »
Danny Rose is a manager of artists, and although he's not very successful, he nevertheless goes out of his way to help his acts. So when Lou Canova, a singer who has a chance of making a come-back, asks Danny to help him with a problem, Danny helps him. This problem is Lou's mistress Tina. Lou wants Tina to be at his concerts, otherwise he can't perform, but he's married, so Danny has to take her along as if she was his girlfriend. Danny however gets more than he has bargained for when two mobsters come looking for the guy who has hurt their brother by stealing the heart of Tina, the girl he loves. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
One of the most commonly leveled criticisms against Woody Allen is that he has no range as an actor or is that he simply plays the same stammering intellectual in all of his films. Nothing could be further from the truth and this film is testament to this fact.
This beautifully shot film is concerned with theatrical agent, Danny Rose, a man who takes on blind xylophone players and one legged tap dancers. Terrible acts and yet Rose believes in every single one of them, no matter how badly they are doing. His big break comes with the public's newfound appetite for nostalgia, which brings egomaniac and alcoholic crooner, Lou Canova back into the public eye.
Canova flourishes and is set to make his comeback complete when he requires Rose to bring his mistress, Tina to the concert. Various complications and highjinks ensure that this is no easy task.
This is the comedy of the situation and the movie relies on this farce for its comic effect. However, what separates this from other sub-standard films is the characterisation that Allen brings to Rose. At first glance Rose is a loser, whose acts leave him as soon as they get anywhere. But the belief he has in his charges and the commitment he is prepared to put into them allows a great deal of empathy for him. Allen plays it brilliantly, allowing just the right amount of pathos and charm.
A splendid movie, full of the typical Allen one liners and with one very very funny shoot out scene with helium.
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