A troubled yet gifted young street dancer can help a famed dancer/choreographer to redeem himself, while winning the heart of a beautiful dancer, but will his violent past, personal demons, and the chip on his shoulder let him?
After his family is killed in Japan by ninjas, Cho and his son Kane come to America to start a new life. He opens a doll shop but is unwittingly importing heroin in the dolls. When he finds... See full summary »
In this movie based on the early days of Def Jam Recordings, up-and-coming manager Russell Walker manages all the hottest acts on the record label Krush Groove Records, which include ... See full summary »
After just completing his training at a ninja school, an army vet travels to the Phillippines and finds himself battling a land grabber who wants his war-buddy's property. He must also ... See full summary »
Technicolor & tights. In the days of King Henry IV, stalwart young Myles and his sister Meg have been raised as peasants, without any knowledge of who their father really was. But one day ... See full summary »
Old meets new when a dance instructor takes on a group of kids from the streets. They have a new style of dance but need the old school technique. Caught up in a world of drug lords and ... See full summary »
One of two films that would be distributed by Tri-Star Pictures for Cannon. The other was Lifeforce (1985), which they drastically cut to everyone's dissatisfaction. See more »
When Ozone and Strobe are squaring off at the Radiotron, the faux-fur tail attached to the back of Ozone's hat is alternately lying across his shoulder in close shots and straight down his back in far shots. See more »
Nothing in the world can prepare you for Breakin 2: Electric Boogaloo. No description does it justice, no warning truly gives you an idea of what you are in store for. Few movies are as bizarre, yet oddly compelling at the same time.
Because one movie wasn't enough to contain these people; Breakin 2 picks up where the first movie picks off. Or so I assume, I haven't seen Breakin, but the three main characters Kelly (Lucinda Dickey), Ozone (Adolfo Quinones) and Turbo (Michael Chambers) are the same. In this installment the trio try to save a youth center named Miracles from the clutches of evil (read: white and unhip) government bigwigs who want to bulldoze the unsafe building and make way for a new shopping center.
It's fortunate that the trio live in an alternate universe in which breakdancing can solve all of society's ills. No exaggeration here; over the course of ninety-four boogie filled minutes, dancing stops bulldozers, pays bills, ends gang wars, and even cures the ill and the infirm (One person bounds out of the wheelchair in jubilation; apparently they simply forgot they could walk). There is so much dancing in this movie that it frequently appears that the plot is intruding on it, and not the other way around. These are people who work a hard day's living dancing then go home and blow off some steam by, what else, dancing.
This isn't a poorly made movie in the traditional sense; it isn't full of continuity holes or bad special effects. For all its silliness, it probably succeeds in exactly the way it wanted to; as a movie about people who love breakdancing so much they'd rather do that than say, eat, sleep, converse, or share meaningful human contact. More than fifteen years later, it's terribly quaint, and hilariously dated. But it has a city-wide dance party, a hospital-wide dance party, a dance-filled climax (a shock, I know) and two performances by Ice-T. What more do you want? Do yourself a favor and rent this movie. By the end, you'll be dancing too.
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